Various - Troubadours Troubadours - Folk und die Wurzeln amerikanischer Musik Teil 1 (3-CD)

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Various - Troubadours: Troubadours - Folk und die Wurzeln amerikanischer Musik Teil 1 (3-CD)
3-CD Digipak mit 152-seitigem Booklet (in deutscher Sprache), 75 Einzeltitel. Gesamtspieldauer ca. 203 Minuten
Seit etwa einhundert Jahren wird die Geschichte der Folk Music in den USA auf Tonträgern festgehalten. In dieser Zeit entstand eine Tradition aus zumeist neuen oder aus Europa herübergeretteten Balladen, politischen Äußerungen, persönlichen Selbstbeobachtungen und vielen anderen Quellen. Diese exklusive Edition auf vier Ausgaben mit jeweils drei CDs erzählt die gesamte Geschichte der Folk Music von den 1920er Jahren bis in die Siebzigerjahre und darüber hinaus. Durch diese Musik können wir die Isolation der Appalachen-Region zu Beginn des 20. Jahrhunderts spüren und die politischen Umwälzungen durch Weltwirtschaftskrise, Krieg und Bürgerrechtsbewegung bis zu den zeitgenössischen Singer-Songwritern von der Westküste und deren Suche nach den inneren Werten nachvollziehen. Anhand von brillant klingenden Originalaufnahmen und detailgenauen Linernotes erzählt der Folkwissenschaftler Dave Samuelsen die Geschichte der US-amerikanischen Folk Music.
Die erste Ausgabe deckt die Zeit vom Beginn der Zwanzigerjahre bis 1957 ab. Wie erwartet finden sich hier Aufnahmen derCarter Family, von Woody Guthrie, Pete Seeger, den Weavers, Lead Belly, Cisco Houston und vielen anderen sowie die Originalfassungen von Wildwood Flower, Midnight Special, Rock Island Line, Wayfaring Stranger, So Long It’s Been Good To Know You, This Land Is Your Land, 16 Tons, 900 Miles und Delia, die zu Klassikern und Schlagworten wurden.
Video von Various - Troubadours - Troubadours - Folk und die Wurzeln amerikanischer Musik Teil 1 (3-CD)
Article properties:Various - Troubadours: Troubadours - Folk und die Wurzeln amerikanischer Musik Teil 1 (3-CD)
Interpret: Various - Troubadours
Album titlle: Troubadours - Folk und die Wurzeln amerikanischer Musik Teil 1 (3-CD)
Genre Country
Label Bear Family Records
- Preiscode CP
- Edition 2 Deluxe Edition
Artikelart CD
EAN: 4000127172259
- weight in Kg 0.25
Various - Troubadours - Troubadours - Folk und die Wurzeln amerikanischer Musik Teil 1 (3-CD) CD 1 | ||||
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01 | I Never Will Marry | The Carter Family | ||
02 | Little Darling, Pal Of Mine | The Carter Family | ||
03 | Wildwood Flower | The Carter Family | ||
04 | The Midnight Special | Lead Belly | ||
05 | Western Plain (When I Was A Cowboy) | Lead Belly | ||
06 | Rock Island Line | Lead Belly | ||
07 | The Horse Named Bill | Carl Sandburg | ||
08 | Weave Room Blues | The Dixon Brothers | ||
09 | Joe Hill | Earl Robinson | ||
10 | The House I Live In | Earl Robinson | ||
11 | The Frozen Logger | Earl Robinson | ||
12 | One Meat Ball | Josh White | ||
13 | The Wayfaring Stranger | Burl Ives | ||
14 | Do Re Mi | Woody Guthrie | ||
15 | I Ain't Got No Home | Woody Guthrie | ||
16 | Pretty Boy Floyd | Woody Guthrie | ||
17 | Dusty Old Dust (So Long, It's Been Good To Know You) | Woody Guthrie | ||
18 | Babe O'mine | Woody Guthrie | ||
19 | Grand Coulee Dam | Woody Guthrie | ||
20 | Ramblin' Round | Woody Guthrie | ||
21 | Hard Travelin' | Woody Guthrie | ||
22 | This Land Is Your Land | Woody Guthrie | ||
23 | Philadelphia Lawyer | Guthrie, Woody & Houston, Cisco | ||
24 | I've Got To Know | Woody Guthrie |
Various - Troubadours - Troubadours - Folk und die Wurzeln amerikanischer Musik Teil 1 (3-CD) CD 2 | ||||
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01 | Hard, Ain't It Hard | The Almanac Singers | ||
02 | Which Side Are You On | The Almanac Singers | ||
03 | Union Maid | The Almanac Singers | ||
04 | Union Train | The Almanac Singers | ||
05 | Sinking Of The Reuben James | The Almanac Singers | ||
06 | UAW-CIO | The Union Boys | ||
07 | A Dollar Ain't A Dollar Anymore | The Union Boys | ||
08 | Solidarity Forever | The Union Boys | ||
09 | Old Man Atom (Talking Atomic Blues) | Sam Hinton | ||
10 | Passing Through | Dick Blakeslee | ||
11 | Newspapermen Meet Such Interesting People | Vern Partlow | ||
12 | Winnsboro Cotton Mill Blues | Pete Seeger | ||
