10CC Meanwhile (1992 - )...plus

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catalog number: CDGLAM52
weight in Kg 0.1

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10CC: Meanwhile (1992 - )...plus

Article properties: 10CC: Meanwhile (1992 - )...plus

Interpret: 10CC
Album titlle: Meanwhile (1992 - )...plus
Label GLAM
Genre Pop
Artikelart CD
EAN: 5013929045224
weight in Kg 0.1

10cc - Meanwhile (1992 - )...plus CD 1
01	Woman In Love	10CC
02	Wonderland	10CC
03	Fill Her Up	10CC
04	Something Special	10CC
05	Welcome To Paradise	10CC
06	The Stars Didn't Show	10CC
07	Green Eyed Monster	10CC
08	Charity Begins At Home	10CC
09	Shine A Light In The Dark	10CC
10	Don't Break The Promises	10CC
11	Bonus Tracks:	10CC
12	Man With A Mission	10CC
13	Don't	10CC
14	Lost In Love	10CC
15	Welcome To Paradise (7' Edit)	10CC
16	Woman In Love (DJ Edit)	10CC

10cc, formed in Manchester, comprises Eric Stewart (vocals, guitar), Lol Creme (vocals; guitar)... more

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"10CC"

10cc, formed in Manchester, comprises Eric Stewart (vocals, guitar), Lol Creme (vocals; guitar) and Kevin Gogley (vocals, drums) who had played together as Hotlegs, a group which had a surprise British Top Five hit with 'Neanderthal Man' (Fontana) in 1970, and Graham Gouldman (vocals, bass), a successful songwriter of the Sixties who had written hits for the Yardbirds and Hollies among others. All from Manchester, the group were based at Strawberry Studios, where they recorded a series of self-produced hits on Jonathan King's UK label : 'Donna' (1972), 'Rubber Bullets', 'The Dean And I' (1973) and 'The Wall Street Shuffle' (1974), all of which showed total mastery of pre-vious rock styles, performed with a wit and polish that marked a new self-consciousness in British rock. All the members of the group write and produce equally. In 1975, after two equally fine albums, 10cc (1973) and Sheet Music (1974), they left UK for Mercury where they had a transatlantic hit with the ambitious The Original Soundtrack and the single from it, 'I'm Not In Love', a fra-gile ballad that epitomized both their inventive use of the studio as a musical instrument and their craftsmanlike atti-tude to song construction. Their second Mercury album, How Dare You (1976), which was even more ambitious, saw them less sure of themselves. None the less, it and its single, `Art For Art's Sake', were enormously successful.

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