Various - Kraut! Teil 3 - KRAUT! - Die innovativen Jahre des Krautrock 1968-1979 (2-CD)
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Various - Kraut!: Teil 3 - KRAUT! - Die innovativen Jahre des Krautrock 1968-1979 (2-CD)
- Progressive Rock from Germany!
- Never before has there been a comparable compilation!
- Towards the end of the 1960s, German bands began their first attempts to emancipate themselves stylistically from their US and British role models.
- ProgRock and Pchychedelia from our country were initially smiled at internationally and disparagingly called 'Krautrock' by cult DeeJay John Peel, among others.
- Unorthodox formations could not be pigeonholed, and so a scene with a wide musical range was created.
- This third part is dedicated to the South of Germany and presents popular bands such as Embryo, Kraan, Volker Kriegel, Guru Guru next to Action, Dzyan, Sahara, or Octopus and Orange Peel . Mostly remastered from digital tape copies by Marcus Heumann without wasting the original sound.
- Compiled and commented on 112(!) pages by Burghard Rausch (DeeJay, vinyl collector, drummer, radio presenter/author and book editor).
The four editions are regionally structured. The third part deals with the South. All editions are compiled by Burghard Rausch and commented on in detail. The authorof several books on 'Rock in Germany', radio author and presenter, drummer (Agitation Free, among others), vinyl collector and DeeJay with enormous expertise has already been in charge of the NDW series for Bear Family.
'Smash! Boom! Bang!' covers the complete history of Beat music in Germany on a total of 30 individual CDs, the CD documentation 'Für wen wir singen - Liedermacher in Deutschland' (‘For whom we sing – Singer/songwriters in Germany’), consisting of four triple CDs, describes the singer/songwriter scene with 274 individual songs, supplemented by the 10 CD box set 'Die Burg Waldeck Festivals 1964-1969'. And finally 'Aus grauer Städte Mauern - Die Neue Deutsche Welle 1977-1985', Bear Family's four-part double CD series with popular and weird sound examples and a total of about 600(!) pages of accompanying text.
Video von Various - Kraut! - Teil 3 - KRAUT! - Die innovativen Jahre des Krautrock 1968-1979 (2-CD)
Article properties: Various - Kraut!: Teil 3 - KRAUT! - Die innovativen Jahre des Krautrock 1968-1979 (2-CD)
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Interpret: Various - Kraut!
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Album titlle: Teil 3 - KRAUT! - Die innovativen Jahre des Krautrock 1968-1979 (2-CD)
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Genre Rock
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Label Bear Family Records
- Preiscode BS
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Artikelart CD
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EAN: 5397102176234
- weight in Kg 0.2
| Various - Kraut! - Teil 3 - KRAUT! - Die innovativen Jahre des Krautrock 1968-1979 (2-CD) CD 1 | ||||
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| 01 | See Me In Your Dreams | 18 Karat Gold |
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| 02 | Jump Into Your Grave | Emergency |
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| 03 | Gibli | Niagara |
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| 04 | Rainbow Rider | Sahara |
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| 05 | Uroboros | Between |
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| 06 | Soham | Deuter |
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| 07 | Tausendfüssler | Embryo |
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| 08 | Blue Apple | Gift |
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| 09 | Menschen wie Sand am Meer | Ihre Kinder |
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| 10 | Mechelwind | Aera |
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| 11 | Contacts – Rudiment | Joy Unlimited |
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| 12 | Good Time Gracie | Kin Ping Meh |
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| 13 | Holiday am Marterhorn | Kraan |
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| Various - Kraut! - Teil 3 - KRAUT! - Die innovativen Jahre des Krautrock 1968-1979 (2-CD) CD 2 | ||||
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| 01 | Haben Rock | Checkpoint Charlie |
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| 02 | Mellodrama 2a | Wolfgang Dauners Et Cetera |
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| 03 | I'm Coming Home | Bullfrog |
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| 04 | Fohat's Work | Dzyan |
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| 05 | Windmill | Volker Kriegel |
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| 06 | We're Losing Touch | Octopus |
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| 07 | Tobacco Road | Orange Peel |
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| 08 | Der Elektrolurch | Guru Guru |
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| 09 | Miscarriage Of Human Thinking (Part II) | Action |
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| 10 | Black Sand | Brainticket |
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KRAUT! is a fine Krautrock cross-section in four editions, sorted by region - North, Central, South and Berlin, with the greatest hits, much long forgotten music and the most important songs.
