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10CC The U.K. Singles Collection

The U.K. Singles Collection
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$16.56 *

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Approx. delivery time: up to 3 weeks. (as far as available at the supplier - can be faster, but sometimes unfortunately not)

  • CDGLAM27
  • 0.107

10CC: The U.K. Singles Collection

Article properties: 10CC: The U.K. Singles Collection

  • Interpret: 10CC

  • Album titlle: The U.K. Singles Collection

  • Label GLAM

  • Genre Beat

  • Artikelart CD

  • EAN: 5013929042728

  • weight in Kg 0.107
10cc - The U.K. Singles Collection CD 1
01 Donna 10CC
02 Hot Sun Rock 10CC
03 Johnny Don't Do It 10CC
04 4% Of Something 10CC
05 Rubber Bullets 10CC
06 Waterfall 10CC
07 The Dean And I 10CC
08 Bee In My Bonnet 10CC
09 The Worst Band In The World 10CC
10 18 Carat Man Of Means 10CC
11 Wall Street Shuffle 10CC
12 Gismo My Way 10CC
13 Silly Love 10CC
14 The Sacro-Illiac 10CC
10cc, formed in Manchester, comprises Eric Stewart (vocals, guitar), Lol Creme (vocals; guitar)... more
"10CC"

10cc, formed in Manchester, comprises Eric Stewart (vocals, guitar), Lol Creme (vocals; guitar) and Kevin Gogley (vocals, drums) who had played together as Hotlegs, a group which had a surprise British Top Five hit with 'Neanderthal Man' (Fontana) in 1970, and Graham Gouldman (vocals, bass), a successful songwriter of the Sixties who had written hits for the Yardbirds and Hollies among others. All from Manchester, the group were based at Strawberry Studios, where they recorded a series of self-produced hits on Jonathan King's UK label : 'Donna' (1972), 'Rubber Bullets', 'The Dean And I' (1973) and 'The Wall Street Shuffle' (1974), all of which showed total mastery of pre-vious rock styles, performed with a wit and polish that marked a new self-consciousness in British rock. All the members of the group write and produce equally. In 1975, after two equally fine albums, 10cc (1973) and Sheet Music (1974), they left UK for Mercury where they had a transatlantic hit with the ambitious The Original Soundtrack and the single from it, 'I'm Not In Love', a fra-gile ballad that epitomized both their inventive use of the studio as a musical instrument and their craftsmanlike atti-tude to song construction. Their second Mercury album, How Dare You (1976), which was even more ambitious, saw them less sure of themselves. None the less, it and its single, `Art For Art's Sake', were enormously successful.

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