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Various - Troubadours Teil 3, Folk und die Wurzeln amerikanischer Musik (3-CD)

catalog number: BCD17227

weight in Kg 0,250

 

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Various - Troubadours: Teil 3, Folk und die Wurzeln amerikanischer Musik (3-CD)

Video von Various - Troubadours - Teil 3, Folk und die Wurzeln amerikanischer Musik (3-CD)

English version with extensive linernotes: BCD 17403

3-CD Digipak mit 112-seitigem Booklet, 63 Einzeltitel. Gesamtspieldauer ca. 233 Minuten

Seit etwa einhundert Jahren wird die Geschichte der Folk Music in den USA auf Tonträgern festgehalten. In dieser Zeit entstand eine Tradition aus zumeist neuen oder aus Europa herübergeretteten Balladen, politischen Äußerungen, persönlichen Selbstbeobachtungen und vielen anderen Quellen. Diese exklusive Edition auf vier Ausgaben mit jeweils drei CDs erzählt die gesamte Geschichte der Folk Music von den 1920er Jahren bis in die Siebzigerjahre und darüber hinaus. Durch diese Musik können wir die Isolation der Appalachen-Region zu Beginn des 20. Jahrhunderts spüren und die politischen Umwälzungen durch Weltwirtschaftskrise, Krieg und Bürgerrechtsbewegung bis zu den zeitgenössischen Singer-Songwritern von der Westküste und deren Suche nach den inneren Werten nachvollziehen. Anhand von brillant klingenden Originalaufnahmen und detailgenauen Linernotes erzählt der Folkwissenschaftler Dave Samuelsen die Geschichte der US-amerikanischen Folk Music.

Die dritte Ausgabe stellt jene vor, die neue und politische Folklieder mit historischen Balladen verbanden: darunter Pete Seeger (u.a. Where Have All the Flowers Gone und Turn Turn Turn), Joan Baez (einschließlich der besten Version aller Zeiten von We Shall Overcome), Buffy St. Marie (The Universal Soldier, Til It’s Time For You To Go) aus den turbulenten Sechzigerjahren. Dylans Zeitgenossen und Schüler geben ihre eigenwilligen Meinungen zu Tagesereignissen kund. Pioniere des Folk Rock, allen voran Arlo Guthrie, The Lovin’ Spoonful, Tim Rose, Jim Croce, Melanie und Harry Chapin sind ebenso vertreten wie Klassiker aus der Zeit der späten Sechziger- und frühen Siebzigerjahre und Abstecher ins Jug Band Revival und zu Klassikern der Hippie-Ära wie Alice’s Restaurant, Hey Joe und Lay Down (Candles In The Rain).

Another CD-album from the Bear Family Records - Roots & Folk Music - Troubadours - Folk And The Roots Of American Music -


 

Songs

Wird geladen...

 

Artikeleigenschaften von Various - Troubadours: Teil 3, Folk und die Wurzeln amerikanischer Musik (3-CD)

  • Interpret: Various - Troubadours

  • Albumtitel: Teil 3, Folk und die Wurzeln amerikanischer Musik (3-CD)

  • Format CD
  • Genre Folk

  • Edition 2 Deluxe Edition
  • Title Teil 3, Folk und die Wurzeln amerikanischer Musik (3-CD)
  • Label Bear Family Productions

  • Price code CP
  • SubGenre Folk Music - General

  • EAN: 5397102172274

  • weight in Kg 0.250
 
 

Artist description "Various - Troubadours"

Troubadours

Folk And The Roots Of American Music

While some observers often see Jackson Browne, Bob Dylan, Carole King, Joni Mitchell and James Taylor as the founders of America's contemporary singer-songwriter movement, the tradition actually dates back to the mid-19th century. The Hutchison Family of Milford, New Hampshire toured the United States singing religious and secular songs supporting numerous populist causes. In the years before World War I, Joe Hill and Ralph Chaplin refashioned traditional songs and hymns into biting anthems for the Industrial Workers of the World.

During the early '20s, Bentley Ball gave recitals of Appalachian ballads, Cowboy songs and Native American material to fascinated urban audiences. In 1920 he made the first recordings of such folk standards as Jesse James and The Dying Cowboy. Four years later Marion Try Slaughter, a Texas-born light opera singer who performed under the name Vernon Dalhart, recorded twangy versions of The Wreck Of The Southern 97 and The Prisoner's Song. Though hardly authentic, it caught the public ear and sold hundreds of thousands of records.

Two Tin Pan Alley writers exploited that success by penning folk-flavored songs inspired by some current event. Carson Robison, a Kansas native who played guitar on Dalhart's record, used a moralistic template for songs about train wrecks and natural disasters. Bob Miller, who hailed from Memphis, penned songs that addressed populist issues. Miller's left-leaning songs like Eleven Cent Cotton and Forty Cent Meat anticipated the People's Songs movement of the late '40s.

Folk songs continued making inroads into American popular culture during the Jazz Age of the '20s. Millions of radio listeners tuned into the Chicago-based WLS every Saturday night to hear 'The National Barn Dance' and its sweet-voiced Kentucky balladeer Bradley Kincaid sing Barbara Allen or The Blue Tailed Fly. John Allison organized a trio that introduced folk material over New York's WNYC as early as 1927. Recordings intended for Southern listeners occasionally migrated to urban audiences in the north. The better-selling Victor Records by Jimmie Rodgers and the Carter Family crossed Southern borders; some of their titles were issued in Europe and Australia, and even India.

While singers like Goebel Reeves never became household names, their recordings inspired a handful of performers that would change popular music.

 
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