10CC Look Hear? (1980)...plus

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catalog number: CDGLAM53
weight in Kg 0.1

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CD on GLAM RECORDS by 10CC - Look Hear? (1980)...plus more

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10CC: Look Hear? (1980)...plus

CD on GLAM RECORDS by 10CC - Look Hear? (1980)...plus

Article properties: 10CC: Look Hear? (1980)...plus

Interpret: 10CC
Album titlle: Look Hear? (1980)...plus
Label GLAM
Genre Beat
Artikelart CD
EAN: 5013929045323
weight in Kg 0.1

10cc - Look Hear? (1980)...plus CD 1
01	One-Two-Five	10CC
02	Welcome To The World	10CC
03	How'm I Ever Gonna Say Goodbye	10CC
04	Don't Send We Back	10CC
05	I Took You Home	10CC
06	It Doesn't Matter At All	10CC
07	Dressed To Kill	10CC
08	Lover Anonymous	10CC
09	I Hate To Eat Alone	10CC
10	Strange Lover	10CC
11	L.A. Inflatable	10CC
12	Bonus Tracks:	10CC
13	One-Two-Five (Edited Single Version)	10CC
14	Only Child	10CC

10cc, formed in Manchester, comprises Eric Stewart (vocals, guitar), Lol Creme (vocals; guitar)... more

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"10CC"

10cc, formed in Manchester, comprises Eric Stewart (vocals, guitar), Lol Creme (vocals; guitar) and Kevin Gogley (vocals, drums) who had played together as Hotlegs, a group which had a surprise British Top Five hit with 'Neanderthal Man' (Fontana) in 1970, and Graham Gouldman (vocals, bass), a successful songwriter of the Sixties who had written hits for the Yardbirds and Hollies among others. All from Manchester, the group were based at Strawberry Studios, where they recorded a series of self-produced hits on Jonathan King's UK label : 'Donna' (1972), 'Rubber Bullets', 'The Dean And I' (1973) and 'The Wall Street Shuffle' (1974), all of which showed total mastery of pre-vious rock styles, performed with a wit and polish that marked a new self-consciousness in British rock. All the members of the group write and produce equally. In 1975, after two equally fine albums, 10cc (1973) and Sheet Music (1974), they left UK for Mercury where they had a transatlantic hit with the ambitious The Original Soundtrack and the single from it, 'I'm Not In Love', a fra-gile ballad that epitomized both their inventive use of the studio as a musical instrument and their craftsmanlike atti-tude to song construction. Their second Mercury album, How Dare You (1976), which was even more ambitious, saw them less sure of themselves. None the less, it and its single, `Art For Art's Sake', were enormously successful.

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