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10CC Dreadlock Holiday - The Collection (CD)
catalog number: CDSPEC2105
weight in Kg 0,100
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10CC: Dreadlock Holiday - The Collection (CD)
(Spectrum) 18 tracks (74:10) with 12 page color booklet.Songs
| 10CC - Dreadlock Holiday - The Collection (CD) Medium 1 | |||
|---|---|---|---|
| 1: | Brand New Day | ||
| 2: | Dreadlock Holiday | ||
| 3: | I Wanna Rule The World | ||
| 4: | Life Is A Minestrone | ||
| 5: | I'm Not In Love | ||
| 6: | Rock'n' Roll Lullaby | ||
| 7: | The Things We Do For Love | ||
| 8: | Modern Man Blues | ||
| 9: | People In Love | ||
| 10: | Wall Street Shuffle [Live] | ||
| 11: | For You And I | ||
| 12: | Flying Junk | ||
| 13: | Get It While You Can | ||
| 14: | Run Away | ||
| 15: | Take These Chains | ||
| 16: | Channel Swimmer | ||
| 17: | Charity Begins At Home | ||
| 18: | From Rochdale To Ocho Rios | ||
Artikeleigenschaften von 10CC: Dreadlock Holiday - The Collection (CD)
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Interpret: 10CC
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Albumtitel: Dreadlock Holiday - The Collection (CD)
- Format CD
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Genre Beat
- Title Dreadlock Holiday - The Collection (CD)
- Release date 2012
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Label SPECTRUM
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SubGenre Beat 60s-70s
EAN: 0600753382394
- weight in Kg 0.100
Artist description "10cc"
10cc, formed in Manchester, comprises Eric Stewart (vocals, guitar), Lol Creme (vocals; guitar) and Kevin Gogley (vocals, drums) who had played together as Hotlegs, a group which had a surprise British Top Five hit with 'Neanderthal Man' (Fontana) in 1970, and Graham Gouldman (vocals, bass), a successful songwriter of the Sixties who had written hits for the Yardbirds and Hollies among others. All from Manchester, the group were based at Strawberry Studios, where they recorded a series of self-produced hits on Jonathan King's UK label : 'Donna' (1972), 'Rubber Bullets', 'The Dean And I' (1973) and 'The Wall Street Shuffle' (1974), all of which showed total mastery of pre-vious rock styles, performed with a wit and polish that marked a new self-consciousness in British rock. All the members of the group write and produce equally. In 1975, after two equally fine albums, 10cc (1973) and Sheet Music (1974), they left UK for Mercury where they had a transatlantic hit with the ambitious The Original Soundtrack and the single from it, 'I'm Not In Love', a fra-gile ballad that epitomized both their inventive use of the studio as a musical instrument and their craftsmanlike atti-tude to song construction. Their second Mercury album, How Dare You (1976), which was even more ambitious, saw them less sure of themselves. None the less, it and its single, `Art For Art's Sake', were enormously successful.
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