10CC Sheet Music (1974)...plus

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catalog number: CDGLAM26
weight in Kg 0.107

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CD on GLAM RECORDS by 10CC - Sheet Music (1974)...plus more

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10CC: Sheet Music (1974)...plus

CD on GLAM RECORDS by 10CC - Sheet Music (1974)...plus

Article properties: 10CC: Sheet Music (1974)...plus

Interpret: 10CC
Album titlle: Sheet Music (1974)...plus
Label GLAM
Genre Beat
Artikelart CD
EAN: 5013929042629
weight in Kg 0.107

10cc - Sheet Music (1974)...plus CD 1
01	The Wall Street Shuffle	10CC
02	The Worst Band In The World	10CC
03	Hotel	10CC
04	Old Wild Men	10CC
05	Clockwork Creep	10CC
06	Silly Love	10CC
07	Somewhere In Hollywood	10CC
08	Baron Samedi	10CC
09	The Sacro-Iliac	10CC
10	Oh Effendi	10CC
11	Bonus Tracks:	10CC
12	18 Carat Man Of Means	10CC
13	Gismo My Way	10CC
14	The Worst Band In The World (Radio Version)	10CC

10cc, formed in Manchester, comprises Eric Stewart (vocals, guitar), Lol Creme (vocals; guitar)... more

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"10CC"

10cc, formed in Manchester, comprises Eric Stewart (vocals, guitar), Lol Creme (vocals; guitar) and Kevin Gogley (vocals, drums) who had played together as Hotlegs, a group which had a surprise British Top Five hit with 'Neanderthal Man' (Fontana) in 1970, and Graham Gouldman (vocals, bass), a successful songwriter of the Sixties who had written hits for the Yardbirds and Hollies among others. All from Manchester, the group were based at Strawberry Studios, where they recorded a series of self-produced hits on Jonathan King's UK label : 'Donna' (1972), 'Rubber Bullets', 'The Dean And I' (1973) and 'The Wall Street Shuffle' (1974), all of which showed total mastery of pre-vious rock styles, performed with a wit and polish that marked a new self-consciousness in British rock. All the members of the group write and produce equally. In 1975, after two equally fine albums, 10cc (1973) and Sheet Music (1974), they left UK for Mercury where they had a transatlantic hit with the ambitious The Original Soundtrack and the single from it, 'I'm Not In Love', a fra-gile ballad that epitomized both their inventive use of the studio as a musical instrument and their craftsmanlike atti-tude to song construction. Their second Mercury album, How Dare You (1976), which was even more ambitious, saw them less sure of themselves. None the less, it and its single, `Art For Art's Sake', were enormously successful.

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