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Roy Orbison Orbison 1955-1965 (7-CD Deluxe Box Set)

Orbison 1955-1965 (7-CD Deluxe Box Set)
 
 
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catalog number: BCD16423

weight in Kg 2,200

 

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Roy Orbison: Orbison 1955-1965 (7-CD Deluxe Box Set)

7-CD box set (LP-size) with 104-page hardcover book, 189 tracks. Playing time approx. 482 mns.

The ultimate Roy Orbison! Between 1955 and 1965 Roy Orbison revolutionised popular music and these are the recordings that did it! This album box set with 7 CDs includes every recording from his golden decade! Beginning his career as a rockabilly singer on Jew-Wel and Sun Records , Roy Orbison scored one hit, Oooby Dooby, and left many great early rare and rockin' sides behind ...Problem Child, Down The Line, Rockhouse, Cat Called Domino... as well as songs he wrote for Buddy Holly, like An Empty Cup and You've Got Love. Then Roy Orbison's song Claudette (both early demo's included here for the first time!) became a hit for the Everly Brothers, and Roy Orbison went to Nashville to record first for RCA, then Monument.

At Monument Records, Roy Orbison made the most perfectly realised pop music of the early-to-mid Sixties. Bruce Springsteen spoke of its 'mysterious sense of longing.' As Roy Orbison's contemporaries fell to the British Invasion, he went from strength to strength. All of his Monument recordings are complete here for the first time. All The hits, Uptown, Only The Lonely, Blue Angel, I'm Hurtin', Running Scared, Crying, Candy Man, Dream Baby, In Dreams, Falling, Mean Woman Blues, Blue Bayou, Pretty Paper, It's Over, Oh Pretty Woman, and more! All the B-sides, including songs that became big hits for other artists, like Today's Teardrops, Love Hurts, and Distant Drums. And all the album tracks from all the Monument LPs, plus previously unissued alternate takes and rare demos!

This album box set concludes with Roy Orbison's first MGM hit, Ride Away from 1965, closing out incredible 10 years...10 years that changed the way popular music was made. Altogether, this album box set with 7 CDs includes more than 150 recordings, as well as an LP-sized book that includes many previously unseen photographs, a newly researched biography by Colin Escott, and a complete discography.

7-CD box set (LP-size) with 104-page hardcover book, 189 tracks. Playing time approx. 482 mns


 

