Who was/is Willie Nelson ? - CDs, Vinyl LPs, DVD and more

Born on 30 4th 1933 in Abbott, Texas, USA.

Willie Nelson played as a child and teenager in country bands. He is one of the biggest stars of the genre at all and was represented until today with over 100 singles on the U.S. country charts. Following the release of his debut 45er 'Lumberjack' in 1956, he moved to Nashville, where he sold his own demos and thus ushered in his career authors. In 1961 he played with Ray Price at the Cherokee Cowboys.

He wrote his first hits for Roy Orbison, Patsy Cline and Faron Young. Nelson settled after his marriage to Shirley Collie as a pig farmer in Ridgetop, Tennessee, down. He stepped up today with stylistically different colleagues such as Bob Dylan, Carlos Santana, Neil Young and Julio Iglesias in duet on.

With Johnny Cash, Waylon Jennings and Kris Kristofferson he plays in addition to his solo career, under the name of The Highwaymen. 1978 founded his own label, Lone Star. Nelson was the early 90s with around $ 16 million debt to the IRS in the Cretaceous. 1991: marriage to Annie D'Angelo. The number of Nelson rehearsed songs beyond the 1000 mark.

From the Bear Family Book - 1000 pinpricks of Bernd Matheja - BFB10025 -

Willie Nelson


1964 through 1972 were eight of Nashville’s more unsettled years.The pop-oriented ‘Nashville Sound’ pioneered by Chet Atkins and Owen Bradley had been adopted by much of the industry. In the late 1950s, after rock ‘n’ roll knocked the entire Nashville music industry off its shaky foundation, that smoother, more sophisticated sound had saved Nashville by expanding country records to grab pop record buyers. It made Don Gibson, Jim Reeves and Patsy Cline greater stars than they’d been singing hard country alone. By 1964, that initial rush of creativity had slowed. Plane crashes claimed two top exponents, Cline in 1963, Reeves in the summer of 1964. At that point, Eddy Arnold, whose string of massive hits diminished in the wake of Elvis, was about to make a dramatic comeback with elaborately orchestrated ballads like Make The World Go Away, light years from the intimate dignity of his 1940s hits. Ray Price had already begun to occasionally wrap a string quartet around the Cherokee Cowboys on many of his recording sessions, attracting new fans but sending many older ones stomping off in disgust.

Not even a honkytonk giant of George Jones’s stature was immune from Nashville sound production. Onstage, it was Texas honkytonk business as usual, the fiddle and steel whining behind him. The recording studio was another matter. Pappy Daily, his discoverer and only producer, forced Jones into the softer mold at United Artists and later at Musicor Records. He continued in that mode with Billy Sherrill after joining Epic in 1970.

A few wild cards counteracted the syrupy side of things, since the country audience divided as it expanded. As Price slithered out of his rhinestone skin into tuxes, a West Coast honky-tonk cyclone, unstoppable as the dust storms that drove Texans and Okies to California in the first place, roared out of Bakersfield. The success of Buck Owens, followed by the rise of Merle Haggard, reflected the belief of many fans that some of the pop stuff was going too far afield, that Nashville needed an alternative. A second alternative came from within Music City with the rise of Johnny Cash. Popular for nearly a decade, his no-frills music and phenomenally successful 1967 ‘Folsom Prison’ LP weren’t as surprising to Nashville as his acceptance by pop audiences.

On 16th Avenue South, Atkins and Bradley continued setting the pace. At Columbia, Don Law was retiring, and though Bob Johnston was his immediate successor, the label’s rising star was clearly Billy Sherrill, the former R&B musician and Sam Phillips’ engineer who took over much of the production for Columbia’s Epic subsidiary. Nearly all Nashville producers saw the softer sound as the strongest and simplest formula for putting across a new artist quickly. It explained why artists were counseled to trust their producer, who usually picked material (unless the singer was one potent writer) and offered ‘direction’. If a producer happened to have written some of the recommended songs, or at least own an interest in publishing songs they pushed on artists, it was a conflict of interest routinely winked at around 16th Avenue South.

