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Bill Ramsey Ohne Krimi geht die Mimi nie ins Bett

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  • BCD15818
  • 0.115
1-CD with 16-page booklet, 27 titles. Playing time approx. 71 minutes.  Bill Ramsey,... more

Bill Ramsey: Ohne Krimi geht die Mimi nie ins Bett

1-CD with 16-page booklet, 27 titles. Playing time approx. 71 minutes. 

Bill Ramsey, the man with the'Rice Nail Voice', was not only successful as a pop singer, but also as a film actor. His hit Ohne Krimi die Mimi nie ins Bett (Without Crime) never came out of the hit film of the same name in which he took part. This pop song is also available here in English. The recordings on this CD include his singles from the period 1962 to 1965, and in the early 1960s the nonsense hit was popular in Germany and his hits such as Maskenball with Scotland Yard, Bossa Nova Baby and Ein Student from Heidelberg were represented in the hit parade. You can also hear duets with Chris Howland (you tell your wife everything) and Peter Weck (there is always trouble).

Video von Bill Ramsey - Ohne Krimi geht die Mimi nie ins Bett

Article properties: Bill Ramsey: Ohne Krimi geht die Mimi nie ins Bett

  • Interpret: Bill Ramsey

  • Album titlle: Ohne Krimi geht die Mimi nie ins Bett

  • Genre Schlager und Volksmusik

  • Label Bear Family Records

  • Price code AH
  • Artikelart CD

  • EAN: 4000127158185

  • weight in Kg 0.115
Ramsey, Bill - Ohne Krimi geht die Mimi nie ins Bett CD 1
01 Ohne Krimi geht die Mimi nie ins Bett
02 Chug-A-Lug
03 Bin nur ein Tramp (King Of The Road)
04 Canary Blues
05 Flotter Dampfer
06 Parlez-Vous Français?
07 Bossa Nova Baby
08 Wer heisst hier Johnny? (Witchcraft)
09 Maskenball bei Scotland Yard
10 Hallo Boss, hallo
11 Mimi Needs A Thriller When She Goes To Bed
12 Sailors Need A Girl In Every Port
13 Es gibt immer wieder Ärger (& PETER WECK)
14 Feuerwasser und Liebe
15 Molly
16 Ein bequemer Arbeitnehmer bin ich nicht
17 Schöne Mädchen haben's gerne
18 Wenn ich Geigen hör', muss ich weinen
19 Sagst du alles deiner Frau (& CHRIS HOWLAND)
20 Zwei alte Freunde (& CHRIS HOWLAND)
21 Käpt'n Brown von Clipper 107
22 Was kann ich dafür
23 Kiss Me Candy
24 Crazy Cowboy Grand Hotel
25 Unter Wasser
26 Ein Student aus Heidelberg
27 Zicke-Zacke Hoi
Bill Ramsey Whomn I think of Bill Ramsey, there's a smile on my face. I wouldn't know of... more
"Bill Ramsey"

Bill Ramsey

Whomn I think of Bill Ramsey, there's a smile on my face.

I wouldn't know of a singer I enjoyed more as a child than'Uncle Bill'. I can't think of anyone who, as a steppke and teenager, could have brought me closer to more standards of jazz, blues and folk in no time than him.

No one else had his television presence, his anarchic humor and his swing instinct.
Not to mention the fact that nobody except him sang a real Hank Ballard number in one of the typical music film comedies of the Adenauer era: Let's Go Let's Go Let's Go Let's Go! When you saw Bill Ramsey, the TV presenter, the actor, the all-round comedian, friend of children and of course Bill Ramsey, the singer, on TV in the 60s, 70s and 80s, you couldn't help but think him a happy artist.

In addition to his hits from the late 50s and early 60s, he regularly had the opportunity to present his first and greatest love, jazz, on screen. Blues, folk and country didn't miss out either.
His Girl From Ipanema with host Paul Kuhn at the Hammond organ in'Paul's Party' remains unforgotten - back when the television was still black and white and the screen could still be smoked with relish.


For the legendary'man on the street', Bill Ramsey was naturally a wool-dyed jazz man who had temporarily become a hitter to the whims of career and fate. There was nothing in the eyes of the occasional jazz audience that could have been disreputable about Bill's double career. On the contrary: Especially these'Jazzleute' (elastic, but always positively meant term) made the best hits. They knew about Bill just as they knew about Hazy Osterwald, Bibi Johns, Greetje Kauffeld or Caterina Valente.

And wasn't that the real American scam anyway? Were Frank Sinatra, Peggy Lee, Mel Tormé and Al Hibbler, BillyEckstine, Ray Charles, Ella Fitzgerald and Sarah Vaughan not also swinging top performers, who became conspicuous again and again with commercially invested songs without really making enemies themselves with it?

Wasn't Bill Ramsey the jazziest of them all? So what was the problem?
In retrospect, the artist himself feels this quite differently...