Songs

Roy Orbison - Orbison 1955-1965 (7-CD Deluxe Box Set) Medium 1
1: EARLY:
2: Ooby Dooby TEEN KINGS
3: Trying To Get To You TEEN KINGS
4: Ooby Dooby (sun master) ORBISON, Roy
5: Go! Go! Go!
6: Trying To Get To You
7: You're My Baby
8: Rock House
9: Sweet And Easy To Love
10: Devil Doll
11: Love Dumb Baby (fragment)
12: Fool's Hall Of Fame
13: A True Love Goodbye
14: Chicken Hearted
15: I Like Love
16: Mean Little Mama
17: Problem Child
18: Cat Called Domino
19: You Tell Me
20: I Give Up
21: One More Time
22: Lovestruck
23: The Clown
24: Claudette
25: The Cause Of It All
26: You're Gonna Cry
27: This Kind Of Love
28: It's Too Late
29: I Never Knew
30: Claudette  
Roy Orbison - Orbison 1955-1965 (7-CD Deluxe Box Set) Medium 2
1: EARLY:
2: Ooby Dooby (alt) ORBISON, Roy
3: Ooby Dooby (alt 2)  
4: Ooby Dooby (alt 3)  
5: Trying To Get To You (alt)  
6: Chicken Hearted (semi spoken vocal)  
7: Problem Child (alt)  
8: The Clown (alt)  
9: This Kind Of Love  
10: It's Too Late (alt)  
11: I Was A Fool KEN COOK & ROY ORBISON  
12: Seems To Me ORBISON, Roy  
13: Sweet And Innocent  
14: I'll Never Tell  
15: Almost Eighteen  
16: Jolie  
17: Paper Boy  
18: With The Bug  
19: Ooby Dooby WINK WESTERNERS  
20: Hey! Miss Fannie WINK WESTERNERS  
21: A True Love Goodbye TEEN KINGS  
22: An Empty Cup TEEN KINGS  
23: Cat Called Domino TEEN KINGS  
24: I Guess I'm Lonely ROY ORBISON & JOE MELSON  
25: You Fool You ROY ORBISON & JOE MELSON  
26: Velveteen Doll ROY ORBISON & JOE MELSON  
27: She's Okay ROY ORBISON & JOE MELSON  
Roy Orbison - Orbison 1955-1965 (7-CD Deluxe Box Set) Medium 3
1: Ooby Dooby  
2: Racker Tacker  
3: Blue Suede Shoes  
4: Brown Eyed Handsome Man  
5: St. Louis Blues  
6: All By Myself  
7: Lawdy Miss Clawdy  
8: Jam  
9: Rock House  
10: Singing The Blues  
11: Pretend  
12: Rip It Up  
13: Trying To Get To You  
14: TK Blues  
15: Go! Go! Go!  
16: Bo Diddley  
17: Do You Remember? (B.Pat,Jack & James talk  
18: about the TEEN KINGS)  
Roy Orbison - Orbison 1955-1965 (7-CD Deluxe Box Set) Medium 4
1: MONUMENT:  
2: Paper Boy ORBISON, Roy  
3: Double Date  
4: With The Bug  
5: Up Town  
6: Raindrops  
7: Pretty One  
8: Blue Avenue  
9: Only The Lonely  
10: Here Comes That Song Again  
11: Today's Teardrops  
12: Blue Angel  
13: I'll Say It's My Fault  
14: Come Back To Me (My Love)  
15: (I'd Be) A Legend In My Time  
16: Bye Bye Love  
17: Twentytwo Days  
18: Cry  
19: I Can't Stop Loving You  
20: I'm Hurtin'  
21: Darkness  
22: Let's Make A Memory  
23: Love Hurts  
24: Running Scared  
25: Nightliefe (with semi spoken intro)  
26: Summer Song  
27: Loneliness  
28: Dance  
Roy Orbison - Orbison 1955-1965 (7-CD Deluxe Box Set) Medium 5
1: MONUMENT:  
2: Lana ORBISON, Roy  
3: Dance  
4: She Wears My Ring  
5: Crying  
6: Sunset  
7: The Great Pretender  
8: Candy Man  
9: House Without Windows  
10: (They Call You) Gigolette  
11: How Are Things In Paradise  
12: (They Call You) Gigolette  
13: Wedding Day  
14: Yes  
15: Let The Good Times Roll  
16: Blue Bayou (2)  
17: Party Heart  
18: Evergreen  
19: Love Star  
20: Dream Baby  
21: The Actress  
22: No One Will Ever Know  
23: The Crowd (2)  
24: Mama  
25: (I Get So) Sentimental  
26: Leah  
27: Working For The Man  
28: Borne On The Wind  
29: Distant Drums  
Roy Orbison - Orbison 1955-1965 (7-CD Deluxe Box Set) Medium 6
1: MONUMENT:  
2: Falling ORBISON, Roy  
3: Shahdaroba  
4: I Dreams  
5: Dream  
6: My Prayer  
7: Lonely Wine  
8: Beautiful Dreamer  
9: All I Have To Do Is Dream Of You  
10: Mean Woman Blues  
11: What'd I Say  
12: San Fernando (german)  
13: Mama (german)  
14: Pretty Paper  
15: Almost  
16: It's Over  
17: Indian Wedding  
18: O Pretty Woman (single version)  
19: Yo Te Amo Maria  
20: Only With You  
21: Goodnight  
22: (Say) You're My Girl (fast)  
23: (Say) You're My Girl (slow)  
24: Sleepy Hollow  
25: Ride Away (MGM)  
Roy Orbison - Orbison 1955-1965 (7-CD Deluxe Box Set) Medium 7
1: RARTIES/SESSIONS:  
Roy Orbison - Orbison 1955-1965 (7-CD Deluxe Box Set) Medium 8
1: Twentytwo Days  
2: Love Hurts  
3: Nightlife  
4: (They Call You) Gigolette  
5: Borne On The Wind (different vocal)  
6: Pretty Paper  
7: Indian Wedding  
8: Blue Avenue  
9: Here Comes That Song Again  
10: It's Over  
11: Today's Teardrops  
12: Blue Angel  
13: I'll Say It's My Fault  
14: With The Bug (MO 546-2)  
15: SESSIONS:  
16: Double Date (takes 1 & 2)  
17: Double Date (take 5)  
18: Double Date (take 6)  
19: Paper Boy (takes 14/16)  
20: Paper Boy (take 17)  
21: Paper Boy (take 18)  
22: Paper Boy (take 19)  
23: With The Bug (take 1)  
24: With The Bug (take 2)  
25: With The Bug (take 3)  
26: With The Bug (take 4)  
27: With The Bug (take 9)  
28: THE ROY ORBISON COCA COLA ADVERTS:  
29: Let's Get Together For A Coke Again (1&2&3)  
30: Stayed Out Too Late (1 & 2)  
31: Things Go Better With Coke  
32: Life Is Fun When You're Refreshed (1&2&3)  
33: C.O.C.A. C.O.L.A (1 & 2)  

