John Pearse: The Lost 1966 Waldeck Audition
This set contains informal backstage tapes, previously thought lost, from 1966 Waldeck Festival. John Pearse has near-mythic status among guitar players, builders & designers. 'The folk guitarist who taught the protest generation how to play' - The 'Guardian' (UK). John Pearse is 'The Nation's guitar teacher.' 'stern' (Germany). Pearse recorded now-collectable albums like 'Guitar Train' (1958) and 'Blues, Rags & Raga' (1972) and hosted 1980s PBS show 'String Along.' 'John Pearse provided us with the right tools to play better music.' - Chris Hillman. He designed strings used and endorsed by Doc Watson, King Crimson & Dixie Chicks.
To many students of folk and blues guitar, John Pearse was a hero - the man who taught, performed, and helped popularize the genre. 'He left his mark on the musical world,' says Cindy Cashdollar.
This is high praise, and it hardly stops here. Bear Family Records offers a unique glimpse of this highly esteemed musician, drawn from these informal, unguarded performances. The 18 tracks presented here - for the first time ever - showcase Pearse backstage at the Waldeck Folk Festival in 1966. Pearse appeared at this premier German festival on four consecutive years, between 1965-68. The tapes offer a rare glimpse of his casual, non-studio persona. Unless you were in the first ten rows, you wouldn't have heard him so clearly.
Pearse taught designing, building and playing of stringed instruments to countless members of a European and American audience through his BBC, ITV and PBS shows - more than he could have ever reached through the endless touring of folk venues.
Despite his untimely death in 2008, John Pearse continues to reach an appreciative audience. The unmarked reel-to-reel tapes that gave rise to this unexpected CD will delight his legion of fans and draw new listeners to him.
Video von John Pearse - The Lost 1966 Waldeck Audition
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|Pearse, John - The Lost 1966 Waldeck Audition CD 1|
|01||Beacon On The Hill|
|06||Fair And Tender Ladies|
|07||Fix Me A Pallet On Your Floor|
|08||Goin' Back To Georgia|
|10||Johnny Was A Shoemaker|
|11||Lady Of Carlisle|
|12||Blow Away The Morning Dew|
|14||Richland Woman Blues|
|16||The Squire And The Chamber Maid|
|17||Trouble In Mind|
"He was a great guitarist and music connoisseur. For me, his contribution over the years, it has changed my guitar tone and practically is a shelter for me and for my students and fan-followers."
Pandit Debashish Bhattacharya
"He certainly left his mark on the musical world with his philosophy and creativity."
"John was a great man whose work spanned 50 years of modern guitar history. I loved his bright curious and music-loving mind, and extremely generous spirit. John supported music and really supported musicians like me. His influence continues to ring on through my music and so many other musicians. The world has been a better place through John's work in his life."
"His huge personality, his supreme design talent, and his clear understanding of the balance between art and craft will be sorely missed, and never equaled, together with his infectious joy in performance."
"He provided us all with the right tools to play better music."
The English daily 'The Guardian' called John Pearse the "folk guitarist who taught the protest generation how to play". And the German weekly 'Stern' crowned him "the nation's guitar teacher" and "the most famous person on German TV after Sesame Street's Cookie Monster" when he in 1974 kept a few hundred thousand guitar enthusiasts in front of the TV to follow his 13-part series 'Akkord & Rhythmus'. Though Pearse was responsible for teaching a whole generation of folk and blues lovers all over the world how to play the guitar, he was way more than a musician and an educator. The multi-instrumentalist was also an author, an entrepreneur and inventor, a television star and a record producer. Not to forget that in 1970 he played the role of a Russian balalaika player in Billy Wilder's film 'The Private Life Of Sherlock Holmes'. So add movie actor to the list of Pearse's career achievements.
Born on September 12, 1939 in England, Pearse grew up in the small town of Prestatyn in North Wales, a seaside resort, where his father ran a hotel. He was 15 when he played banjo and guitar in a local jazz band. Two years later, in 1956, his love for music made him move to London. When Pearse saw Big Bill Broonzy perform during his 1957 European tour, he fell in love with the Piedmont blues. The highly syncopated guitar style employs a complex fingerpicking method in which a regular, alternating-thumb bass pattern supports a melody on treble strings. In the early twentieth century, influential artists such as Blind Boy Fuller, Blind Willie McTell, Reverend Gary Davis, Sonny Terry, as well as a female master of this guitar style, Elizabeth Cotton, all helped make Piedmont blues popular. Pearse showed the then young British folk singer Martin Carthy, how to play Cotton's Freight Train which is regarded to be one of the best-recognized fingerpicking guitar tunes. Over the years John Pearse refined the technique by adding Brazilian strands, jazz and West African highlife, though creating an identity of his own
John Pearse was just 19 when he wrote his first guitar tutorial, 'Teach Yourself Folk Guitar'. And in 1959 he got a job at Cecil Sharp House, the headquarters of the English Folk Dance and Song Society, teaching weekly guitar classes. Additional teaching throughout the region supplemented his income.
By the mid-1960s Pearse was a recording artist and headlining soloist in London folk clubs. In 1965 he accompanied the duo Colin Wilkie and Shirley Hart along with Alex Campbell on the album 'Sing Folk'. A second collaboration with Wilkie and Hart followed a year later for 'Folk 66'. Pearse's growing international reputation got him a booking at West Germany's most important folk and song festival of the time at the Burg Waldeck where he performed for four consecutive years between 1965 and 1968. One Waldeck recording from 1965, shows the guitar wizard also mastering the bouzouki witnessed by his accompaniment of Colin Wilkie on the Scottish song The Bonnie Lass O'Fyvie.
In 1966 Colin Wilkie and Shirley Hart were offered a six week tour of Germany but, Hart was unable to make it. So they asked Pearse to come along.
"John didn't have ter be asked twice, he was double-chuffed by the suggestion …
"We said farewell to our womenfolk, and left them weeping on the Liverpool shore – oh no, sorry .…that was Johnny Todd, wasn't it? Anyway, Pearsey and I said hurrah, and set off in the old Ford Consul … filled with instruments, a large selection of paperbacks, several changes of clothes, Wellies for the Waldeck, and then other sundry bits and bobs of varying shapes, sizes and material, which apparently have an insatiable desire to accumulate in the boot of any car which I own, borrow, or drive.
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