There was one huge problem. Assuming that one sound could fit any singer was an idea that didn’t always work out in practice. Convincing the men in the control room that ooh-aah choruses and muted strings just didn’t work with everyone was quite another matter.

That was the world Willie Nelson faced in 1964.

At 31, he was one of Nashville’s top writers, whose songs had been hits for many, including Patsy Cline, Billy Walker and Faron Young. Like other writers of his generation, Harlan Howard and Hank Cochran among them, his recording career had been less impressive. He’d started his singing career before Hank Williams died. His early recordings in Washington State and Houston went unnoticed. Only after moving to Nashville in 1960 and crafting such standards as Crazy, Funny How Time Slips Away and Hello Walls did he land a major label deal with Liberty. After a Top Ten duet single and a solo Top Ten hit, both in 1962, his success on records quickly faded while he continued writing brilliant songs for others.

Song royalties gave Willie a farm in Ridgetop, Tennessee, northwest of Nashville, where he played the eccentric artist, living with an extended family, sustained by writers’ royalties and frequent touring. That would have satisfied many. But he still believed he had potential as a singer if someone gave him a chance. He still wanted to record, knowing he had it in him to succeed, even if many in Nashville regarded his weird vocal phrasing and unconventional attitude, disdain for spangled suits and mile-high pompadours, as a bit off base.It wasn’t like a successful, eccentric songwriter couldn’t become a recording star on his own terms. In 1964, Willie’s longtime pal Roger Miller had done just that, scoring big with Dang Me and Chug-A-Lug that year after unsuccessful stints on Mercury, Decca and RCA. King Of The Road in 1965 would take Roger far beyond the country crowd.

Willie spent a brief two-session period with Monument in 1964 before beginning eight years with RCA. Over those years, he’d enter the RCA Nashville studios for 44 solo sessions. Guitarist Chet Atkins, RCA’s Vice President in charge of Nashville Operations, probably understood unconventionality better than just about anyone in Nashville at the time. He appreciated Willie’s uniqueness. His challenge was to sell Nelson to a wider audience by integrating that uniqueness into the usual trends to make it acceptable, just as he had with Gibson and Reeves.

In Willie’s case, Atkins admittedly didn’t do very well. During those years, with himself or Felton Jarvis producing, a total of 15 Willie Nelson RCA singles charted, only two, One In A Row in 1965 and Bring Me Sunshine in 1968, breaking into ‘Billboard’s’ country Top Twenty. Eight of his LPs made it to the magazine’s Top Country Albums chart, only three rising into the Top Ten. At the time, the only area Willie enjoyed consistent popularity with his records was his home state of Texas.

Those eight years would leave the singer frustrated, a frustration that would ferment and expand, drilling into his mind the idea that he could produce better records on himself than anyone in Nashville could. He was not alone among RCA artists sick of the label’s assembly-line approach. His friend and fellow RCA artist Waylon Jennings, another who’d enjoyed only moderate success, had a similar idea. In the mid-1970s, Nashville would call it ‘Outlaw’, then act as if it were their idea all along and package old Waylon and Willie material with newer recordings. They’d also give country music its first platinum LP with the 1976 release ‘Wanted! The Outlaws’. Today, it's easy to see he and Waylon were right, and just as easy to blame Atkins and Jarvis for not knowing how to produce either one.

Would Willie have fared any better at any other major label in those years? That’s doubtful. Atkins correctly characterized Willie as being “ahead of his time.” From 1964 through 1972, Nelson hadn’t a snowball’s chance in hell of being understood anywhere but Texas. Today, the world understands the Lone Star State’s quirky musical eclecticism at the heart of Willie’s repertoire. 30 years ago, few outsiders and most of Nashville didn’t get it at all. True, Nashville accepted Texas singers, but ignored the culture that produced them, preferring to shove them into the mold.