 

Artikeleigenschaften von Roy Orbison: Orbison 1955-1965 (7-CD Deluxe Box Set)

  • Interpret: Roy Orbison

  • Albumtitel: Orbison 1955-1965 (7-CD Deluxe Box Set)

  • Format Box set
  • Genre Rock 'n' Roll

  • Music Genre Rock 'n' Roll
  • Music Style Rock & Roll
  • Music Sub-Genre 201 Rock & Roll
  • Edition 2 Deluxe Edition
  • Title Orbison 1955-1965 (7-CD Deluxe Box Set)
  • Label BEAR FAMILY RECORDS

  • Price code GL
  • SubGenre Rock - Rock'n'Roll

  • EAN: 4000127164230

  • weight in Kg 2.200
 
 

Artist description "Orbison, Roy"

 

Roy Orbison

Born on 23 4th 1936 in Vernon, Texas.
Died on 6.12th 1988 in Tennesse.

 

Roy Orbison

The man with the unmistakable voice began as a rockabilly singer, then went as a staff composer (at Acuff - Rose) to Nashville. From his contract with Sun Records, he bought himself free, signed with Monument, where he began the assembly line production fate pregnant pain ballads. Among his classics and evergreens include 'Crying', 'Only The Lonely', 'Dream Baby', 'In Dreams', 'It's Over' and of course 'Pretty Woman' (a total of 29 US-Hits 1956-1967).

1966 accident his wife Claudette deadly on a motorcycle, only two years later both Orbison's sons died in a house fire. On 25 3 1969 Roy married in Nashville, the 19 year old Barbara Anne Wellhonen from Bielefeld (two common sons: Roy Kelton Jr., born in 1970, and Alexander, born 1974). During the 70 years it has been quiet around the superstar, who had to undergo a dangerous heart surgery.

End of the 80 he received a new contract with Virgin, again bubbled the hits, and Orbison was next to George Harrison, Bob Dylan, Jeff Lynne and Tom Petty solid Roy ORBISON Mm member of the Traveling Wilburys. At 6:12. In 1988, he died 'in Nashville a heart attack, his designated successor at the Wilburys, Del Shannon, shot himself.

Orbison's only German-language single is the mega-Rarität- both original titles were übersungen of the production line of Wolf Kabitzky on 06.09.1963 in Hamburg Teldec studio in the Easter Road with German lyrics. 1987 was recorded 'The Big O' in the Rock and Roll Hall Of Fame.

From the Bear Family Book - 1000 pinpricks of Bernd Matheja - BFB10025 -

 

Roy Orbison

Historians love to write about how Roy Orbison got started in the music business on the wrong foot, being forced to cut rock 'n' roll until he found his niche with the sort of orchestrated ballads that would cement his place in the Hall of Fame. 

While it is true that Roy himself preferred the softer songs and the pop ballads, and certainly that is where he found his greatest chart success, one thing cannot be denied—Roy Orbison's veins pulsed with the blood of a rocker. Although he always denied it, he was great at rocking, and left behind some of the best-loved rockabilly tracks of all time.

 This collection is perhaps the first of its kind, the first to collect all of Roy's best 'rockin'' material from the different periods in his career—from the early days at Sun Records and at the Norman Petty studios, to the short-lived days as an RCA Victor artist in the late 50s, and the few but fertile rockers that Roy cut in his golden days for Monument Records in the early 1960s.