At the end of the 60s, the Federal Republic of Germany developed a very individual and unique soundtrack to the social upheaval that was taking place at the same time. A large part of the young generation at that time revolted against the bourgeoisie, against the determining opinion sovereignty of the Springer press, against the bias of the media, against the muff under the gowns and against the general US-American guardianship. The breaking away from the Republic of the parents, but also the rejection of the real-existing socialism of the GDR, was accompanied by an additional resistance against the existing cultural values. Driven by the idea of finding a new path to a German identity in modern pop culture with penetrating curiosity and naive openness, musicians all over Germany went in search of a soundtrack that would be absolutely unique.
The social and musical roots of Krautrock lie in the time of the student revolt in the mid-1960s. With the emergence of psychedelic rock, hard rock and progressive rock, new special forms of rock music emerged worldwide - even sound visionaries like Karlheinz Stockhausen had a great influence. There were certainly overlaps with British prog rock bands. However, the creative approach of the Krautrock bands, who wanted to free themselves from international role models as well as fixed schemes of music making, was completely different. In general, it was a progressive basic idea, which expressed itself in strongly structured and freely improvised forms.
But the term 'Krautrock' was also a synonym for rock music from Germany, which did not want to give in to the mere imitation of rock 'n' roll or beat models from the English-speaking world. For a long time, 'Krautrock' was rather a collective term and a disparagingly used expression for everything that stomped Teutonic, i.e. wooden and bulky. The English music press also wanted to make fun of the growing self-confidence of German rock bands. Krautrock' stood for Teutonic meticulousness, ponderousness, pathos and rhythmic cramps in the German bands of the time. Nobody really had an exact definition, but everyone knew what was meant when it was mentioned - everything German was Kraut!
In the mid 70s the Krautrock boom ended as suddenly as it began and it took more than two decades to remember the qualities of that time. For since many techno musicians in the second half of the 90s referred to the Krautrockers' desire to experiment, Krautrock experienced a renaissance. The revival was nourished by various re-releases of old records.
Burghard Rausch, born in 1947, born in Berlin: DJ, radio presenter, author and music journalist - among others for RIAS-Berlin, Radio Bremen and ByteFM - vinyl collector and drummer (Agitation Free, Bel Ami), co-author of 'Stationen - Die Trends der Rock-Epoche Mitte der 80er' (with Joachim Deicke), co-author of the 'Rockmusik- Lexikon' (with Christian Graf), editor, compiler, biographer and author of the four-part CD series 'NDW - Aus grauer Städte Mauern' (NDW - From grey cities walls)
© Bear Family Records
Krautrock – das Kraut, das man nicht nur essen und rauchen, sondern auch hören kann: ´KRAUT! – Die innovativen Jahre des Krautrock´!
Wer bereits die neueste Sampler-Reihe der „Bear Family“ verfolgt und sich erstmals oder abermals in den Krautrock verliebt hat, der weiß, dass nach dem Ausschwärmen nach krautigen Klängen im Norden des Landes (mit Teil 1) und der Mitte deutscher Landen (mit Teil 2) nun im dritten Teil der Süden der Republik an der Reihe ist: ´KRAUT! – Die innovativen Jahre des Krautrock 1968-1979´!
Erneut konnte sich die „Bear Family“ der digitalen Kopien von populären oder weniger bekannten Combos der besten Krautrockjahre bemächtigen, von Marcus Heumann im ursprünglichen Klangbild mastern und die Zusammenstellung von Burghard Rausch (DeeJay, Rundfunkmoderator, Vinylsammler, Schlagzeuger bei u. a. AGITATION FREE) auf 112 Seiten kommentieren lassen, so dass der Informationsgehalt bald dem eines Buches gleicht.
Krautrock ist schließlich mehr als CAN und TANGERINE DREAM, KRAFTWERK und NEKTAR: Krautrock ist und kann alles sein. Ein ganzes Universum für den Krautrock. Alles möglich. Alles darf. Und natürlich wäre keine Sampler-Reihe vollständig, erst recht nicht bei der alleinigen Berücksichtigung des Südens der Republik, die KIN PING MEH, KRAAN oder GURU GURU auslassen würde.
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