Glen Glenn Pick' em Up And Lay 'em Down (10") Bear Family BAF 14001 Der als Glen Troutman 1934 in Misouri geborene Mann war einer der gro-ßen Geheimtips des Rock-abilly und diese 10"-Vi-nylplatte, die 12 bislang unveröffentlichte Tracks des Mannes zusammen mit seinem Gitarristen Gary Lambert bringt, de-monstriert die Klasse des Mannes, der sowohl als Songschreiber wie als Sänger beweist, dass er ei-ner der herausragenden Stilisten der frühen Rock'n'Roll-Ära gewesen ist. So vital wie die Musik auf dieser 10" ist, lebt der Stil ewig weiter.
"That ain't nothing but right", the third piece of the CD, is none other than Joey's first record released on RCA (20/47-7283) in 1958 and earned him the fame of New King of R'n'R. Followed by "Please love me (slow rock sweet) and "Shake hands with a fool", two new songs that were to be released on Vik and that you can not understand why they were not published. After the two B-sides: "Come a little closer baby" (B-side of the first record on RCA) and "Wild love" comes like a bomb the main dish of this CD: the famous "Rock and Roll Daddy-O", wild song in pure rockabilly style embellished by the solos of guitarist James G. LIddle.
An extensive booklet (51 pages) with texts by Bill Dahl, many extremely rare photos, discography and detailed recording data completes the documentation about Eddie Cochran's successful year 1957.
Equal parts propaganda and patriotism, romance and realism, drama and comic relief, celebration and devastation, the songs on Battleground Korea illuminate a war that need not be forgotten. So does the 160-page book which impresses in every way. Between its covers, one will find not only track-by-track liner notes detailing facts about the most obscure of artists, but also essays, photo scrapbooks, complete lyrics, and appendices. Penned by Hugo Keesing with Bill Geerhart, and chockablock with memorabilia and illustrations, it’s a stunning and compelling reference book. The four compact discs are housed on spindles within. Christian Zwarg has remastered the material here under the supervision of producers Keesing and Geerhart and executive producer (and Bear Family founder) Richard Weize.
The hardcover book features several in-depth essays that help place the Korean War in context, as well as set the scene for music’s relationship with the war. Detailed biographical and background essays are provided for every recording, and – since the subject matter is at the heart of the collection – printed lyrics are provided for all of the songs.
The book also features a staggering collection of photos – quite a few in color – that provide added dimension to the narrative. As historical releases go, Battleground Korea establishes a nearly impossibly high standard. For those interested in digging into the Korean War from a rarely-approached historical angle, this boxed set is just the ticket. Recalling George Santayana’s aphorism about not learning the lessons of the past, and with the Korean peninsula (and the American government’s perspective on it) currently back in the news, there’s no better time.
The 'Songs And Sounds Of America's Forgotten War' on 4-CDs plus book. Following 2010's Next Stop Is Vietnam, compiler Hugo Keesing turns his forensic attention to documenting the often-overlooked Korean conflict that started in June 1950 and ended three years later.
FATS DOMINO TEENAGE PARTY WITH MR DOMINO BEAR FAMILY VINYL CLUB 00000 Bear Family Vinyl Club once again unearths the most obscure pressings imaginable with this 1962, Dutch, 10" The compilers didn't limit themselves to then-recent material from his vast Imperial Records catalogue: Please Don't Leave Me was a smash for Domino nearly a decade earlier and I'm Walkin' shot up the charts like a rocket in 1957. Some of Fats' lesser-known boppers are here too, including What A Party, My Real Name and Rockin' Bicycle. Only 1,000 copies pressed.
FATS DOMINO–Teenage Party with Mr Domino (Bear Family) 10" The Ballads of Fats Domino (Bear Family) CD The 10" LP Teenage Party with Mr Domino is a reissue of a 1963 Netherlands release freshly pressed onto gold vinyl. A well-chosen blend of early rock ditties circa 1953-1962, it is entertaining and concise. Some million sellers are here: The stomp-ing "I'm Walkin'," the teen appeal working man's lament "Blue Monday," the countryish tribute to a varmint "Bo Weevil," and the plead-ing R&B of"Please Don't Leave Me." However, this 10-song disc mainly works because of the less famous ]racks, Domino's 1962 allusion to „idninY Jones's "Handy Man," "MY Real Name," is a happy boast. The lost love song "It Keeps rifling," features a trilling guitar Hre and trumpets instead of s.. sound is further updated on the lawful "Rockin' Bicycle" where '",kne not only smartly double-Ceics his vocal on the chorus but . down some nasty piano bogie the middle.
BUDDY HOLLY COUNTRYWISE
BUDDY HOLLY COUNTRYWISE BEAR FAMILY VINYL CLUB 0000 Before he achieved stardom, Buddy Holly was a struggling country artist in Lubbock, Texas, singing duets with his pal Bob Montgomery. They taped some of their fledgling efforts in 1954-55; those recordings ended up in the hands of Holly's subsequent producer Norman Petty, who overdubbed the Fireballs on them after Holly's death and released them on Coral Records. A rare compilation of those tracks was issued as Countrywise in 1965, and an immaculately realised repressing is one of the latest offerings from Bear Family Vinyl Club.
World War II produced its own trove of hit songs, including "Don't Sit Under the Apple Tree (With Anyone Else but Me)," "Boogie Woogie Bugle Boy" and "I'll Be Home for Christmas." And who can think of the Vietnam War without summoning memories of Barry Sadler's "The Ballad of the Green Berets," Pete Seeger's "Waist Deep in the Big Muddy," the Doors' apocalyptic "The End" or Country Joe & the Fish's "I Feel Like I'm Fixin' to Die Rag." The Korean War, however, is something of an anomaly in that regard, one that is addressed in an expansive new four-CD box set, "Battleground Korea: Songs and Sounds of America's Forgotten War," just released by the wondrously obsessive German label Bear Family Records. About three years ago —long before Donald Trump was considered a serious candidate for president and well before his Twitter war with current North Korean dictator Kim Jong Un propelled the country back onto center stage of world affairs — coproducers Bill Geerhart and Hugo Keesing went to work on culling music of the Korean conflict.