10CC Live And Let Live (1977)...plus (2-CD)

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catalog number: CDGLAM55
weight in Kg 0.12

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10CC: Live And Let Live (1977)...plus (2-CD)

Article properties: 10CC: Live And Let Live (1977)...plus (2-CD)

Interpret: 10CC
Album titlle: Live And Let Live (1977)...plus (2-CD)
Label GLAM
Genre Beat
Artikelart CD
EAN: 5013929045521
weight in Kg 0.12

10cc - Live And Let Live (1977)...plus (2-CD) CD 1
01	The Second Sitting For The Last Supper	10CC
02	You've Got A Cold	10CC
03	Honeymoon With B Troop	10CC
04	Art For Art's Sake	10CC
05	People In Love	10CC
06	Wall Street Shuffle	10CC
07	Ships Don't Disappear In The Night	10CC
08	I'm Mandy Fly Me	10CC
09	Marriage Bureau Rendezvous	10CC

10cc - Live And Let Live (1977)...plus (2-CD) CD 2
01	Good Morning Judge	10CC
02	Feel The Benefit	10CC
03	The Things We Do For Love	10CC
04	Waterfall	10CC
05	I'm Not In Love	10CC
06	Modern Man Blues	10CC

10cc, formed in Manchester, comprises Eric Stewart (vocals, guitar), Lol Creme (vocals; guitar)... more

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"10CC"

10cc, formed in Manchester, comprises Eric Stewart (vocals, guitar), Lol Creme (vocals; guitar) and Kevin Gogley (vocals, drums) who had played together as Hotlegs, a group which had a surprise British Top Five hit with 'Neanderthal Man' (Fontana) in 1970, and Graham Gouldman (vocals, bass), a successful songwriter of the Sixties who had written hits for the Yardbirds and Hollies among others. All from Manchester, the group were based at Strawberry Studios, where they recorded a series of self-produced hits on Jonathan King's UK label : 'Donna' (1972), 'Rubber Bullets', 'The Dean And I' (1973) and 'The Wall Street Shuffle' (1974), all of which showed total mastery of pre-vious rock styles, performed with a wit and polish that marked a new self-consciousness in British rock. All the members of the group write and produce equally. In 1975, after two equally fine albums, 10cc (1973) and Sheet Music (1974), they left UK for Mercury where they had a transatlantic hit with the ambitious The Original Soundtrack and the single from it, 'I'm Not In Love', a fra-gile ballad that epitomized both their inventive use of the studio as a musical instrument and their craftsmanlike atti-tude to song construction. Their second Mercury album, How Dare You (1976), which was even more ambitious, saw them less sure of themselves. None the less, it and its single, `Art For Art's Sake', were enormously successful.

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