Various - Country & Western Hit Parade 1969 - Dim Lights, Thick Smoke And Hillbilly Music

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Various - Country & Western Hit Parade: 1969 - Dim Lights, Thick Smoke And Hillbilly Music
On January 20, 1969, Richard Nixon became the thirty-seventh President of the United States. Later that year, he adopted the phrase silent majority to connote the preponderance of people who did not protest, take drugs, or excoriate him. And 1969 was the year that the silent majority's preferred music, country, invaded television. Perhaps for the first time, country music was unavoidable. One week before Nixon's inauguration, The Glen Campbell Goodtime Hour was first broadcast on CBS-TV, and who needed a goodtime hour more than the silent majority circa '69? Campbell's potential as a personable TV host was spotted in 1968 when he'd hosted the Smothers Brothers' summer replacement show. And then, when CBS saw that Campbell's entirely uncontroversial show was doing well, the network abruptly canceled the anti-authoritarian Smothers Brothers. Campbell boosted the careers of Mel Tillis and Jerry Reed, and his theme song, Gentle On My Mind, was usually sung by John Hartford, but most of his guests were from mainstream entertainment.
The Smothers' timeslot wasn't taken by Campbell, but by Hee Haw. With The Beverly Hillbillies, Mayberry RFD, Green Acres, Petticoat Junction, and Glen Campbell's Goodtime Hour running concurrently with Hee Haw, it seemed as if rural values and rural music were omnipresent, and this at a time when traditional values were under assault. In addition to network shows, The Porter Wagoner Show and The Wilburn Brothers Show were still in syndication in 100 markets throughout the South and elsewhere.
Two of Hee Haw's three creators were Canadian and the third was a New Yorker, Bernie Brillstein, so it was hardly surprising that the show pandered to stereotypes. Brillstein and his partners formulated Hee Haw as a country version of Rowan &, Martin's Laugh-In. As Brillstein said later, "I turned to [my wife] Laura and said, 'What does a donkey say when he makes that godawful sound?' 'Hee-haw,' she said. 'That's it!' First week, we got a 41 share [41% of all televisions turned on in that timeslot were tuned to 'Hee-Haw']. Even then, CBS didn't want to pick it up after the summer. They put on Leslie Uggams who tanked, and who did they turn to? 'Hee Haw.'" (In fact, Uggams was replaced by Campbell while Hee Haw was rescheduled for mid-week). After CBS canned Hee-Haw in July 1971, the producers found sponsors market by market, and it ran in syndication until 1992. If the cornpone humor was ghastly, the music was often first rate. Buck Owens hosted the show until 1986 and nearly every major country star of the day appeared. Even Elvis Presley wanted to appear, but the Colonel wanted otherwise.
One week before Hee Haw first aired, The Johnny Cash Show began its three-year run on ABC-TV. The show was filmed at the Ryman Auditorium, the increasingly decrepit home of the Grand Ole Opry in the heart of the rapidly deteriorating downtown core of Nashville. The first show featured Bob Dylan and Joni Mitchell, and made a star of Doug Kershaw. The guest list was eclectic, running the gamut from old time showbiz royalty to cutting-edge folk, rock and R&,B artists. In the middle of every show, Cash would do his Ride This Train segment, further embellishing his role as a curator of Americana. Merle Travis was conscripted to write some of the dialog. And in England, Cash's San Quentin special, filmed by Granada-TV in February 1969, aired in April before the accompanying album and the single of A Boy Named Sue were released.
Article properties:Various - Country & Western Hit Parade: 1969 - Dim Lights, Thick Smoke And Hillbilly Music
Interpret: Various - Country & Western Hit Parade
Album titlle: 1969 - Dim Lights, Thick Smoke And Hillbilly Music
Genre Country
Label Bear Family Records
- Preiscode AR
- Edition 2 Deluxe Edition
Artikelart CD
EAN: 5397102172649
- weight in Kg 0.2
| Various - Country & Western Hit Parade - 1969 - Dim Lights, Thick Smoke And Hillbilly Music CD 1 | ||||
|---|---|---|---|---|
| 01 | Kay | Ryles I, John Wesley | ||
| 02 | Who's Gonna Mow Your Grass? | Owens, Buck | ||
| 03 | (Margie's At) The Lincoln Park Inn | Bare, Bobby | ||
| 04 | Drug Store Truck Drivin' Man | Byrds, The | ||
| 05 | Workin' Man Blues | Haggard, Merle | ||
| 06 | Woman Of The World (Leave My World Alone) | Lynn, Loretta | ||
| 07 | All I Have To Offer You (Is Me) | Pride, Charley | ||
| 08 | Galveston | Campbell, Glen | ||
| 09 | To Make Love Sweeter For You | Lewis, Jerry Lee | ||