 When an artist finds such massive success with a radically different style such as Roy Orbison did with his pop hits in the 60s, it is easy to write off early efforts with a dismissive wave of the hand. In fact, in doing the research for these liner notes, I was shocked at how nearly every single book or article about Roy Orbison regurgitated the same details about Roy's early rocking period, usually in a few short paragraphs. The thought occurred to me that had Roy not gone on to record those massive pop hits, he would have had the sort of attention paid to his rockabilly sides as the other greats of Sun Records—Carl Perkins, Billy Lee Riley, Sonny Burgess, Warren Smith, and others who have had every minute detail of their 1950s activities researched and obsessed over time and again.

The fact of the matter is that Roy was another teenager in the mid-1950s who traveled to see Elvis Presley play and got swept up in the fury—women, fame, attention, and Roy's own admission that his only goal was "a Cadillac and a diamond ring by the age of 21."Whether or not he was teen idol material mattered not—for deep in his soul Roy felt the calling of wild bop music known as rock 'n' roll. 

Much has also been written about how unlikely a star Roy Orbison was. True, back in the 1950s as it is today, looks mattered over talent in the pop business, and Roy Orbison was not exactly an attractive man. Born albino, he suffered the eyesight problems of albinism, and in fact in the early days (before he wore glasses on stage) many thought Roy was blind because he had to be led up to the microphone. But he dyed his hair a deep jet black, bought himself the finest hepcat clothes that money could buy, equipped himself with top-of-the-line equipment (teenage Roy had a Les Paul 'black beauty' guitar—the most expensive solidbody Gibson made—and a Ray Butts Echosonic Amp like Scotty Moore—also the most expensive custom-ordered amplifier one could own at the time), and made up his mind that he was going to be a rock 'n' roll star, looks be damned.

In the music business, there has always been a great divide between the gifted and the determined, and Roy was both. The determination paid off—in fact the stubborn Roy stuck at it through high and low times throughout his 40-year stint in the music business. How many artists can say they started off with a hit on their first record, then sank so low as to eat rolled up balls of cornmeal and water (as Roy did between his Sun days and the pop hits), found top 40 success and made a million dollars, lost his wife to a motorcycle accident and two sons to a house fire, then wound up getting inducted to the Rock and Roll Hall of Fame and having a top 10 hit just as he died? The story of Roy Orbison is a story of perseverance and dogged determination more than anything else.

West Texas is precisely the sort of place to breed a determined young man like Roy Orbison. Hot, dusty, and flat—these are the only goodthings that can be said about a place like Wink, Texas, where Roy was raised. Born in April 23, 1936 to hard working parents (Roy's dad Orbie Lee was a rigger in the oilfields), Roy was the classic outcast, a subject that later permeated his hits like Only The Lonelyand In Dreams.

Roy had a good head on his shoulders, though, and quickly found that while he wasn't good at football and hard, menial labor, he was good at drawing and singing. Perhaps the most telling picture of his early years is a photo of Roy posed in front of a very large blackboard mural. Roy had created an elaborate Christmas drawing, which apparently was so well received that the entire school was taken to view his creation. In the photo, the huge mural dwarfs the diminutive Roy, who stands beaming from ear to ear, his eyes barely visible through his thick coke-bottle glasses. Roy had found that he could use his talents to gain acceptance and praise from others, even if he didn't fit in with the football players and oil riggers.

Roy's musical talents surfaced early on as well, and by his early teens was leading a local aggregation called the Wink Westerners, a group that eventually turned into the Teen Kings. The group began by playing all the country & western hits of the day, with Roy being particularly knocked out by Lefty Frizzell's voice. As was the norm of the day, the group also found itself having to play pop standards like Moonlight Serenadeand Stardust. All that would change the day that Elvis Presley blew through West Texas like a hurricane, changing everything in his path.

The details of exactly where and when Roy saw Elvis for the first time are murky, but it's generally accepted that Roy had heard about the noise Elvis was making in the music world, and in fact his father had told him of seeing a Presley show that he deemed "terrible."Roy made up his mind to see what the fuss was all about, and went to see Elvis play, either at the Big D Jamboree in Dallas or at one of the many shows Elvis played across West Texas in 1954 and 1955.

