Press - Mojo Magazine Various ***** The Knoxville Sessions, 1929-1930: Knox County Stomp BEAR FAMILY CD Flawlessly curated box set of landmark Brunswick, Vocation recordings from Knoxville, Tennessee. The third in a trilogy of Bear Family sets documenting the Appala-chian music scene at the end of the 1920s, this 4-CD collection, with a superb hardback book by Ted Olson and Tony Russell, show-cases the wide variety of talent captured during two extended sessions at Knoxville's St James Hotel. Hillbilly string band Ridgel's Fountain Citians sang fine barn-shakers like Baby Call Your Dog Off -
Press - heraldcourier.com - Posted: Sunday, August 28, 2016 2:22 am BY TOM NETHERLAND SPECIAL TO THE HERALD COURIER JOHNSON CITY, Tenn. – Neither the Carter Family nor Howard Armstrong will literally return from the dead anytime soon. Likewise Appalachia circa late 1920s. However, with the recent completion of Bear Family Records’ trio of boxed sets, each elevates in the public eye. Windows opened to Appalachian times and people long gone by when Germany’s Bear Family zeroed in on the Bristol Sessions. Its complete recordings box set, “The Bristol Sessions: The Big Bang of Country Music 1927-1928,” in 2011 proved revelatory. Maybelle Carter as best she could returned from the grave. Music arose from a forgotten heap. Culture rebranded as honorable. East Tennessee State University professor Ted Olson shepherded the Bristol Sessions and subsequent complete recordings sets from the John-son City and Knoxville Sessions in a number of ways. He served as reissue producer, wrote liner notes and researched each of the three monumental collections. “It was a labor of love,” said Olson over lunch last week at Yee-Haw Brewery. “Bear Family spared no expense.”
Press - Swedish Country Music Magazine Bear Family fortsätter sin kultur-gärning med att ge ut CD-boxar på hillbillyinspelningar. Tidigare har de gett ut inspelningarna från städerna Bristol resp. Johnson City.
Press - The Knoxville Sessions 1929 - 1930, Knox Country Stomp (4-CD Deluxe Box Set)- Johnson City Press What do Rihanna, Justin Bieber and a professor from East Tennessee State University have in common? They’ve all been nominated for a Grammy award this year. In different categories, of course. Ted Olson, a professor in the ETSU Appalachian Studies Department, and Tony Russell, a music historian from London, recently received a Grammy nomination for the album notes they wrote for a box set about the Knoxville sessions: "The Knoxville Sessions 1929-1930, Knox County Stomp."
Press - The Knoxville Sessions 1929 - 1930, Knox Country Stomp (4-CD Deluxe Box Set)- Amazon By Lee Knight on December 8, 2016 Format: Audio CD Verified Purchase The Knoxville Sessions continue the fine production of the previously released "The Bristol Sessions" and "The Johnson City Sessions."
Press - The Knoxville Sessions 1929 - 1930, Knox Country Stomp Grammy Nomination MVD BEAR FAMILY'S 'The Knoxville Sessions 1929-1930: Knox County Stomp' (Various Artists), a 4-CD Deluxe Box Set released earlier this year, has been nominated for a 2017 Grammy award in the "Best Album Notes" category. The album is the third compendium of early country music talent in Appalachia, along with 'The Bristol Sessions' and 'The Johnson City Sessions'.
Press - The Knoxville Sessions 1929 - 1930, Knox Country Stomp Grammy Nomination We knew it was a big deal, back in May, when the German reissue label Bear Family released the four-CD box set Knox County Stomp: The Knoxville Sessions, 1929-1930. The exhaustive set collects more than 100 tracks recorded at the St. James Hotel and other locations in downtown Knoxville during the tail end of the first great era of commercial sound recording.
The Knoxville Sessions Finalists for the 2017 ARSC Awards for Excellence The Association for Recorded Sound Collections is pleased to announce the finalists for the 2017ARSC Awards for Excellence in Historical Recorded Sound Research. Winners will be announced in September 2017, and the awards will be presented at a ceremony in May 2018, during ARSC’s annual conference. Additional information about the conference and the ARSC Awards for Excellence can be found at www.arsc-audio.org.
Press - The Knoxville Sessions 1929 - 1930, Knox Country Stomp - arsc Journal The Knoxville Sessions, 1929-30: Knox County Stomp. Bear Family Records BCD16097 (4 CDs, with 156 page hardcover book). Veteran old-time music scholars, writers, and producers Tony Russell and Ted Olson have teamed up again with the Bear Family label to present The Knoxville Sessions, 1929-30: Knox County Stomp, the complete recordings made at the St. James Hotel in Knoxville, Tennessee, by Brunswick/Vocalion Records. The sessions were an attempt by Vocalion, one of several record companies trying to capitalize on the new and developing market for country music, to record music on location in strategically chosen Southern cities, rather than to recruit artists to their studios in New York City, a much more challenging prospect.
Presse - DYNAMITE MAGAZIN 11/12 - 14 Auflage 15.000 BCD16094 East Tennessee State University This essay considers the Bristol, TN/VA (1927-1928) and Johnson City, TN (1928- 1929) Sessions recordings released by the Bear Family label, as well as recordings, made by linguist Joseph Hall in the 1930s, of musical performances by residents of the Smokies in eastern Tennessee and west- ern North Carolina. I also consider here a collection of performances, by contempor- ary artists, of songs that Hall recorded in the 1930s. This essay is informed by my experience as a musician who has listened to, played, and written about the string- based vernacular music often called “old time music.” Like others who style them- selves connoisseurs of this music, I have paid careful attention to the content and context of recordings like those I consider here. I am particularly interested in these recordings since they are part of my current local environment; I currently live near the sites of these recordings, my work as a per- former and teacher involves using these recordings, and I work with people who were involved in the production of these collections. I chose these four collections because I am curious about what sense of place they afford other aficionados of old time music. My experiences with these recordings lead me to consider the larger question of how contemporary audiences and producers of old time music consume, engage, and create a sense of place through their music-making (listening, performing, mediating, etc.). As a participant-observer in old-time music-making circles, I have observed that we seem very concerned with place.