The Pretty Things Midnight To Six Man (CD)

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catalog number: CDAD5012
weight in Kg 0.1

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(Magic Records) 16 tracks, digipack, Remastered In High Definition 96K/24-BIT more

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The Pretty Things: Midnight To Six Man (CD)

(Magic Records) 16 tracks, digipack, Remastered In High Definition 96K/24-BIT

Article properties: The Pretty Things: Midnight To Six Man (CD)

Interpret: The Pretty Things
Album titlle: Midnight To Six Man (CD)
Genre Beat
Label MAGIC RECORDS
Artikelart CD
EAN: 3521383450123
weight in Kg 0.1

Pretty Things, The - Midnight To Six Man (CD) CD 1
01	Midnight To Six Man	The Pretty Things
02	You Don’T Believe Me	The Pretty Things
03	Buzz The Jerk	The Pretty Things
04	Get The Picture ?	The Pretty Things
05	Can’T Stand The Pain	The Pretty Things
06	Rainin’ In My Heart	The Pretty Things
07	I Can Never Say	The Pretty Things
08	You’Ll Never Do It Baby	The Pretty Things
09	I Had A Dream	The Pretty Things
10	I Want Your Love	The Pretty Things
11	Cry To Me	The Pretty Things
12	London Town	The Pretty Things
13	Honey I Need	The Pretty Things
14	Sittin’ All Alone	The Pretty Things
15	£Sd	The Pretty Things
16	Come See Me	The Pretty Things

The Pretty Things, formed by the Rolling Stones' original bass guitarist, Dick Taylor, and Phil... more

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"The Pretty Things"

The Pretty Things, formed by the Rolling Stones' original bass guitarist, Dick Taylor, and Phil May (born on Sept. 11, 1944) at Sidcup Art College in the autumn of 1963, were doomed by their scruffy image and Bo Diddley-bAsed rhy-thm and blues to the role of poor man's Stones. With Taylor switching to lead guitar, the rest of the line-up was May (vocals, harmonica), Brian Pendleton (rhythm guitar), John Stax (bass, harmonica), Viv Prince (drums).

They were signed up almost at once as the R&B boom hit the music in-dustry, but after early hits, the double-sided 'Big Boss Man'/ `Rosalyn' (Miy, 1964), 'Don't Bring Me Down' (November, 1964) and 'Honey I Need' (March, 1965) on Fontana, they failed to make the Stones' shift to their own material until, in a reorganized line-up, May and Taylor composed the biographical S. F. Sorrow (Harvest, 1968), supposedly an encouragement — if not an influence — for Pete Townshend's Tommy project. Following the departure of Taylor and the failure of the highly regarded Parachute album in 1969, the band folded for a time, re-forming to record Freeway Mad-ness (Warner Bros., 1972). In 1974, with May, Peter Tol-son (guitar), John Povey (keyboards), and Skip Alan (drums) still together from the Parachute personnel, plus Jack Green (vocals) and Gordon Edwards (bass), they signed with Led Zeppelin's Swan Song label for Silk Torpedo.

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