10CC 10CC (1973)...plus

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catalog number: CDGLAM25
weight in Kg 0.107

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CD on GLAM RECORDS by 10CC - 10CC (1973)...plus more

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10CC: 10CC (1973)...plus

CD on GLAM RECORDS by 10CC - 10CC (1973)...plus

Article properties: 10CC: 10CC (1973)...plus

Interpret: 10CC
Album titlle: 10CC (1973)...plus
Label GLAM
Genre Beat
Artikelart CD
EAN: 5013929042520
weight in Kg 0.107

10cc - 10CC (1973)...plus CD 1
01	Johnny Don't Do It	10CC
02	Sand In My Face	10CC
03	Donna	10CC
04	The Dean And I	10CC
05	Headline Hustler	10CC
06	Speed Kills	10CC
07	Rubber Bullets	10CC
08	The Hospital Song	10CC
09	Ships Don't Disappear (Do They?)	10CC
10	Fresh Air For My Mama	10CC
11	Bonus Tracks:	10CC
12	Hot Sun Rock	10CC
13	4% Of Something	10CC
14	Waterfall	10CC
15	Bee In My Bonnet	10CC
16	Rubber Bullets (Single Version)	10CC

10cc, formed in Manchester, comprises Eric Stewart (vocals, guitar), Lol Creme (vocals; guitar)... more

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"10CC"

10cc, formed in Manchester, comprises Eric Stewart (vocals, guitar), Lol Creme (vocals; guitar) and Kevin Gogley (vocals, drums) who had played together as Hotlegs, a group which had a surprise British Top Five hit with 'Neanderthal Man' (Fontana) in 1970, and Graham Gouldman (vocals, bass), a successful songwriter of the Sixties who had written hits for the Yardbirds and Hollies among others. All from Manchester, the group were based at Strawberry Studios, where they recorded a series of self-produced hits on Jonathan King's UK label : 'Donna' (1972), 'Rubber Bullets', 'The Dean And I' (1973) and 'The Wall Street Shuffle' (1974), all of which showed total mastery of pre-vious rock styles, performed with a wit and polish that marked a new self-consciousness in British rock. All the members of the group write and produce equally. In 1975, after two equally fine albums, 10cc (1973) and Sheet Music (1974), they left UK for Mercury where they had a transatlantic hit with the ambitious The Original Soundtrack and the single from it, 'I'm Not In Love', a fra-gile ballad that epitomized both their inventive use of the studio as a musical instrument and their craftsmanlike atti-tude to song construction. Their second Mercury album, How Dare You (1976), which was even more ambitious, saw them less sure of themselves. None the less, it and its single, `Art For Art's Sake', were enormously successful.

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