Various - Country & Western Hit Parade 1961 - Dim Lights, Thick Smoke And Hillbilly Music

1-CD-Album deluxe with 72-page booklet, 31 tracks. Playing time approx. 80 mns.

'Dim Lights, Thick Smoke And Hillbilly Music 1961'
Country & Western Hit Parade 1961


It was the year that the first inductions were made into the as-yet unbuilt Country Music Hall of Fame. The Hall of Fame was an extension of the Country Music Association, founded in 1958 as a rearguard action against rock 'n' roll. Two of rock 'n' roll's staunchest opponents, Acuff-Rose's Wesley Rose and Starday's Don Pierce, were among the founders. The initial inductees into the Association's Hall of Fame were Wesley's father, Fred, together with Fred's protégé, Hank Williams, alongside the almost forgotten Jimmie Rodgers. The plaques were unveiled at the Grand Ole Opry on November 3, 1961 and were placed on display at the Tennessee State Museum until the Country Music Hall of Fame was completed in 1967.

In January 1961, Shelby Singleton arrived in Nashville from Shreveport, Louisiana, and opened a Mercury Records office in the Cumberland Lodge Building on Seventh Avenue North. With his arrival, Mercury became a serious player in country music for the first time in its fifteen-year history. Within nine months, Singleton came up with Leroy Van Dyke's Walk On By, George Jones' Tender Years, Joe Dowell's Wooden Heart, and Ray Stevens' Ahab The Arab. The latter two were pop hits recorded in Nashville. Singleton's flamboyancy was just what Mercury needed to establish a presence in a city dominated by the three major players, RCA, Columbia, and Decca. In March 1961, Singleton brought Jerry Kennedy up from Shreveport.

 Kennedy had started recording as a solo artist for RCA when he was eleven, and had been a staff musician on the Louisiana Hayride in his teens. "I had known Shelby, and I'd go to his house and help him stuff records in envelopes,"  he says. "Then one day he asked me to help him run a record shop, and we opened the Bayou Record Store in Shreveport. After that it all happened so quickly. Shelby went to Dallas and cut a cover version of 'Please Help Me, I'm Falling' with Rusty Draper, and then it was, 'Hey, I'm going to Nashville to take over A&R.' I wasn't that keen on moving up, but I came on March 1st to play sessions. I was only making one or two sessions a week, and I was ready to go home by the end of the month, but Shelby got me on the payroll as his assistant."

Kennedy essentially replaced another guitarist, Hank Garland, who became incapacitated after a traffic accident. The most supremely adaptable of Nashville's A-team guitarists, Garland had stepped from the shadows to release his first jazz album in February 1961 (an album that was also the first jazz album produced by Columbia's Don Law after thirty years of A&R work). The following month, Garland was in Hawaii with Elvis Presley before returning to the studios. But then, on the morning of September 8, 1961, he quarreled with his wife, who took their two children to a Nashville motel. Arriving home, Garland found them gone and assumed she'd gone back to her family in Milwaukee. He set out for Milwaukee at top speed intending to catch her, but, around 5:00pm, his vehicle overturned near Springfield, Tennessee.

Garland was thrown from the vehicle and spent weeks in a coma. The story goes that after he came out of the coma, fellow A-teamer Grady Martin brought him a guitar, but left Vanderbilt Hospital in tears because Garland couldn't maintain his coordination. As his money ran out, his friends signed his name on Musicians' Union cards to give him some income. Of course, the record companies owed Garland that … and much more. He'd played on countless sessions, turning in wonderfully succinct and lyrical solos for artists as diverse as Red Foley, Don Gibson, Elvis Presley, the Everly Brothers, Conway Twitty, and Eddy Arnold. Garland never resumed an active role in music, and lingered in a twilight world until his death in 2004. That same year, a movie about his life, 'Crazy,' appeared in limited release, implying that his accident was no accident. Those in the know weren't buying it.

Nineteen-sixty-one was also a year dominated by country music's new breed of songwriters: Willie Nelson, Roger Miller, Hank Cochran, Bill Anderson, and…above all…Harlan Howard. Together, they created one of the most memorable years in country music history. Few years yielded so many songs still in rotation.

Dim Lights, Thick Smoke And Hillbilly Music

Country & Western Hit Parade

Diese Serie ist das Nonplus ultra, großartig aufgemacht und mit perfektem Mastering

Jack Clement, der Johnny Cash, Roy Orbison, Waylon Jennings, Don Williams und viele andere produziert hat, sagte: "Dies ist fraglos die beste Country-Serie der Musikgeschichte, kein Zweifel!" Und Robert Hilburn schrieb in der 'Los Angeles Times': "Dieses unschätzbar wertvolle Album-Projekt... ermöglicht es den Fans so zuzuhö ren, wie es schon Elvis Presley, Ray Charles und Bob Dylan taten."

Die Hits sind ergänzt um Raritäten, die die Country Music – und die Musik generell – in den Folgejahren be- einflußt haben: zum Beispiel Wanda Jacksons Originalversion von Silver Threads And Golden Needles, Carl Belews Original von Lonely Street und Chet Atkins' wegweisendes Walk, Don't Run.

Diese Serie ist konzipiert, um neue Hörer für das Beste zu gewinnen, das die Country Music je anzubieten hatte, aber auch um alte Fans bestens zu unterhalten. Jede einzelne CD steht für eine wunderbare Zeitreise.

Neben den Hits präsentiert die Serie viele Raritäten, die die Country Music – und die Musik generell – in der Folgezeit beeinflußt haben.

Wie alles begann:

Seit vielen Jahren erhielten wir immer wieder Anfragen nach einer definitiven Country-Serie. Und nachdem unsere chronologisch sortierten R&B-/Soul-Reihen 'Blowin' The Fuse' und zuletzt 'Sweet Soul Music' (denen sich demnächst ein Projekt zur Funk Music anschließen wird) zu Riesenerfolgen wurden, haben wir entschieden: Das machen wir in vergleichbarer Form auch für die Country Music! Die ersten Folgen von 'Dim Lights, Thick Smoke And Hillbilly Music' befaßten sich mit den Jah- ren 1945 bis 1955 – jetzt setzen wir die Reise fort und bewegen uns dabei Richtung Nashville Sound.

Die Serie wurde auf Fans von heute zugeschnitten. Natürlich enthält sie die großen Hits; aber ebenso gibt es klassische Aufnah- men, die es damals nicht nach ganz oben geschafft haben und dennoch später einflußreich wurden. Jede CD glänzt mit bei- spielhaft detaillierten Erläuterungen aus erster Hand sowie mit sensationell seltenen Fotos. Und es wird aufgezeigt, wie sich die Country Music kontinuierlich weiterentwickelte, während es in anderen Bereichen des amerikanischen Musikgeschäftes deutli- che Verwerfungen gab. Jedes einzelne Booklet ist unglaubliche 72 Seiten stark! Also alles wie gewünscht: die definitive Serie!

Superlative werden zwar manchmal überstrapaziert – aber wir sind sicher: Die Serie ist Teil unserer Idee, diese Musik auch nach- gewachsenen Fans näherzubringen – und zugleich die Kenner gut zu unterhalten. Los geht es im Jahr 1956 – als die Country Music sich mit dem Rock'n'Roll arrangieren musste, der für Aufruhr sorgte.... 

Dim Lights, Thick Smoke And Hillbilly Music - Country & Western Hitparade

Read more at: https://www.bear-family.de/bear-family/country-serien/dim-light-thick-smoke-and-hillbillly-music/
Copyright © Bear Family Records