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T-Bone Walker Get The Blues Off Me (2-CD)

Get The Blues Off Me (2-CD)
 
 

catalog number: CDJAS3051

weight in Kg 0,100

 

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T-Bone Walker: Get The Blues Off Me (2-CD)

(2015 / Jasmine) 52 tracks, original Imperial and Capitol recordings, 1950-55.
The CD contains the complete T-Bone Walker 45rpm and 78rpm singles A and B sides recorded 1950-55. Best of Texas Blues!

(2015 / Jasmine) 52 tracks.


 

Songs

T-Bone Walker - Get The Blues Off Me (2-CD) Medium 1
1: Glamour girl
2: Strollin' with bones
3: The hustle is on
4: Baby broke my heart
5: The sun went down
6: You don't love me
7: Travellin' blues
8: Evil hearted woman
9: I walked away
10: Too lazy
11: No reason
12: Look me in the eye
13: You don't understand
14: Welcome home blues
15: Alimony blues
16: Lifeis too short
17: I get so weary
18: You just wanted to use me
19: Cold cold feeling
20: News for my baby
21: Get these blues off me
22: I got the blues again
23: Lollie Lou
24: I got the blues
25: Street walking woman
26: The blues is a woman
T-Bone Walker - Get The Blues Off Me (2-CD) Medium 2
1: Blue mood
2: Got no use for you
3: Railroad station blues
4: Long distance blues
5: Party girl
6: You're here in the dark
7: Everytime  
8: Tell me what's the reason  
9: I'm about to lose my mind  
10: I miss you baby  
11: Pony tail  
12: When the sun goes down  
13: Vida Lee  
14: My baby is now on my mind  
15: Bye bye baby  
16: Wanderin' heart  
17: Teenage baby  
18: Strugglin' blues  
19: Love is just a gamble  
20: High society  
21: I'll understand  
22: The hard way  
23: Papa ain't salty  
24: T-Bone shuffle  
25: Why not  
26: Play on little girl  

 

Artikeleigenschaften von T-Bone Walker: Get The Blues Off Me (2-CD)

  • Interpret: T-Bone Walker

  • Albumtitel: Get The Blues Off Me (2-CD)

  • Format CD
  • Genre Blues

  • Title Get The Blues Off Me (2-CD)
  • Release date 2015
  • Label JASMINE

  • SubGenre Blues - General

  • EAN: 0604988305128

  • weight in Kg 0.100
 
 

Artist description "Walker, T-Bone"

T-Bone Walker

Who's the father of the electric blues? Very simple: T-Bone Walker. Of course, a handful of blues-based guitarists had already experimented with amplifying their instruments before T-Bone's appearance, but he wrote the vocabulary that everyone who followed him eagerly adopted. In short, T-Bone was the source. The elegant Mean Old World, recorded in Hollywood on July 20, 1942 with pianist Freddie Slack, bassist Jud DeNaut and drummer Dave Coleman as accompanists, was the real starting point for Walker, even though he had made his first record years earlier.

Born on 28 May 1910 in Linden, Texas, Aaron Thibeaux (T-Bone was a corruption of his middle name) Walker learned the blues from his mother, who played the guitar, and a stepfather who plucked the bass in the Dallas String Band. The famous blind Lemon Jefferson was another major influence - as a teenager Walker led him through Dallas, where Jefferson performed as a street musician. Before concentrating on his guitar playing, Walker acquired extraordinary agility as a professional dancer.

Walker made his first recordings at the end of 1929, a 78 for Columbia under the name Oak Cliff T-Bone (Oak Cliff was the district of Dallas where he grew up). At that time, of course, Walker only played acoustic guitar, even when he performed as a duo with another future pioneer of the electric guitar, Charlie Christian. T-Bone moved out to Los Angeles in the mid-1930s, where he continued to dance and concentrate on his full baritone singing - he was only a singer on his next record appearance with bandleader Les Hite in 1940.

Initially inspired by Les Paul, T-Bone began to try out the newly launched electric guitar models at that time. He decided on a Gibson ES-250 and soon developed the unusual technique of holding his guitar flat in front of him like a plate while he pecked grandiose melody single-tone lines and wonderful, voluminous niche chords. Walker's brilliant innovations prepared the field for most of the following, influential guitarists of post-war blues, from Gatemouth Brown and B.B. King to Albert Collins and Johnny Copeland. His acrobatic shows also impressed his fans.

"Man, he did the splits while he was playing the guitar behind his head," Collins raved. "It was incredible!"

 

Bill Dahl
Chicago, Illinois

 

 
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