That’s why it isn’t likely that results would have been any better for Willie artistically or commercially, had he been recording with Don Law at Columbia, for Ken Nelson or Marvin Hughes at Capitol, for Billy Sherrill at Epic, Owen Bradley at Decca or Jerry Kennedy at Mercury. The only Nashville producers in that era who stood a remote chance of understanding him would have been mavericks like Bob Johnston, who produced Johnny Cash at Columbia or Jack Clement, with his lifelong flair for the unconventional. Would an independent label have been the answer? Hardly, given the non-results during his brief stay at Monument.

Taken in the context of that era, Willie didn’t break a couple of Nashville rules. He broke a slew of them. At RCA, production of his records was usually formulaic even if his songs were unconventional. While recording his own tunes wasn’t a reach, at RCA he laid down a crazy quilt of material, mostly Nelson originals with country and pop standards mixed in. He occasionally covered others’ hits, with a few contemporary pop and rock songs and whatever else he liked thrown in for good measure. After he became an established force in both country and popular music, Willie’s varied repertoire and musical settings would be viewed as marvelous eclecticism. When he was recording for RCA, such variety was seen as eccentric at best.

Willie Nelson Nashville Was The Roughest..(8-CD)
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The Platinum Collection (CD) Willie Nelson: The Platinum Collection (CD) Art-Nr.: CD8122799

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Ride Me Back Home (LP) Willie Nelson: Ride Me Back Home (LP) Art-Nr.: LPSNY3563

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(Sony Legacy) 11 Tracks - Gatefold cover - Earlier this year, "Outlaw" legend Willie Nelson won his 13th Grammy in the "Best Traditional Pop Vocal Album" category with "My Way", his homage to Frank Sinatra. Now he is back with his new...
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Ride Me Back Home (CD) Willie Nelson: Ride Me Back Home (CD) Art-Nr.: CDSNY3562

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(Sony Legacy) 11 Tracks - Deluxe Digisleeve - Earlier this year, "Outlaw" legend Willie Nelson won his 13th Grammy in the "Best Traditional Pop Vocal Album" category with "My Way", his homage to Frank Sinatra. Now he is back with his new...
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Stardust - American Milestones (CD) Willie Nelson: Stardust - American Milestones (CD) Art-Nr.: CDSNY494802

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(Sony Music Australia) 12 Tracks - Das legendäre Album von 1978 plus zwei bis dato unveröffentlichte Titel! Australische CD-Version!
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The Platinum Collection (CD) Willie Nelson: The Platinum Collection (CD) Art-Nr.: CD79931

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(Rhino/Warner Music) 20 tracks Atlantic 1973-78 With his name to over 115 top 100 singles, and significantly contributing to in excess of 100 albums, prolific doesn't even touch upon the level of creative output Willie Nelson has...
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Make Way For Willie Nelson (LP, 180g Vinyl, Ltd.) Willie Nelson: Make Way For Willie Nelson (LP, 180g Vinyl, Ltd.) Art-Nr.: LPFRM3748

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(Sony - Friday Music) 12 tracks - Re-issue of the original 1967 'RCA' LP album - Limited 180g Vinyl pressing and comes in a gatefold sleeve
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The Troublemaker (LP) Willie Nelson: The Troublemaker (LP) Art-Nr.: LP87384

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(Columbia) 11 tracks - Re-issue of the original 1976 LP album plus two bonus track 
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Always On My Mind (LP, 180g Vinyl, Ltd. Deluxe Edition) Willie Nelson: Always On My Mind (LP, 180g Vinyl, Ltd. Deluxe... Art-Nr.: LPFRM37951

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(Sony Music-Friday Music) 10 Tracks - Reissue of the original 1982 Columbia album, gatefold cover, remastered, HQ premium vinyl pressing, limited deluxe edition of 180g vinyl
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Willie Nelson's Greatest Hits (2-LP, 180g Vinyl, Ltd. Deluxe Edition) Willie Nelson: Willie Nelson's Greatest Hits (2-LP, 180g... Art-Nr.: LPFRM37542

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(Sony Music-Friday Music) 20 Tracks - Reissue of the original 1981 Columbia album, gatefold cover, remastered, HQ premium vinyl pressing, limited deluxe edition of 180g vinyl
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My Way (CD) Willie Nelson: My Way (CD) Art-Nr.: CDSNY7050