It's now hard to imagine a time when such things were so shocking or life-changing, but when Roy recounted seeing Elvis for the first time, he remembered Elvis spitting out his chewing gum on stage, breaking guitar strings, talking "with the coarse diction of a truck driver,"rolling around on the floor while singing, and causing a near-riot in the crowd between turning the ladies on and ticking the men off in the process.
Like thousands of other teenagers all over the country, Elvis' music, looks and attitude represented something that their generation could latch on to and call their own. In no time at all, the Wink Westerners were doing their own interpretation of hillbilly bop and looking at getting a piece of the Presley pie for their very own.

The group made some line-up changes, most notably adding rhythm guitarist Johnny 'Peanuts' Wilson to the line-up, who brought with him a healthy love for the new rock 'n' roll music (and later would cut the classic single Cast Iron Arm.) After a spell during which Roy and drummer Billy Pat Ellis went to North Texas State College in Denton, the whole group moved to Odessa, where they all attended junior college together, and changed their name from the Wink Westerners to the Teen Kings. It wasn't long before the group made its first recording, an acetate demo of a song that Roy had learned from two students at North Texas State named Wade Moore and Dick Penner. The song was Ooby Dooby,and although it was a simple song with nonsense lyrics, Roy had seen Wade and Dick make crowds go crazy with the tune.

 

The demo session was intended as an audition for Columbia Records. Columbia saw no future with the band, but A&R man Don Law did give Ooby Doobyto Sid King & the Five Strings to record, who released it on Columbia to little fanfare (these early Orbison demos of Ooby Doobyand Hey Miss Fanniecan be found on the Roy Orbison box set on Bear Family, BCD 16423).

Around this time, Roy and the Teen Kings had caught the eye of local impresario Weldon Rogers, who agreed to put out a Teen Kings 45rpm record as soon as they had something recorded. The group then traveled to the other notable studio in the region, Norman Petty's Studio in Clovis, New Mexico, where they re-cut Ooby Doobyand a new flip side, Tryin' To Get To You, which they had learned from Elvis' live shows (one report has Roy owning a pre-release acetate of Elvis' version). The two numbers were released on the tiny Je-Wel record label, an acronym that stood for the financial backer's daughter Jean Oliver and Weldon Rogers, who handled the music and promotional side of the label.

 The Je-Wel record took off locally, selling hundreds of copies and catapulting the Teen Kings to local fame. The record made so much noise that another local impresario, Cecil Holifield, notified Sam Phillips of Sun Records that the Je-Wel contract was not legally binding, with Orbison and the other boys under the age of 21. When Holifield and Sam Phillips threatened legal action against Je-Wel Records, the Teen Kings were released from their contract and given instructions to come immediately to Memphis to record for Sun.

In the rapidly moving waters of the day, songs could break overnight, and just as easily be forgotten. Sam Phillips knew this, and brought the group to Memphis as fast as possible to re-cut Ooby Doobyyet again, and capture the momentum that the Je-Wel record had promised. When the group arrived in Memphis, Sam rushed them into the studio and explored their potential as new rockabilly hitmakers. The group re-recorded Ooby Doobya total of four times, but Phillips felt they hadn't gotten a good recording of the song, and in fact wound up calling Weldon Rogers seeking to lease the Je-Wel master. This after threatening legal action against him only a month earlier! Weldon offered to sell the Je-Wel master for $1100, but Sam decided to go with the first take the boys had laid down at the Sun Studio instead.

For a flip side, the band came up with a new rocker, Go Go Gowhich was a scorching rockabilly mover that has become one of the 'standards' in the rockabilly song repertoire to this day, though usually called Down The Line, the title that Jerry Lee Lewis gave it when he re-cut the song a year later for the flip side of Breathless

One thing that should be pointed out regarding all of the early rockabilly sides that Roy Orbison and the Teen Kings recorded is that Roy played all the lead guitar parts himself. If nothing else, Roy established himself as one of the great rockabilly axemen, cutting solos that were as tough sounding and biting as any of his contemporaries. Few know that when they hear that classic intro to Go Go Gothat it's Roy himself tearing it up on the guitar! The band also recorded another couple of takes of Tryin' To Get To Youat the first Sun session, but Sam chose the two rockers (and picked Go Go Goas the flip to ensure his own publishing interests) and rushed Ooby Doobyout as Sun 242 as quickly as possible. The single did very well, selling up to 200,000 copies by some reports, and Roy Orbison became a star for the first time.