His fellow musicians from Frankfurt'Domicile du Jazz' rejoiced with him about his triumphs as a pop singer. Big band musicians, even top jazz orchestras, liked to play on his records. They knew from their own experience that a professional musician also needs bread music for art music.
But the eternal jazz police could not understand him. Just as his musical colleagues usually congratulated him on his last hit after a jazz jam session over a relaxing beer, so did the top-nosed high priests of pure teaching, the aesthetic-philosophical jazz romanticists trained on their own genius and the editors of better arts pages and late night cultural radio (who, of course, are permanently employed in crisis-proof positions).

The jazz policemen, usually unable to hear an eight-bar solo without falling into hours of discourse about how Lennie Tristano would have played it, did not like to practice in tolerance for an absolute professional, who NEVER lost sight of jazz besides his activity as an entertainer, and - very important! whose jazz always hit the public at large, if it got to hear him.

But this did not interest the ubiquitous'Jazz Pope' from Baden Baden nor many other scribents of monthly appearing jazz cashiers who fall for every impostor.
To say it with the (sometimes too lightly underestimated) orchestra chief Guy Lombardo: "Nobody likes us but the people."


Some editors, producers and arrangers didn't want to play this stupid game. They believed in Bill Ramsey as a jazz interpreter at least as much as they appreciated Bill Ramsey as a grandmaster among pop humorists.
They knew him from his legendary appearance at the German Jazz Festival in Frankfurt in 1957, from tours with jazz programs in several countries of Western and Eastern Europe.

They had brought jazz classics to the stage with him and experimented with jazz arrangements for current pop hits. They loved the musical work with Bill.
Over the decades, as already indicated, radio (occasionally also television) productions with great big bands and combos, with wide-screen orchestras, top soloists and top-quality processed material have been produced.
The arrangers were all masters of their profession, including Dieter Reith, Rob Pronk, Paul Kuhn, Peter Herbolzheimer, Dave Hildinger, Jürgen Franke, Joki Freund and many others (see title list) - and they repeatedly pulled out some extra stops for their Bill.


The same applies to the big bands, e.g. Kurt Edelhagen (WDR), Erwin Lehn (SDR), Paul Kuhn (SFB), Dieter Glawischnig (NDR), Rolf-Hans Müller (SWF Baden Baden), HR, Radio Zürich etc. (see title list).Every single one of the recordings gathered here from the years 1958 to 1999 (yes, correctly read: music from forty-one years!) is a single song of praise for a great musical communicator - a homage to an expert to whom the complete field of tension between spiritual and swing, between blues and bossa nova, between boogie and ballads typical of the time was the most natural place for his musical self-expression and, yes, still is.
Because he is still there, still active and still a perfect ambassador for the great songs of his American homeland. And of course he remains the best singer who has ever appeared on television with a rotating propeller fly.

Anyone who sees him in the concert hall from the audience's waiting room will experience a spirited young man, inexplicably adorned with a snow-white hair and beard dress. Whoever shares the stage with him already knows beforehand: This will be difficult...

Because Mr. William McCreery Ramsey from Cincinnati, Ohio, remains unique and unrivalled.

Götz Alsmann 

 

Review 2
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Customer evaluation for "Ohne Krimi geht die Mimi nie ins Bett"
12 Aug 2017

Bestens!

Einfach gut, sehr ordentlich aufbereitet. Einiges bisher nicht gekanntes drauf, natürlich auch weniger Dolles, was soll's. Habe auf dem Nostalgie-Trip auch vieles als mp3 bei Amazon runtergeladen, nach dem Motto "Was soll's, bei den ollen Sachen machts ja wohl nix aus". Doch!
Habe bereits seit etlichen Jahren die CD "Souvenirs".
Ach wie gerne möchte ich noch mehr, bin nur Rentner - und kein Pensionär.

5 Mar 2014

schnell und gut

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Tracklist
Ramsey, Bill - Ohne Krimi geht die Mimi nie ins Bett CD 1
01 Ohne Krimi geht die Mimi nie ins Bett
02 Chug-A-Lug
03 Bin nur ein Tramp (King Of The Road)
04 Canary Blues
05 Flotter Dampfer
06 Parlez-Vous Français?
07 Bossa Nova Baby
08 Wer heisst hier Johnny? (Witchcraft)
09 Maskenball bei Scotland Yard
10 Hallo Boss, hallo
11 Mimi Needs A Thriller When She Goes To Bed
12 Sailors Need A Girl In Every Port
13 Es gibt immer wieder Ärger (& PETER WECK)
14 Feuerwasser und Liebe
15 Molly
16 Ein bequemer Arbeitnehmer bin ich nicht
17 Schöne Mädchen haben's gerne
18 Wenn ich Geigen hör', muss ich weinen
19 Sagst du alles deiner Frau (& CHRIS HOWLAND)
20 Zwei alte Freunde (& CHRIS HOWLAND)
21 Käpt'n Brown von Clipper 107
22 Was kann ich dafür
23 Kiss Me Candy
24 Crazy Cowboy Grand Hotel
25 Unter Wasser
26 Ein Student aus Heidelberg
27 Zicke-Zacke Hoi