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(Sony Legacy) 11 Tracks - Digisleeve - Willie Nelson Sings Frank Sinatra! - A Country Homage to the Crooner Legend He is without a doubt one of the most release-joyful artists in the world: Willie Nelson will release his 68th studio...
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My Way (LP) Willie Nelson: My Way (LP) Art-Nr.: LPSNY7051

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(Sony Legacy) 11 Tracks - Willie Nelson Sings Frank Sinatra! - A Country Homage to the Crooner Legend He is without a doubt one of the most release-joyful artists in the world: Willie Nelson will release his 68th studio album in 2018....
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December Day - Willie's Stash Vol.1 (CD) Willie Nelson & Bobbie Nelson: December Day - Willie's Stash Vol.1 (CD) Art-Nr.: CDSNY1622

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(Sony Music) 18 Tracks - That Willie Nelson still has a lot in his archive was clear when he suddenly conjured up the double CD -Who'll Buy My Memories - The IRS Tapes- from the archive in 1991 and the reggae album -Countryman- recorded...
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Country Willie (LP) Willie Nelson: Country Willie (LP) Art-Nr.: LPEMS1252

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(Liberty) 20 tracks - Original 'Liberty' recordings from 1958 to 1975
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Things To Remember - The Pamper Demos (2-LP, Ltd.) Willie Nelson: Things To Remember - The Pamper Demos (2-LP, Ltd.) Art-Nr.: LPRGM0651

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(Real Gone Music) 28 tracks - Limited Edition (1.000) Red Vinyl For the series of sessions that laid the foundation for Willie Nelson’s career and thus changed the course of modern country music, these recordings have been treated pretty...
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Things To Remember - The Pamper Demos (CD) Willie Nelson: Things To Remember - The Pamper Demos (CD) Art-Nr.: CDRGM0652

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(Real Gone Music) 28 tracks For the series of sessions that laid the foundation for Willie Nelson’s career and thus changed the course of modern country music, these recordings have been treated pretty cavalierly over the years. But...
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Let's Face The Music And Dance (CD) Willie Nelson & Family: Let's Face The Music And Dance (CD) Art-Nr.: CDSNY542585

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(Sony Music) 14 tracks (48:22) beautiful album of sentimental standards and swingin' tunes. Recorded at Pedernales Studio, TX and produced by Buddy Cannon.
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Stardust (2-LP, 45rpm, 200g Vinyl, Ltd.) Willie Nelson: Stardust (2-LP, 45rpm, 200g Vinyl, Ltd.) Art-Nr.: LPAPP11645

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(Sony) 10 Tracks - Heavy deluxe gatefold cover - Limited edition of less than 1000 copies! Sensational reissue of the original 1978 Columbia album! Deluxe version! From the original master tapes! 200g HQ vinyl on 45rpm speed! Rice paper...
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Last Man Standing (CD) Willie Nelson: Last Man Standing (CD) Art-Nr.: CDSNY582725

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(Sony Legacy) 11 tracks - digisleeve including all lyrics Last Man Standing is the follow up to last year's God's Problem Child which was universally praised ('Uncut' in the UK said it was 'an album that can stand comfortably alongside...
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The Best Of Willie Nelson (CD) Willie Nelson: The Best Of Willie Nelson (CD) Art-Nr.: CDLIB8398

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(Liberty) 13 Tracks - Reissue of the original 1973 United Artists album!
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Good Hearted Woman (2-LP) Willie Nelson: Good Hearted Woman (2-LP) Art-Nr.: LPPDL21114

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(Pair) 16 tracks - Originally sealed LP album - Cut-out LP
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Willie And The Boys - Willie's Stash Vol. 2 (LP) Willie Nelson: Willie And The Boys - Willie's Stash Vol. 2 (LP) Art-Nr.: LPSNY45360

