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Richard Dobson Mankind

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catalog number: BCD17147

weight in Kg 0,200


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Richard Dobson: Mankind

1-CD Digipak (4-plated) with 44-page booklet, 16 tracks. Total playing time approx. 53 minutes.
  • Richard Dobson is the Hemingway of Country Music. - Nanci Griffith
  • If Richard Dobson never wrote another song, Piece Of Wood & Steel would guarantee his immortality. There's not a better song about a man's relationship with his guitar. Fortunately for us Richard has a full bag of songs about all sorts of relationships, characters & outlandish circumstances. - Larry Monroe, DJ, KUT, Austin, Texas
  • His words are precise and never wasted. He's one of my favorite songwriters. - Townes Van Zandt
  • Whenever I hear some of Richard Dobson's songs, I think they're the greatest George Jones hits ever written. Pity for him George never recorded them, especially as they're just the tip of a golden iceberg of great songs, too few of which have been recorded by anybody but Dobson himself. But hey, that's OK too. Nashville's loss, our gain. - John Conquest, Music City Texas/Freelance London
  • Dobson is a thoughtful songwirter & a moving interpreter of his own material. - Billboad Magazine
  • The man can write songs - plain & simple. - Cash Box Magazine
  • Richard Dobson is one of the best songwriters in Nashville, make that the whole United States. - John Prine
In June 1993, Richard Dobson and his State of the Heart Band - Mark Sergio Webb and Susie Monick - recorded a live CD at Willie Nelson's Pedernales Studio outside Austin. Called 'Mankind,' only a few copies were pressed, and the CD went into obscurity. Now after more than 20 years Richard and producer Harold Eggers approached Bear Family to issue the CD, so Richard added a couple of Bonus tracks. Here are some of the recording details:
Richard plays a 1970 D-18 Martin, the original 'Piece of Wood & Steel'.
Multi-instrumentalist Susie Monick, a founding member of Buffalo Gals, the first all female Bluegrass band, plays a 1950 Gibson RB-250 Mastertone banjo, a Castagnari button accordion, and a 1912 Gibson A-model mandolin.
A veteran of Pinto Bennett's Famous Motel Cowboys, Mark 'Sergio' Webb plays a 50s Gibson J-50 with custom B-bender. He plays Telecaster on the bonus tracks.



Richard Dobson - Mankind Medium 1
1: Mankind
2: Baby Ride Easy
3: Living & Dying For Love
4: Blackberry Bottom
5: The Blue In Susie's Eyes
6: That's Right
7: Old Friends
8: Foley
9: Down In Lafayette
10: Next Year Better
11: Piece Of Wood & Steel
12: 63 Mercury
13: Useful Girls
14: Ballad Of Robin Winter-Smith
15: Money Talks
16: Never Say Never


Artikeleigenschaften von Richard Dobson: Mankind

  • Interpret: Richard Dobson

  • Albumtitel: Mankind

  • Format CD
  • Genre Folk

  • Title Mankind
  • Release date 2015
  • Label Bear Family Productions

  • Price code AH
  • SubGenre Country - Alt-Country

  • EAN: 5397102171475

  • weight in Kg 0.200

Artist description "Dobson, Richard"

Richard Dobson

I can't recall when exactly it was that I first heard Richard Dobson play. Must have been around 1988. What I know for sure is this: It was in a dingy bar in Einsiedeln, a Swiss mountain town known for its Benedictine abbey. He was up there on a small stage, sporting a six-foot-something frame and his then-signature black leather vest, and he was backed by Sergio Webb on guitar and Susie Monick on banjo and accordion. A voice like single malt straight from the cask, with hardly a cover tune, but if so, one by Townes Van Zandt.

This was no Nashville country. Not by any means. Dobson's tunes never were the stuff you mindlessly line-danced to. He used to call his ever-changing band 'State of the Heart', and he knew why: Not only was the name a reference to his birth and home state, Texas, but it was also to what he was doing up on that stage: he was singing his heart out.

Imagine a tall dude with a beard and a way-worn Martin D-18 singing lines like these: "You tried to tell me what was right / I told you what was real / All I ever lived for / Was this piece of wood and steel." Tacky? No, true. True as life. Dobson is not about decorum, and he doesn't much give a damn about what others think. His first of two autobiographical novels, 'The Gulf Coast Boys,' has him smoking marijuana on the very first page.