| 10 | A Boy Named Sue | Cash, Johnny | ||
| 11 | Rings Of Gold | West, Dottie & Gibson, Don | ||
| 12 | Statue Of A Fool | Greene, Jack | ||
| 13 | Me And Bobbie McGee | Miller, Roger | ||
| 14 | Sin City | Flying Burrito Brothers | ||
| 15 | Homecoming | Hall, Tom T. | ||
| 16 | I'll Share My World With You | Jones, George | ||
| 17 | God Bless America Again | Bare, Bobby | ||
| 18 | Wine Me Up | Young, Faron | ||
| 19 | You Gave Me A Mountain | Bush, Johnny | ||
| 20 | Just Someone I Used To Know | Wagoner, Porter & Parton, Dolly | ||
| 21 | Try A Little Kindness | Campbell, Glen | ||
| 22 | She Even Woke Me Up To Say Goodbye | Lewis, Jerry Lee | ||
| 23 | Okie From Muskogee | Haggard, Merle | ||
| 24 | To See My Angel Cry | Twitty, Conway | ||
| 25 | Bloody Merry Morning | Nelson, Willie | ||
| 26 | Life's Little Ups and Downs | Rich, Charlie | ||
| 27 | Ruben James | Rogers, Kenny & the First Edition | ||
| 28 | Kay | Riley, Billy Lee | ||
Dim Lights, Thick Smoke And Hillbilly Music
Country & Western Hit Parade
Diese Serie ist das Nonplus ultra, großartig aufgemacht und mit perfektem Mastering
Jack Clement, der Johnny Cash, Roy Orbison, Waylon Jennings, Don Williams und viele andere produziert hat, sagte: "Dies ist fraglos die beste Country-Serie der Musikgeschichte, kein Zweifel!"Und Robert Hilburn schrieb in der 'Los Angeles Times': "Dieses unschätzbar wertvolle Album-Projekt... ermöglicht es den Fans so zuzuhö ren, wie es schon Elvis Presley, Ray Charles und Bob Dylan taten."
Die Hits sind ergänzt um Raritäten, die die Country Music – und die Musik generell – in den Folgejahren be- einflußt haben: zum Beispiel Wanda Jacksons Originalversion von Silver Threads And Golden Needles, Carl Belews Original von Lonely Streetund Chet Atkins' wegweisendes Walk, Don't Run.
Diese Serie ist konzipiert, um neue Hörer für das Beste zu gewinnen, das die Country Music je anzubieten hatte, aber auch um alte Fans bestens zu unterhalten. Jede einzelne CD steht für eine wunderbare Zeitreise.
Neben den Hits präsentiert die Serie viele Raritäten, die die Country Music – und die Musik generell – in der Folgezeit beeinflußt haben.
Wie alles begann:
Seit vielen Jahren erhielten wir immer wieder Anfragen nach einer definitiven Country-Serie. Und nachdem unsere chronologisch sortierten R&B-/Soul-Reihen 'Blowin' The Fuse' und zuletzt 'Sweet Soul Music' (denen sich demnächst ein Projekt zur Funk Music anschließen wird) zu Riesenerfolgen wurden, haben wir entschieden: Das machen wir in vergleichbarer Form auch für die Country Music! Die ersten Folgen von 'Dim Lights, Thick Smoke And Hillbilly Music' befaßten sich mit den Jah- ren 1945 bis 1955 – jetzt setzen wir die Reise fort und bewegen uns dabei Richtung Nashville Sound.
Die Serie wurde auf Fans von heute zugeschnitten. Natürlich enthält sie die großen Hits; aber ebenso gibt es klassische Aufnah- men, die es damals nicht nach ganz oben geschafft haben und dennoch später einflußreich wurden. Jede CD glänzt mit bei- spielhaft detaillierten Erläuterungen aus erster Hand sowie mit sensationell seltenen Fotos. Und es wird aufgezeigt, wie sich die Country Music kontinuierlich weiterentwickelte, während es in anderen Bereichen des amerikanischen Musikgeschäftes deutli- che Verwerfungen gab. Jedes einzelne Booklet ist unglaubliche 72 Seiten stark! Also alles wie gewünscht: die definitive Serie!
Superlative werden zwar manchmal überstrapaziert – aber wir sind sicher: Die Serie ist Teil unserer Idee, diese Musik auch nach- gewachsenen Fans näherzubringen – und zugleich die Kenner gut zu unterhalten. Los geht es im Jahr 1956 – als die Country Music sich mit dem Rock'n'Roll arrangieren musste, der für Aufruhr sorgte....
Dim Lights, Thick Smoke And Hillbilly Music - Country & Western Hitparade
Read more at: https://www.bear-family.de/bear-family/country-serien/dim-light-thick-smoke-and-hillbillly-music/
Copyright © Bear Family Records
These CDs are both essential and things of beauty. Everybody should own them. All of them.
Country Music People 11/13 Duncan Warwick
Ohne Übertreibung darf man feststellen: Besser geht’s nicht!
Good Times 6/2013 Ulrich Schwartz
Dringende Kaufempfehlung für die gesamte Reine!
Dynamite 1/14
Nur Richard Weize und sein Team trauen sich an eine so monumentale Aufgabe heran. Egal ob konservativ oder innovativ: Es ist viel fabelhafte Musik auf diesen CDs.
Rookie 11/13 Jörn Schlüter
Ein passendes Schlusswort einer tollen Serie!
R & R Musikmagazin 6/13 H.-G. Hartwig
An essential collection and well worth investing in the whole series to see and hear how country music progressed from 1945 throught to 1970.
Maverick 1-2/2014 Alan Cackett

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