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Various Excavated Shellac - An Alternate History Of The World's Music (4-CD)
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(Dust To Digital) 100 tracks, includes a 184-page book with extensive liner notes and...more
Various: Excavated Shellac - An Alternate History Of The World's Music (4-CD)
(Dust To Digital) 100 tracks, includes a 184-page book with extensive liner notes and illustrations.
This collection illuminates music that is often invisible in today's world - the incredible world of global recordings that are not jazz, blues, country, rock 'n' roll, R&B or "classical."
Excavating Shellac: An Alternate History of the World's Music features 100 recordings and 100 stories in a comprehensive, illustrated book with detailed, contextual mini-histories of both musical origins and the beginnings of the recording industry, touching on the complexities of colonialism, economic goals, and cultural tourism.
Almost all of the titles have never been reissued. This collection is an extension and addition to Jonathan Ward's website Excavated Shellac, a unique treasure trove of music, history, and data on rarely heard and rarely seen 78 rpm recordings from around the world.
Featuring music and musical styles from six continents and 89 different countries and regions, recorded between 1907-1967.
100 audio recordings + a 186-page book with essays and commentary by Jonathan Ward. This box set was nominated for the GRAMMY AWARD for Best Historical Album in 2022.
Jonathan Ward, who also produced Opika Pende: Africa at 78 RPM, Excavated Shellac: Reeds, and Excavated Shellac: Strings, sets a new standard for listening to, enjoying, and understanding old recordings from around the world.
This collection illuminates music that is often invisible in today's world - the incredible world of global recordings that are not jazz, blues, country, rock 'n' roll, R&B or "classical."
Excavating Shellac: An Alternate History of the World's Music features 100 recordings and 100 stories in a comprehensive, illustrated book with detailed, contextual mini-histories of both musical origins and the beginnings of the recording industry, touching on the complexities of colonialism, economic goals, and cultural tourism.
Almost all of the titles have never been reissued. This collection is an extension and addition to Jonathan Ward's website Excavated Shellac, a unique treasure trove of music, history, and data on rarely heard and rarely seen 78 rpm recordings from around the world.
Featuring music and musical styles from six continents and 89 different countries and regions, recorded between 1907-1967.
100 audio recordings + a 186-page book with essays and commentary by Jonathan Ward. This box set was nominated for the GRAMMY AWARD for Best Historical Album in 2022.
Jonathan Ward, who also produced Opika Pende: Africa at 78 RPM, Excavated Shellac: Reeds, and Excavated Shellac: Strings, sets a new standard for listening to, enjoying, and understanding old recordings from around the world.
Article properties:Various: Excavated Shellac - An Alternate History Of The World's Music (4-CD)
Interpret: Various
Album titlle: Excavated Shellac - An Alternate History Of The World's Music (4-CD)
Genre World
Label DUST TO DIGITAL
Artikelart CD
EAN: 0880226005528
- weight in Kg 1.5
| Various - Excavated Shellac - An Alternate History Of The World's Music (4-CD) CD 1 | ||||
|---|---|---|---|---|
| 01 | Abaqafi (South Africa) | Caluza's Double Quartet | ||
| 02 | Zacamandú (Mexico) | Los Chinacos | ||
| 03 | Hatoma-bushi (Okinawa, Japan) | Itokazu Kame | ||
| 04 | Denhar Mabrouk, Pt 1 (Algeria) | Cheikh Saïd Relizan | ||
| 05 | O Ta Nikona (Mozambique) | Enosse Kuhanya Mun | ||
| 06 | Lembrancas Do Passado (Brazil) | Bonfiglio De Oliveira | ||
| 07 | Rose D'Italia (Italy) | Giovanni Vicari | ||
| 08 | Mokshamu Galadha, Pt 1 (Saramathi) (India) | K S Narayana Ayyengar | ||
