Tompall Glaser Another Log On The Fire, Hillbilly Central #2 (CD)
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Tompall Glaser: Another Log On The Fire, Hillbilly Central #2 (CD)
Tompall Glaser is the forgotten outlaw. Everyone remembers Willie and Waylon, but Tompall Glaser made records every bit as good as theirs, and helped developed the classic 'Outlaw' sound in his famous...and infamous... Hillbilly Central studio, where the window shutters were always closed and the door was always open.
Bear Family has already released Tompall Glaser's ABC recordings 'The Outlaw' and the previously unissued 'The Rogue' and now we've reissued his four MGM/Polydor LPs on two CDs. All of his biggest hits are on these CDs, including Charlie, T For Texas, and of coursePut Another Log On The Fire, which was one of the highlights of the classic 'Wanted: The Outlaws' LP.
Tompall Glaser didn't score as many hits as Waylon 'n' Willie, but the dry insolence in his voice and the understated backings made up the sound that Waylon, Willie, David Allan Coe, and the others adopted. It was the classic 1970s outlaw sound. Tompall Glaser not only composed some great songs, but had an unfailing ear for other great songwriters. He and his brothers gave a break to
Kinky Friedman, who in turn also produced a couple of songs on this CD. There are great songs from Billy Joe Shaver, and, of course, Shel Silverstein. There's a complete LP of Silverstein's songs included within 'Another Log On The Fire,' and several other Silverstein classics on both CDs.
Article properties:Tompall Glaser: Another Log On The Fire, Hillbilly Central #2 (CD)
Interpret: Tompall Glaser
Album titlle: Another Log On The Fire, Hillbilly Central #2 (CD)
Genre Country
Label Bear Family Records
- Preiscode AH
Artikelart CD
EAN: 4000127165206
- weight in Kg 0.115
| Glaser, Tompall - Another Log On The Fire, Hillbilly Central #2 (CD) CD 1 | ||||
|---|---|---|---|---|
| 01 | I Ain't Lookin' For The Answers Anymore | Tompall Glaser | ||
| 02 | Roll On | Tompall Glaser | ||
| 03 | Mendocino | Tompall Glaser | ||
| 04 | Country Gospel Good Book Rock 'n' Roll | Tompall Glaser | ||
| 05 | Put Another Log On The Fire | Tompall Glaser | ||
| 06 | Musical Chairs | Tompall Glaser | ||
| 07 | Grab A Hold | Tompall Glaser | ||
| 08 | Echoes | Tompall Glaser | ||
| 09 | Old New Orleans Custom | Tompall Glaser | ||
| 10 | If I'm There | Tompall Glaser | ||
| 11 | Oleander | Tompall Glaser | ||
| 12 | The Wild Side Of Life | Tompall Glaser | ||
| 13 | We Live In Two Different Worlds | Tompall Glaser | ||
| 14 | I Can't Remember | Tompall Glaser | ||
| 15 | When It Goes, It's Gone Girl | Tompall Glaser | ||
| 16 | The Hunger | Tompall Glaser | ||
| 17 | Time Changes Everything | Tompall Glaser | ||
| 18 | If I'd Only Come And Gone | Tompall Glaser | ||
| 19 | Good Hearted Woman | Tompall Glaser | ||
| 20 | West Canterbury Subdivision Blues | Tompall Glaser | ||
| 21 | Tompall In 'D' On The Ukulele | Tompall Glaser | ||
| 22 | Broken Down Mama (Polydor) | Tompall Glaser | ||
| 23 | Loving You Again | Tompall Glaser | ||
| 24 | T For Texas | Tompall Glaser | ||
Tompall and the Glaser Brothers
Gone Girl
Tompall and the Glaser Brothers
Gone Girl
(Jack Clement)
recorded May 21, 1970; Nashville, Tennessee
with Thomas Paul (Tompall) Glaser, Charles 'Chuck' Glaser, Jim Glaser: vocal; other details unknown
MGM K 14169 - master 70N 51 142
Marty Robbins hatte die Glaser-Brüder in Nebraska gefunden und sie nach Nashville gebracht, weil er den Gesang der engen Harmonie liebte. Tompall, Chuck und Jim Glaser hatten seit 1957 mit sehr wenig Erfolg aufgenommen. Ihr erster Vertrag war bei Robbins Records, bevor Owen Bradley sie als Deccas Antwort auf das Kingston Trio aufnahm. Die Glasers haben sich nicht selbst geholfen, indem sie Streets Of Baltimore, Gentle On My Mind, Sittin' In An All-Night Café und Woman, Woman geschrieben oder veröffentlicht haben, ohne auch nur einen dieser Hits für sich zu behalten.
Jack Clement unterzeichnete sie bei MGM, für die er bereits die Stonemans produzierte. Auf ihren Aufnahmen konnte Clement alle Elemente hinzufügen, die bei seinen Charley Pride-Produktionen tabu waren: Marimbas, Latin Percussion und Mock-Mariachi-Hörner. Beim Schreiben Gone Girl, Clement setzte sich die fast unmögliche Aufgabe der Suche nach sieben Zeilen zu reimen mit gegangen Mädchen. Die Tatsache, dass die Reime nur Assonanz (d.h. reimende Vokale) teilen, scheint nicht sehr wichtig zu sein, weil das Lied so einnehmend ist. Wirbelnd und romantisch, deutet es auf Clements Hintergrund im Gesellschaftstanz hin. Der Erfolg der Glaser mit Clement an der Spitze brachte ihnen einige verspätete Anerkennung ein, darunter die Auszeichnung der CMA Vocal Group of the Year 1970. Richtig, es war eine niedrige Wettbewerbskategorie (1969 haben sich Johnny Cash und June Carter irgendwie qualifiziert und gewonnen). Clement hat Gone Girl auf seinem 1978er Elektra-Album'All I Want To Do In Life' wiederverwendet und es wurde der Titelsong einer 1982er Cash-LP.
- Colin Escott -
Various Country & Western Hit Parade 1970
Read more at: https://www.bear-family.de/various-country-und-western-hit-parade-1970.html
Copyright © Bear Family Records
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