Junior Wells Coming At You (LP, 180g Vinyl)

Please inform me as soon as the product is available again.

Please enter the digits and letters in the following text field.

I hereby confirm that I have read and agree with the privacy policy.

$33.89 *

* incl. VAT / plus shipping costsDepending on the country of delivery, the VAT at checkout may vary.

Item is temporarily out of stock.
Approx. delivery time: up to 3 weeks. (as far as available at the supplier - can be faster, but sometimes unfortunately not)

catalog number: LPCR00095
weight in Kg 0.3

P Secure bonuspoints now

(Craft Recordings) 11 tracks - Re-issue of the original 1968 'Vanguard' LP album on 180g vinyl -... more

Close menu

Junior Wells: Coming At You (LP, 180g Vinyl)

(Craft Recordings) 11 tracks - Re-issue of the original 1968 'Vanguard' LP album on 180g vinyl - A Chicago blues classic from the legendary harmonica player, feat. Buddy Guy, Lefty Dizz, Douglas Fagan and Terry Clark - Available on vinyl for the first time in 40 years - Lacquers cut from the original analog masters by Ron McMaster at 'Capitol Mastering'

Video von Junior Wells - Coming At You (LP, 180g Vinyl)

Article properties: Junior Wells: Coming At You (LP, 180g Vinyl)

Interpret: Junior Wells
Album titlle: Coming At You (LP, 180g Vinyl)
Genre Blues
Geschwindigkeit 33 U/min
Vinyl record size LP (12 Inch)
Record Grading Mint (M)
Sleeve Grading Mint (M)
Vinyl weight 180g Vinyl
Artikelart LP
Label Craft Music
EAN: 0888072053410
weight in Kg 0.3

Wells, Junior - Coming At You (LP, 180g Vinyl) LP 1
01	Stop Breakin' Down	Junior Wells
02	Somebody's Tippin' In	Junior Wells
03	Five Long Years	Junior Wells
04	Mystery Train	Junior Wells
05	So Sad This Morning	Junior Wells
06	When My Baby Left Me	Junior Wells
07	Little By Little	Junior Wells
08	Tobacco Road	Junior Wells
09	Worried Life Blues	Junior Wells
10	I'm Your Hoochie Coochie Man	Junior Wells
11	You Don't Love Me	Junior Wells

Junior Wells Strutting across the stage, cocksure like the blues' answer to James Brown,... more

Close menu

"Junior Wells"

Junior Wells

Strutting across the stage, cocksure like the blues' answer to James Brown, Junior Wells owned one of the most dynamic voices in Chicago blues. He was as confident belting brassy soul as he was doing lowdown blues, his wide-toned amplified harmonica excursions always compelling. Before joining forces with Buddy Guy, Junior teamed up with light-fingered guitar master Earl Hooker at Mel London's Chief and Profile Records. It was a match made in blues heaven

Amos Wells Blakemore was born December 9, 1934 in West Memphis, Arkansas. He found a kindred spirit while growing up on his family's farm. "His name was Junior Parker," said the late Wells. "We was raised up together, and he was playing the harmonica. I said to myself, if he could do it, I could too." But the bright lights up north beckoned. "I came to Chicago in 1941," he said. "My mother, she was already in Chicago.

"When I got to Chicago, I met all the older musicians--blues singers, I should say--and they took up so much time with me. Like Muddy Waters, Big Maceo, Tampa Red, Johnny Jones, Sunnyland Slim, Big Bill Broonzy, the original Sonny Boy (John Lee Williamson), and the late Rice Miller. But the late Rice Miller was the thing that set my soul on fire with the harmonica." The fun-loving teen hooked up with guitar-wielding brothers Louis and David Myers in 1950; along with drummer Fred Below, they formed a band called the Aces.

"Me and the Aces, we go way back as kids," Wells said. "I was living at 22^nd and Prairie, and they came over to some friends of theirs across the street at a house party. The people that had the house party came over and asked me to come over,” he said. “So I went over, and they asked me, do I want to sit in and jam with 'em? So we started to jamming, and it came out pretty good. Then after that, we decided maybe we would try to do some things together. We started doing house parties and stuff like that. The first little gig at a club we had, we went in there and did a thing there for three nights. We was making like $12. That's for the whole group."

Wells briefly joined Muddy Waters' combo in 1952, replacing Little Walter, before making his solo recording debut the next year with a romping Cut That Out for Leonard Allen's States label (he encored with his first version of Hoodoo Man). After four States singles in all and then a lengthy hiatus, Junior joined London's fledgling label setup in 1957, waxing Two-Headed Woman and I Could Cry for Chief. A '59 date for Profile resulted in the national hit Little By Little (I'm Losing You).

"Mel London and Willie Dixon was the ones that was doing the singing on it. They're backing me up. I thought it was a tremendous thing, because I didn't think it was hittin' on too much when we first started off to doin' it," said Junior. "But after I listened to it when they played it back to me, it was great."

A talented composer, savvy producer, and commercially astute label boss, the Mississippi-born London wrote Wells' sassy signature song Messin' With The Kid, cut October 17, 1960 at Chicago's Universal Recording. Its killer instrumental hook, inserted at the end of most choruses, was played by impeccable lead guitarist Earl Hooker. He was joined in the band by saxists Jarrett Gibson and Donald Hankins, pianist Johnny 'Big Moose' Walker, bassist Jack Myers, and drummer Fred Below (Wells left his harp in his pocket). Hooker did a sublime instrumental version, Rockin' With The Kid, the following year for London's Age imprint.

Bill Dahl
Chicago, Illinois

PLUG IT IN! TURN IT UP!
Electric Blues 1939–2005 – The Definitive Collection!
Volume 3: 1960–1969

Junior Wells on Wikipedia

Read, write and discuss reviews... more

Close menu

Customer evaluation for "Coming At You (LP, 180g Vinyl)"

Write an evaluation

Evaluations will be activated after verification.