13 | The Death Of Harry Simms | Pete Seeger | ||
14 | No Irish Need Apply | Pete Seeger | ||
15 | Darling Corey | Pete Seeger | ||
16 | The Cry Of The Wild Goose | Terry Gilkyson | ||
17 | Sixteen Tons | Merle Travis | ||
18 | Dark As A Dungeon | Merle Travis | ||
19 | Wasn't That A Time | The Weavers | ||
20 | Banks Of Marble | The Weavers | ||
21 | The Hammer Song | The Weavers | ||
22 | Good-Night Irene | The Weavers | ||
23 | So Long, It's Been Good To Know You | The Weavers | ||
24 | Die Gedanken Sind Frei | Duncan & Lieberman & Sanders & Smith |
Various - Troubadours - Troubadours - Folk und die Wurzeln amerikanischer Musik Teil 1 (3-CD) CD 3 | ||||
---|---|---|---|---|
01 | 900 Miles | Cisco Houston | ||
02 | Diamond Joe | Cisco Houston | ||
03 | Great American Bum | Cisco Houston | ||
04 | Jubilee | Jean Ritchie | ||
05 | Dear Companion | Jean Ritchie | ||
06 | Bootlegger's Song | Oscar Brand | ||
07 | Around Her Neck | Oscar Brand | ||
08 | Paper Of Pins | Brand, Oscar & Ritchie, Jean | ||
09 | Go Way From My Window | Cynthia Gooding | ||
10 | John Brown's Body | Ed Mccurdy | ||
11 | Raspberries, Strawberries (Ah Les Fraises Et Les Frambous) | Will Holt | ||
12 | The MTA | Will Holt | ||
13 | Delia | Bob Gibson | ||
14 | Abilene | Bob Gibson | ||
15 | Gotta Travel On | Paul Clayton | ||
16 | Who'll Gonna Buy You Ribbons When I'm Gone | Paul Clayton | ||
17 | Pay Day At Coal Creek | Paul Clayton | ||
18 | The Ballad Of Sigmund Freud | The Gateway Singers | ||
19 | Come To The Dance | The Gateway Singers | ||
20 | Marianne | The Easy Riders | ||
21 | Strolling Blues | The Easy Riders | ||
22 | Green Fields | The Easy Riders | ||
23 | Kari Waits For Me | The Easy Riders | ||
24 | Cindy Oh Cindy | Martin, Vince & Tarriers, The | ||
25 | The Banana Boat Song | The Tarriers | ||
26 | Those Brown Eyes | The Tarriers |
Troubadours
Folk And The Roots Of American Music
While some observers often see Jackson Browne, Bob Dylan, Carole King, Joni Mitchell and James Taylor as the founders of America's contemporary singer-songwriter movement, the tradition actually dates back to the mid-19th century. The Hutchison Family of Milford, New Hampshire toured the United States singing religious and secular songs supporting numerous populist causes. In the years before World War I, Joe Hill and Ralph Chaplin refashioned traditional songs and hymns into biting anthems for the Industrial Workers of the World.
During the early '20s, Bentley Ball gave recitals of Appalachian ballads, Cowboy songs and Native American material to fascinated urban audiences. In 1920 he made the first recordings of such folk standards as Jesse James and The Dying Cowboy. Four years later Marion Try Slaughter, a Texas-born light opera singer who performed under the name Vernon Dalhart, recorded twangy versions of The Wreck Of The Southern 97 and The Prisoner's Song. Though hardly authentic, it caught the public ear and sold hundreds of thousands of records.
Two Tin Pan Alley writers exploited that success by penning folk-flavored songs inspired by some current event. Carson Robison, a Kansas native who played guitar on Dalhart's record, used a moralistic template for songs about train wrecks and natural disasters. Bob Miller, who hailed from Memphis, penned songs that addressed populist issues. Miller's left-leaning songs like Eleven Cent Cotton and Forty Cent Meat anticipated the People's Songs movement of the late '40s.
Folk songs continued making inroads into American popular culture during the Jazz Age of the '20s. Millions of radio listeners tuned into the Chicago-based WLS every Saturday night to hear 'The National Barn Dance' and its sweet-voiced Kentucky balladeer Bradley Kincaid sing Barbara Allen or The Blue Tailed Fly. John Allison organized a trio that introduced folk material over New York's WNYC as early as 1927. Recordings intended for Southern listeners occasionally migrated to urban audiences in the north. The better-selling Victor Records by Jimmie Rodgers and the Carter Family crossed Southern borders; some of their titles were issued in Europe and Australia, and even India.
While singers like Goebel Reeves never became household names, their recordings inspired a handful of performers that would change popular music.

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