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(2017/Sony Music) 12 Tracks - With inner sleeve printed in black'n'white! Willie Nelson And The Boys is a collaboration between Willie Nelson and his sons Lukas and Micah. This is the second part of the series »Willie's Stash« issued...
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You Don't Know Me - The Songs Of Cindy Walker (CD) Willie Nelson: You Don't Know Me - The Songs Of Cindy Walker (CD) Art-Nr.: CDMOC13478

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(2017/Lost Highway) 13 Tracks - Cindy Walker is one of the most successful songwriter in Country Music History (over 500 songs written by her have been recorded). In the 40s, Nelson's teenage years, dozens of songs were penned by Cindy...
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Countryman (CD) Willie Nelson: Countryman (CD) Art-Nr.: CDMOC13378

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(2017/Lost Highway) 12 Tracks - A Carribbean Country album with a cannabis leaf on its cover! This is cool Country stuff by Texas legend Willie Nelson with a shot of Reggae and a special guest appearance of the Jamaican Reggae veteran...
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The Liberty & Capitol Masters - An Introduction To Willie Nelson & Roy Clark (2-CD) Willie Nelson & Roy Clark: The Liberty & Capitol Masters - An Introduction... Art-Nr.: CD0615452

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(2006/Fuel) 28 tracks - 2 CD slipcase packaging. Collectors Edition US 2-CD package including: -Willie Nelson's Liberty recordings (pre-Outlaw Country) -Roy Clark's Capitol 1960s recordings! (Popcorn, Country and Teen-Pop) with notes by...
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Teatro - The Complete Sessions (CD & DVD) Willie Nelson: Teatro - The Complete Sessions (CD & DVD) Art-Nr.: CDMCR920

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(2017/Island Records) 21 tracks on the CD and 14 tracks on the DVD - Originally released in 1998, Teatro found Willie Nelson and producer/collaborator Daniel Lanois experimenting with rhythms and flavors as never before. Recorded at a...
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Willie's Stash, Vol.2 (CD) Willie Nelson: Willie's Stash, Vol.2 (CD) Art-Nr.: CD453612

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(2017/Sony Music) 12 tracks - Willie Nelson and his sons Lukas and Micah Nelson
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Live Dallas Texas KAFM-FM Radio Show (2-CD) Willie Nelson: Live Dallas Texas KAFM-FM Radio Show (2-CD) Art-Nr.: CDHS1010

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(2015/Hotspur) 46 tracks
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Country Classics (CD) Willie Nelson: Country Classics (CD) Art-Nr.: CD4949222

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​(EMI) 20 tracks
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Touch Me (LP) Willie Nelson: Touch Me (LP) Art-Nr.: LPED260683

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(EMI - Liberty) 20 tracks - Original 'Liberty' recordings
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Rarities Vol.1 (CD) Willie Nelson: Rarities Vol.1 (CD) Art-Nr.: CDGA210

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(2010/Great American Music Company) 18 tracks
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God's Problem Child (LP) Willie Nelson: God's Problem Child (LP) Art-Nr.: LPSNY541574

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(2017/Columbia) 13 tracks
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God's Problem Child (CD) Willie Nelson: God's Problem Child (CD) Art-Nr.: CDSNY541573

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(2017/Columbia) 13 tracks
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For The Good Times: A Tribute To Ray Price (CD) Willie Nelson: For The Good Times: A Tribute To Ray Price (CD) Art-Nr.: CDSNY531552

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(Sony Legacy) 12 tracks - digisleeve - For the Good Times: A Tribute to Ray Price finds Willie paying tribute to one of his most legendary influences and longtime friend, Ray Price. The album debuts Willie's new interpretations of 12...
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Old Five & Dimers Like Me (CD) Willie Nelson: Old Five & Dimers Like Me (CD) Art-Nr.: CD451008

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(Columbia) 16 tracks - Australian 'Columbia' pressing from 1987
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20 Of The Best (CD) Willie Nelson: 20 Of The Best (CD) Art-Nr.: CD89137

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​(RCA) 20 tracks - Compilation about Willie Nelson's 'RCA' output
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Absolutely The Best Volume 1 (CD) Willie Nelson: Absolutely The Best Volume 1 (CD) Art-Nr.: CD0612482