After the gig, we somehow ended up in Dobson's hotel room. It was a scene I'll never forget: Richard and his then-girlfriend and banjo player Susie Monick sat on the bed, while my best friend Edith, the woman who had talked me into coming to the gig, and her husband sat on the floor. So did I, holding my old jumbo maple Takamine. We played some bluegrass songs: Blackberry Blossom, Wildwood Flower, and some Cash, Tennessee Flat-Top Box, and Big River.

Richard Dobson, born in Tyler, Texas, in 1942, is a real Houston kid. But his musical education began in The Hague, Netherlands, where his parents had moved when Richard was eight years old. During the year in Holland, he and his younger sister were sent to an English school, and their parents thought it might be the right time for the kids to learn to play an instrument. Richard reluctantly agreed to piano lessions: "I was rebellious," he recalls, "and often disinclined to go along with what my parents suggested." It soon became clear that he and the piano teacher were not a good match. "She found my Texan accent barbaric", Dobson says, "and when I told my parents I wanted to quit, they said okay."

At home, Richard was always exposed to music by way of his father's enormous collection of European music, mostly classical. His mother loved musicals. By his mid-teens, to the disapproval of his parents, Richard was listening to Hank Williams, R&B and early rock 'n' roll. He spent his teenage years on the Gulf coast in Corpus Christi and Houston, finishing high school in Santa Fe, New Mexico when his father, an oilman, moved to another overseas assignment.

Twelve years after those unfortunate piano lessons in The Hague, Dobson bought a secondhand guitar in a shop in Cali, Colombia and began teaching himself to play. He finished college with a degree in Spanish and spent some time with the Peace Corps in Chile. Later, he taught Spanish and English at a school in Michigan for a year, and lived in New York for a time, while working as a barman at the rock club, Max's Kansas City. It was around that time that he started writing; prose at first. After his first manuscript was turned down by several publishers, he moved to New Mexico to give it another try. "There", he remembers, "a series of revelations occurred, and what had been my sideline became my mainline; I became addicted to songwriting and put everything else on the back burner."

Since college days Dobson had worked on drilling rigs, and later on fishing and oilfield boats when he needed money. He always took a guitar with him and wrote songs during his time off. Some of those songs are still around today, the most famous one being Baby Ride Easy, a funny little tune that was recorded by Carlene Carter and Dave Edmunds, and later on by Johnny Cash and June Carter. Dobson never knew until the album, 'Out Among The Stars'came out, released posthumously, ten years after Johnny Cash's death. For Richard it was an immense honour. When I asked him what his first thought was when he heard about the Cash cut, he simply stated: "I wish my parents could have lived to see this." Everybody else would have had dollar signs in his eyes. Not him.

He doesn't seem to care that he's getting his biggest pay check from a song that, and he'll forgive me for saying this, does not rate among his finest. Merle Haggard has been through this, Kris Kristofferson, and so many other great songwriters. It's the recognition that counts, an accolade that comes late but is well-deserved.

His first love, though, was literature. After having grown up on a steady diet of Hemingway and Kerouac, Dobson studied Spanish literature. One day he heard a song by Kris Kristofferson. "It was then that it occurred to me that writing songs might be an option", he recalls. "But I knew from the start that it would be hard for me to find a place for my songs in Nashville." At that time, in 1971 an intellectual songwriter niché had established itself in Nashville: Guy Clark and his wife Susanna, Rodney Crowell, Skinny Denis Sanchez, and of course Townes Van Zandt. Dobson knew where he belonged. "Songwriting", Dobson writes in his memoir, "was not so much a business as a way of life." In order to support himself, Dobson found a job as a bartender at Bishop's American Pub, which became one of the first open-mic places in Nashville. Players were allowed to perform three songs, with three free beers allowed to each musician, and a chance to pass the hat. The party would continue at a ramshackle house on Acklen Road long since demolished. It was in 1972 that Richard Dobson wrote one of his finest songs, Piece Of Wood And Steel, about his Martin D-18. David Allan Coe later recorded the song – and even claimed it as his own.

Richard Dobson Mankind
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Presseartikel über Richard Dobson - Mankind
Customer evaluation "Mankind"
Average customer evaluation
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(from 1 customer evaluations)
From: BF Presse 2015-09-22 10:22:54

Makelloser Klang

Good Times 5/2015 "In makellosem Klang kommt jetzt die remasterte Wiederveröffentlichung auf CD daher, eine klasse Leistung, wenn man bedenkt, dass damals alle Songs in einem kleinen Studio in Austin mittels eines DAT-Recorders eingespielt wurden. Das dicke 46-Seiten-Booklet liefert Bear-Family-typisch die ausführliche Story, zahlreiche Bilder sowie alle Texte."

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