Robert Gordon & Link Wray Rumble - Their First European Tour 1978 (2-CD + DVD)

(MIG Music) 40 tracks

While the global music scene in 1977 was dominated by disco, punk, and new wave, two
gifted musicians paid little attention to the trends of the day and instead pursued their own
musical goals with determination. The young Robert Gordon (1947–2022) with his Elvis-style quiff and charming mellowness
in his voice, and the “old rocker” Link Wray (1929–2005) in his leather outfit. In 1958, Wray reached number 16 in the Billboard Hot 100 with the instrumental
“Rumble” as Link Wray & His Ray Men, and his music was used in many films such as
“Desperado,” “Independence Day,” “12 Monkeys,” “Blow,” and “Pulp Fiction.” Gordon and Wray
released two albums in 1977 and 1978:
 “Robert Gordon with Link Wray” and “Fresh Fish Special.” After that, they went their separate ways, and Gordon began collaborating with English guitarist Chris Spedding. Live and on
their two studio albums, Gordon and Wray mixed original compositions with original cover versions of Gene
Vincent, Jack Scott, Eddie Cochran, Johnny Burnette, and even Bruce Springsteen.
On January 24, 1978, as part of their first European tour, the two musicians gave a session at the Radio Bremen studios
for “Musikladen Extra.” They were joined by Jon Paris (Johnny Winter's long-time congenial accompanist)
 on bass and Anton Fig (Spider and Ace Frehley's Comet, among others) on drums. Fifteen
tracks in the very best picture and sound quality from the station's archives. A few days earlier, the tour entourage
had also been in the Netherlands. From there, there are tapes of an entire concert from January 20, 1978, in
Rotterdam. Robert Gordon himself had arranged for the recording at the Eksit live club. There is also a video recording of the performance at Amsterdam's
Paradiso on January 21, 1978, which was commissioned by the record company at the time
.
 This material is now being released under the title “Rumble: Their First European Tour 1978” as the ultimate live
documentation of the work of these two extraordinary musicians.

Robert Gordon
March 29, 1947 - October 18, 2022

ROBERT GORDON OBITUARY

Robert Gordon 

Mainstream interest in rockabilly had ebbed to a disturbingly low level when Robert Gordon helped restore the idiom to international prominence. His vocal style heavily influenced by Gene Vincent, Jack Scott, and Billy Riley, Gordon rendered the classic music of those hallowed ‘50s legends cool to a new generation of fans that in many cases weren’t even aware of their existence prior to Gordon’s emergence. For others, he represented a throwback to the beloved rock and roll of their youth, when pomade and pegged pants were imperative fashion statements.

Gordon, who died October 18, 2022 in Bethesda, Maryland at age 75, had little use for rock music of the ‘60s and beyond. Born in Bethesda, Maryland on March 29, 1947, Gordon heard Elvis’ immortal Heartbreak Hotel on the radio when he was nine and knew what he wanted to do with his life. During the ‘60s, Gordon preferred attending shows at the Howard Theater in Washington, D.C., where James Brown and Otis Redding drove crowds into a sweat-stained frenzy, to listening to the British Invasion crowd.

A 1970 relocation to New York City with his young family preceded Robert Gordon joining what’s been described as a punk rock outfit, The Tuff Darts, as their lead singer. Their All For The Love Of Rock And Roll and two more songs were included on a compilation album, ‘Live At CBGB’s,’ dedicated to New York’s thriving new wave scene. Producer Richard Gottehrer, formerly of The Strangeloves and a longtime successful record producer, caught a Tuff Darts rehearsal and rather than opting to work with the band, suggested teaming a solo Gordon with grizzled guitar legend Link Wray, whose thundering instrumental Rumble was a major 1958 hit and went a long way towards introducing the concept of the crunching power chord. 

Gottehrer produced the young vocalist’s 1977 debut album ‘Robert Gordon with Link Wray’ for the Private Stock imprint, its contents an intriguing mix of ‘50s rockabilly covers from the repertoires of Vincent, Riley, Eddie Cochran, Carl Perkins, and Sanford Clark and three Wray originals. Gordon’s revival of Billy ‘The Kid’ Emerson’s Sun label classic Red Hot, done Riley-style and decorated with Wray’s slashing lead guitar, made inroads on the pop singles charts. Gordon steadfastly dressed the part of a ‘50s rocker, complete with high hair. 

Gottehrer, who shared his production credit with the singer this time, summoned The Jordanaires to handle the backing vocals on Gordon’s ’78 Private Stock encore set ‘Fresh Fish Special,’ Wray again lending his blistering fretwork to the proceedings. Once again, remakes of classic rockers by Vincent, Scott, Cochran, Elvis, Johnny Burnette, Bob Luman, and Frankie Ford were the order of the day, along with a couple more of Link’s originals. But there was a rooker: Fire was the work of prolific rocker Bruce Springsteen (who played piano on the song), and the feel was quite a bit more modern. The Pointer Sisters’ smash version of Fire killed any chance of Gordon enjoying a hit with the theme.

After Private Stock tanked, Robert Gordon switched over to RCA for his ’79 LP ‘Rock Billy Boogie,’ and Wray was gone, replaced on lead guitar by British rocker Chris Spedding. Gottehrer was still in charge and the basic concept survived the move intact, Gordon tearing into classics by Conway Twitty, Hayden Thompson, Burnette, Cochran, Presley, Fats Domino, Leroy Van Dyke, and Joe Bennett and The Sparkletones along with a freshly prepared tribute to Vincent, The Catman. It turned out to be his highest-charting album.

‘Bad Boy,’ produced by Gottehrer and Robert Gordon and issued on RCA in 1980, stayed in the same rockabilly-obsessed groove, with Spedding handling lead guitar as Gordon dug deep into vintage Tommy Sands, Warner Mack. Roy Orbison, Bill Haley, Marty Wilde material, along with more Burnette.

But change was decidedly in the air on ‘Are You Gonna Be The One,’ Gordon’s last RCA long-player in 1981. Instead of Gottehrer ensconced in the driver’s seat, Robert produced the album with Lance Quinn and Scott Litt, and the emphasis was no longer on familiar remakes apart from Don Gibson’s Look Who’s Blue. Originals now dominated the proceedings, including three compositions by young rocker Marshall Crenshaw. One of Crenshaw’s contributions, Someday, Someway, briefly cracked the pop hit parade as a single. Washington, D.C. guitar wizard Danny Gatton was Gordon’s fret foil this time.

The relative success of Someday, Someway wasn’t enough to keep RCA interested in Gordon’s services. He branched into acting in 1982, co-starring with newcomer Willem Dafoe in director Kathryn Bigelow’s first feature, a motorcycle film entitled ‘The Loveless’ that’s taken on cult status. Gordon recorded intermittently after leaving RCA, reuniting with Spedding and The Jordanaires for 2007’s Elvis tribute disc ‘It’s Now Or Never’ on Rykodisc. Lanark released his 2014 set ‘I’m Coming Home.’ 

One thing’s for sure: Robert Gordon’s lifelong love for real deal rockabilly never wavered, defining his career from one end to the other.

 

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