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​(2002/Fuel 2000) 14 Tracks - Early hits and favorites, 1957-1964!
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All Of Me (CD) Willie Nelson: All Of Me (CD) Art-Nr.: CDSNY487873

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(Columbia) 18 Tracks - Willie sings the standards, 1978-1997. Sony Music UK release
$28.03 $33.64
Mr. Record Man (CD) Willie Nelson: Mr. Record Man (CD) Art-Nr.: CDJAS3695

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(2016/Jasmine) 27 tracks. The early singles, A's and B's.
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Stardust: 30th Anniversary Legacy Ed.(2-CD) Willie Nelson: Stardust: 30th Anniversary Legacy Ed.(2-CD) Art-Nr.: CDSNY729087

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(2008/SONY BMG) 26 tracks 1976-90 / digipac with 24 page booklet
$10.05
Country Music (CD) Willie Nelson: Country Music (CD) Art-Nr.: CDROU3280

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(2010/ROUNDER) 15 tracks (54:52) 12 page booklet. Amazing american songbook album, mostly all acoustic, but all 100% Willie Nelson, produced by T Bone Burnett. - Milestone album
$11.18 $19.04
Summertime: Willie Nelson Sings Gershwin (LP) Willie Nelson: Summertime: Willie Nelson Sings Gershwin (LP) Art-Nr.: LPSNY518895

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(2016/Sony) 11 tracks.
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Summertime - Willie Nelson Sings Gershwin Willie Nelson: Summertime - Willie Nelson Sings Gershwin Art-Nr.: CDSNY516705

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(2016/Sony) 11 tracks - Willie Nelson's new album of pop standards, penned by America's legendary songwriting duo George and Ira Gershwin, follows the selection of Willie as the 2015 recipient of the Library of Congress Gershwin Prize...
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Willie Nelson & Wynton Marsalis - Two Men With The Blues (2-LP) Willie Nelson & Wynton Marsalis: Willie Nelson & Wynton Marsalis - Two Men With... Art-Nr.: LPBN44541

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(2008 Blue Note) 10 tracks - gatefold cover.
$28.03 $33.64
Ultimate Collection - Liberty Recordings (2-CD) Willie Nelson: Ultimate Collection - Liberty Recordings (2-CD) Art-Nr.: CD2162542

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(2008/EMI) 40 tracks 1961-63 with 12 page booklet.
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The Early Years - The Complete Liberty Recordings (2-CD Digi-Longbox, Cut-Out) Willie Nelson: The Early Years - The Complete Liberty... Art-Nr.: CDC228077

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(1994/Liberty) 61 Tracks, 1962-1964 - Deluxe Digipack-Longbox with 20 page booklet - Cut-Out with only small cut on the package!
$39.26
On The Road Again - The Best Of (2-CD) Willie Nelson: On The Road Again - The Best Of (2-CD) Art-Nr.: CDSNY72222

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(2010/SONY) 32 tracks
$14.55
The Essential (2-CD) Willie Nelson: The Essential (2-CD) Art-Nr.: CDSNY304040

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((2015/Sony) 45 tracks. 2015 two CD set. Definitive, career-spanning and comprehensive, The Essential features the biggest hits and best-loved songs from one of country music's greatest singer/songwriters. 45 tracks including 'On The...
$22.41
The Essential (2-CD) Willie Nelson: The Essential (2-CD) Art-Nr.: CD5121172

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(2003/SONY) 41 tracks
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Spirit Of America - On The Road Again (CD) Willie Nelson: Spirit Of America - On The Road Again (CD) Art-Nr.: CD472121

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(1993/Sony) 20 tracks
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Willie Nelson & Friends (CD) Willie Nelson & Friends: Willie Nelson & Friends (CD) Art-Nr.: CD5938112

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(2003/EMI) 18 tracks 1960-1995 Great album, includes duets with Hank Cochran, Tanya Tucker, Asleep At The Wheel and Shirley Collie!!/ Fantastische Scheibe u.a. mit Hank Cochran, Tanya Tucker, Asleep At The Wheel und Shirley Collie!!
$19.04
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