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T-Bone Walker T-Bone Blues (LP, 180g Vinyl, Ltd.)

$31.63 *

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  • LPWAX772311
  • 0.3
(Wax Time Records) 13 tracks, 180g vinyl , limited edition, includes 2 bonus tracks. This 180g... more

T-Bone Walker: T-Bone Blues (LP, 180g Vinyl, Ltd.)

(Wax Time Records) 13 tracks, 180g vinyl , limited edition, includes 2 bonus tracks.

This 180g LP features one of Walker's best albums, the sensational T-Bone Blues, originally released by Atlantic Records in 1960. For these recordings, Atlantic took some risks with Walker, sending him to Chicago in 1955 to meet with Junior Wells and Jimmy Rogers, the result of which was the great "Play on Little Girl."

Even better were the L. A. meetings of 1956- 1957, which produced the boiling hot instrumental "Two Bones and a Pick" and "Stormy Monday Blues" (also known as "Call It Stormy Monday") with its superb 12-bar chorus.

Article properties: T-Bone Walker: T-Bone Blues (LP, 180g Vinyl, Ltd.)

  • Interpret: T-Bone Walker

  • Album titlle: T-Bone Blues (LP, 180g Vinyl, Ltd.)

  • Genre Blues

  • Geschwindigkeit 33 U/min
  • Vinyl record size LP (12 Inch)
  • Record Grading Mint (M)
  • Sleeve Grading Mint (M)
  • Vinyl weight 180g Vinyl
  • Edition 2 Limited Edition
  • Label WAX TIME

  • Artikelart LP

  • EAN: 8436559469647

  • weight in Kg 0.3
Walker, T-Bone - T-Bone Blues (LP, 180g Vinyl, Ltd.) LP 1
01 Two Bones And A Pick T-Bone Walker
02 Mean Old World T-Bone Walker
03 T-Bone Shuffle T-Bone Walker
04 Stormy Monday Blues T-Bone Walker
05 Blues For Marili T-Bone Walker
06 Teen Age Baby T-Bone Walker
07 T-Bone Blues T-Bone Walker
08 Shufflin' The Blues T-Bone Walker
09 Evenin' T-Bone Walker
10 Play On Little Girl T-Bone Walker
11 Blues Rock T-Bone Walker
12 Papa Ain't Salty T-Bone Walker
13 Bye, Bye Baby T-Bone Walker
T-Bone Walker Who's the father of the electric blues? Very simple: T-Bone Walker. Of... more
"T-Bone Walker"

T-Bone Walker

Who's the father of the electric blues? Very simple: T-Bone Walker. Of course, a handful of blues-based guitarists had already experimented with amplifying their instruments before T-Bone's appearance, but he wrote the vocabulary that everyone who followed him eagerly adopted. In short, T-Bone was the source. The elegant Mean Old World, recorded in Hollywood on July 20, 1942 with pianist Freddie Slack, bassist Jud DeNaut and drummer Dave Coleman as accompanists, was the real starting point for Walker, even though he had made his first record years earlier.

Born on 28 May 1910 in Linden, Texas, Aaron Thibeaux (T-Bone was a corruption of his middle name) Walker learned the blues from his mother, who played the guitar, and a stepfather who plucked the bass in the Dallas String Band. The famous blind Lemon Jefferson was another major influence - as a teenager Walker led him through Dallas, where Jefferson performed as a street musician. Before concentrating on his guitar playing, Walker acquired extraordinary agility as a professional dancer.

Walker made his first recordings at the end of 1929, a 78 for Columbia under the name Oak Cliff T-Bone (Oak Cliff was the district of Dallas where he grew up). At that time, of course, Walker only played acoustic guitar, even when he performed as a duo with another future pioneer of the electric guitar, Charlie Christian. T-Bone moved out to Los Angeles in the mid-1930s, where he continued to dance and concentrate on his full baritone singing - he was only a singer on his next record appearance with bandleader Les Hite in 1940.

Initially inspired by Les Paul, T-Bone began to try out the newly launched electric guitar models at that time. He decided on a Gibson ES-250 and soon developed the unusual technique of holding his guitar flat in front of him like a plate while he pecked grandiose melody single-tone lines and wonderful, voluminous niche chords. Walker's brilliant innovations prepared the field for most of the following, influential guitarists of post-war blues, from Gatemouth Brown and B.B. King to Albert Collins and Johnny Copeland. His acrobatic shows also impressed his fans.

"Man, he did the splits while he was playing the guitar behind his head," Collins raved. "It was incredible!"

 

Bill Dahl
Chicago, Illinois

 

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