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10CC Look Hear? (1980)...plus

Look Hear? (1980)...plus
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$12.13 * $17.01 * (28.69% Saved)

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  • CDGLAM53
  • 0.1
CD on GLAM RECORDS by 10CC - Look Hear? (1980)...plus more

10CC: Look Hear? (1980)...plus

CD on GLAM RECORDS by 10CC - Look Hear? (1980)...plus

Article properties: 10CC: Look Hear? (1980)...plus

  • Interpret: 10CC

  • Album titlle: Look Hear? (1980)...plus

  • Label GLAM

  • Genre Beat

  • Artikelart CD

  • EAN: 5013929045323

  • weight in Kg 0.1
10cc - Look Hear? (1980)...plus CD 1
01 One-Two-Five 10CC
02 Welcome To The World 10CC
03 How'm I Ever Gonna Say Goodbye 10CC
04 Don't Send We Back 10CC
05 I Took You Home 10CC
06 It Doesn't Matter At All 10CC
07 Dressed To Kill 10CC
08 Lover Anonymous 10CC
09 I Hate To Eat Alone 10CC
10 Strange Lover 10CC
11 L.A. Inflatable 10CC
12 Bonus Tracks: 10CC
13 One-Two-Five (Edited Single Version) 10CC
14 Only Child 10CC
10cc, formed in Manchester, comprises Eric Stewart (vocals, guitar), Lol Creme (vocals; guitar)... more
"10CC"

10cc, formed in Manchester, comprises Eric Stewart (vocals, guitar), Lol Creme (vocals; guitar) and Kevin Gogley (vocals, drums) who had played together as Hotlegs, a group which had a surprise British Top Five hit with 'Neanderthal Man' (Fontana) in 1970, and Graham Gouldman (vocals, bass), a successful songwriter of the Sixties who had written hits for the Yardbirds and Hollies among others. All from Manchester, the group were based at Strawberry Studios, where they recorded a series of self-produced hits on Jonathan King's UK label : 'Donna' (1972), 'Rubber Bullets', 'The Dean And I' (1973) and 'The Wall Street Shuffle' (1974), all of which showed total mastery of pre-vious rock styles, performed with a wit and polish that marked a new self-consciousness in British rock. All the members of the group write and produce equally. In 1975, after two equally fine albums, 10cc (1973) and Sheet Music (1974), they left UK for Mercury where they had a transatlantic hit with the ambitious The Original Soundtrack and the single from it, 'I'm Not In Love', a fra-gile ballad that epitomized both their inventive use of the studio as a musical instrument and their craftsmanlike atti-tude to song construction. Their second Mercury album, How Dare You (1976), which was even more ambitious, saw them less sure of themselves. None the less, it and its single, `Art For Art's Sake', were enormously successful.

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