Roy's tenure at Sun has been rehashed in Orbison biographies many times over. According to Orbison, he kept trying to get Sam Phillips and his in-house producer 'Cowboy' Jack Clement to listen to his ballads, which he felt were his forte. If you believe everything you read, Phillips and Clement forced Orbison to record rock 'n' roll material against his will, while he tried in vain to convince them that he was a ballad singer. Again, according to lore, Orbison eventually showed them with a giant"I told you so"when he scored numerous top ten hits with his ballads in the early 1960s.

 Like a lot of music history, it all makes for a nice story. But human accounts differ from the recorded material—and for that matter photographs—from his time at Sun.

 

 

 

 

 
Presseartikel über Roy Orbison - Orbison 1955-1965 (7-CD Deluxe Box Set)
Customer evaluation "Orbison 1955-1965 (7-CD Deluxe Box Set)"
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From: Klaus Brüser 2018-05-05 18:52:30

Alles klasse

Auch diese Box ist, wie alles was ich bisher an Boxen von Bear Family gekauft habe, Spitzenqualität. Über die Discographie kann man natürlich geteilter Meinung sein. Aber wenn überhaupt, sind das für mich ganz kleine Abstriche. Und meine Bewertung bleibt trotzdem bei einer glatten 10.

 
From: Stefan Lind 2017-09-27 14:45:53

Eindrucksvoll mit ein paar ärgerlichen Mängeln

Was die Klangqualität der Musik angeht, die üppigen Begleitbücher, die seltenen Fotos, da steht Bear Family für allerbeste Qualität, die zehn Punkte verdient hat.
Was mich an der Orbison-Box aber ärgert, ist die Discographie. Diese Manierismen, die ich da finde, ziehen sich durch alle Boxen, die ich besitze (dreimal Bill Haley, Fats Domino, Lesley Gore etc.). So lässt sich zwar aus den Angaben nachvollziehen, dass zum Beispiel die Titel "Paper Boy" und "With The Bug" von der Monument-Single Mo 409 sind (es steht jeweils dahinter), was aber die A-Seite und die B-Seite war, muss ich mir dazu denken. Bei vielen Songs weiß ich das, schwierig wird es aber bei unbekannteren Aufnahmen.
Auch gibt es zwar Bestellnummern von LPs (SM 14007 zum Beispiel), die stehen da aber einfach so, kommentarlos. Wie heißt denn die LP dazu? In welcher Reihenfolge sind die Songs darauf zu finden? Die begleitenden Bücher zu jeder Box sind so umfangreich, dass darin auch noch Platz wäre für eine ordentliche Discographie mit allen Singles und LPs des Künstlers oder der Gruppe (meinetwegen ohne Compilations, von denen es oft mehr als genug gibt).
Ein weiterer Punkt ist mir aufgefallen. Grundsätzlich finde ich es gut, dass die Stücke nicht mehr wie früher streng chronologisch auf den CDs zu finden sind, sondern auch mal inhaltlich sortiert. Im Falle der Orbison-Box ist es schön, die Live-Show der Teen Kings komplett auf CD 3 zu haben. Aber warum bitte sind die ersten Aufnahmen Roy Orbisons mit den Wink Westerners auf CD 2, und dann noch hinter den RCA-Sessions? Da passen sie nun gar nicht hin. In diesem Falle würde die Chronologie sogar Sinn ergeben: Schaut her, die allerersten Aufnahmen, mit denen wird die Box eröffnet, und dann auch noch der Klassiker "Oooby Dooby" (damit geht es tatsächlich los, aber mit einer späteren Session).
Zusammenfassend: Alles prima bis auf die Discographie. Aber die hat der Chef gemacht, und der lässt sich offenbar nicht reinreden. Na dann...

 
From: John Yonge 2014-10-19 13:36:11

Excellent box set but...

This fabulous box set is beautifully presented in line with all the box sets I've purchased from Bear. However, it's easy to imagine that this set includes everything the 'Big O' recorded. It does not.

It doesn't even even include all his hits! For example, Breakin' Up Is Breakin' My Heart is not included along with other well known titles.
However, the majority are here and it's well worth buying.

 
 
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Lewis, Jerry Lee: Complete Sun...

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Lewis, Jerry Lee: The Locust...

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