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John Lee Hooker Don't Turn Me From Your Door (LP, 180g Vinyl)

Don't Turn Me From Your Door (LP, 180g Vinyl)
 
 
 
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catalog number: LPMOV2196

weight in Kg 0,300

 

Item is temporarily out of stock.
Approx. delivery time: up to 3 weeks. (if available from supplier)

$29.19 *
 
 

John Lee Hooker: Don't Turn Me From Your Door (LP, 180g Vinyl)

Video von John Lee Hooker - Don't Turn Me From Your Door (LP, 180g Vinyl)

(Music On Vinyl) 12 tracks - Re-issue of the 1963 'Atco' LP album on 180g vinyl

- All tracks recorded in Cincinnati, Ohio, 1953 except for tracks 3, 6, 9 and 14 recorded in Miami, Florida on July 7, 1961 by ATCO, New York.

- This album was originally released as Atco 33-151 in February 1963. It was later reissued as “Detroit Special,” Atlantic 7228 on October 5, 1972.

 

Songs

John Lee Hooker - Don't Turn Me From Your Door (LP, 180g Vinyl) Medium 1
1: Stuttering Blues  
2: Wobbling Baby  
3: You Lost A Good Man  
4: Love My Baby  
5: Misbelieving Baby  
6: Drifting Blues  
7: Don't Turn Me From Your Door  
8: My Baby Don't Love Me  
9: I Ain't Got Nobody  
10: Real Real Gone  
11: Guitar Lovin' Man  
12: Talk About Your Baby  

 

Artikeleigenschaften von John Lee Hooker: Don't Turn Me From Your Door (LP, 180g Vinyl)

  • Interpret: John Lee Hooker

  • Albumtitel: Don't Turn Me From Your Door (LP, 180g Vinyl)

  • Format LP
  • Genre Blues

  • Title Don't Turn Me From Your Door (LP, 180g Vinyl)
  • Vinyl size LP (12 Inch)
  • Vinyl weight 180g Vinyl
  • Speed / RPM 33 U/min
  • Record Grading Mint (M)
  • Sleeve Grading Mint (M)
  • Release date 2018
  • Label Music On Vinyl Records

  • SubGenre Blues - General

  • EAN: 8719262007215

  • weight in Kg 0.300
 
 

Artist description "Hooker, John Lee"

John Lee Hooker

After nomadically label-hopping for the first seven years of his astonishingly prolific recording career, Mississippi Delta émigré John Lee Hooker settled into a relatively exclusive relationship with Chicago’s Vee-Jay Records in 1955. Things had changed dramatically on the R&B front since 1949; no longer would a haunting solo blues piece like the Hook’s Boogie Chillen (it’s on BCD 16921, Disc One) find its way to the top of the charts now that rock 'n' roll had captured the teenage demographic.

Still, there remained a solid southern market for blues, and John Lee was happy to help fill it on Vee-Jay through 1964 (granted, there were dalliances with a number of other labels during that span). His first Vee-Jay date, conducted in Chicago in October of ’55, found him in the company of labelmate Jimmy Reed, guitarist Eddie Taylor (a steadying presence for both Reed and Hooker whenever they entered the studio), bassist George Washington, and drummer Tom Whitehead, who had been playing sessions with the Boogie Man since 1953 and clearly knew the territory.

Reed was absent for Hooker’s Vee-Jay encore session, held March 27, 1956, but the rhythm section remained constant. Among the enduring gems laid down that day was the rollicking Dimples, a standard in John Lee’s repertoire from then on. He’s listed as writing it with Jimmy Bracken, the co-owner of Vee-Jay. Hooker was fretting an electric guitar instead of the acoustic he used on his first Detroit sessions (ironically, he’d have to retrieve it when the folk-blues trend hit).

Hooker’s Vee-Jay stint produced some of the most polished recordings he ever made, thanks to stellar musicianship by Taylor and his comrades, who seemed to cope with Hooker’s erratic timing better than just about anyone else he’d recorded with. At the end of 1958, John Lee would find his way back onto the R&B charts for the first time in more than seven years with I Love You Honey. He scored nationally again in 1960 with No Shoes. But as it turned out, the John Lee Hooker story was just getting underway.

Bill Dahl
Chicago, Illinois

PLUG IT IN! TURN IT UP!
Electric Blues 1939-2005. - The Definitive Collection!

 

 
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