| 09 | Shur (Iran) | Hosseingholi Tatayy | ||
| 10 | Bilmasang Bilgil (Uzbekistan) | Ne'matjon Qulabdullaev | ||
| 11 | Lenggang Mak Inang (Malaysia) | Che Ta'seah | ||
| 12 | Këngë E Mahmudisë (Albania) | Demka dhe Hajro e Shoket | ||
| 13 | Portlaw Reel (Ireland) | Liam Walsh | ||
| 14 | Jeleno, Momo Jeleno (Serbia) | Šule Radosavljevic-Šapcanin | ||
| 15 | Razvogor Dvuh Podrug (Russia) | Klaudiya Kotok* and EM Shishova | ||
| 16 | Na Wykretke (Poland) | Fr Dukli Wiejska Banda | ||
| 17 | Ez Dago Larrosarik (The Basque, Spain) | Triki-Trixa De Zumarraga | ||
| 18 | Caninha Verde (Portugal) | Margarida, Cantadeira de Paredes | ||
| 19 | La Doble (Argentina) | Andrés Chazarreta y su Orquesta Tipica de Arte Nativo | ||
| 20 | Fandangos Del Albaicín (Andalusia, Spain) | Cuadro Gitano La Coja | ||
| 21 | Las Bellas Noches De Maiquetia (Venezuela) | Cuarteto Caraquita | ||
| 22 | Aung Pa Khei Ti Loun (Burma) | Sein Bo Tint | ||
| 23 | Shin-Gosahn Taryong (Korea) | Park Booyong | ||
| 24 | Vitha (Sudan) | Ali Muhammadi | ||
| 25 | Chant de Guerre Fribourgeois (Switzerland) | Hanns In Der Gand | ||
| Various - Excavated Shellac - An Alternate History Of The World's Music (4-CD) CD 2 | ||||
|---|---|---|---|---|
| 01 | The Venerable Genghis Khan (Mongolia) | Chimudon, Mashibato and Togus Ziguradan | ||
| 02 | Ya Ghusain Alban, Pt 1 (Bahrain) | Muhammad Rashid al-Rifa'i | ||
| 03 | Ya Bati Zefen (Ethiopia) | Negatoua | ||
| 04 | iksara Horon Havasi (Turkey) | Picoglu Osman* | ||
| 05 | Sakura Variations, Pt 2 (Japan) | Michio Miyagi, Yoshida Kyoto and Miyagi Sayoko | ||
| 06 | Hendeyi Kumunda (Zimbabwe) | Paulos Dikito | ||
| 07 | Pregonero (Peru) | Saez y Hermanos Ascuez | ||
| 08 | Coge El Pandero Que Se Te Va (Panama) | Grupo Istmeñ | ||
| 09 | Prend Yo (Haiti) | Orchestre Franco-Creole | ||
| 10 | Bayat-e Tork, Pt 2 (Iran) | Khaledi* and Zahedi* | ||
| 11 | Da Znaya Mamo, Da Znaya (Bulgaria) | Mita Stoyecheva* | ||
| 12 | Oilo Sen (Kyrgyzstan) | Myskal Omurkanova* | ||
| 13 | Chinh Ph? Ngâm, Pt 1 (Vietnam) | Miss Thông* | ||
| 14 | Z Ukrainskyce Stepiw (Ukraine) | Vassyl Yemetz | ||
| 15 | Oje Omwoyo Omutukuvu (Uganda) | Abaimbi be Kanisa Lutiko eye Namirembe | ||
| 16 | Osibonibom (Ghana) | Nicholas De Heer | ||
| 17 | Haere Roa Roa (Tahiti) | Tamarii-Tahiti* | ||
| 18 | Perseverance (Jamaica) | Count Lasher | ||
| 19 | Khayal Dilbar (Afghanistan) | Paykan* | ||
| 20 | Erraad, Pt 2 (Morocco) | Zohra El Fassia* | ||
| 21 | Cantu Pastorale (Sardinia) | Gavino de Lunas* | ||
| 22 | Foliada de Orense (Galicia, Spain) | Coro De Ruada* | ||
| 23 | Taksim Ve Peshraf (Crimea) | Crimean Tatar Orchestra | ||
| 24 | Fado Melancólico (Portugal) | Júlio Silva | ||
| 25 | Kwaherini (Tanzania) | Salim Abdullah | ||
| Various - Excavated Shellac - An Alternate History Of The World's Music (4-CD) CD 3 | ||||
|---|---|---|---|---|
| 01 | El Khar (Mauritania) | Adja Mint Aali | ||
| 02 | Sun Kay Gal Nawab Nai (Punjab) | Siddiq and Party | ||
| 03 | Qarabag Sik?st?si (Nagorno-Karabakh, Azerbaijan) | Khan Shushinsky | ||
| 04 | Safarini (Kenya) | J Joseph and Mary | ||
| 05 | Evertsbergs Gamla Brudmarsch (Sweden) | Ewert Åhs* | ||
| 06 | Du Feu Prix En Tête Man Nordé (Martinique) | Orchestre Créole Delvi | ||
| 07 | La Morena (Veracruz, Mexico) | Trio Medellín | ||
| 08 | Sonatina In A Major (Italy) | Pasquale Taraffo | ||
| 09 | Lo Mourolliado (Auvergne, France) | Cayla and Demay | ||
| 10 | Niederbayrischer Halbwalzer (Germany) | Dachauer Bauernkapelle “Strassmaier”* | ||
| 11 | Rostom Chabuki (Georgia) | A Megrelidze* and the Georgian Radio Folk Song Ensemble | ||
| 12 | Tilondo Le Phepo (Malawi) | Tiwonoh and Sandikola | ||
| 13 | Bela Aurora (Azores, Portugal) | Sears Orchestra | ||
| 14 | Sompoung Klay (Cambodia) | Poeu Sipho and Poeu Van John | ||
| 15 | Riak-Riak (Sumatra, Indonesia) | Toba Batak Ensemble | ||
| 16 | Iz-Zakkiek (Malta) | Emmanuele Cilia | ||
| 17 | Gathering Peascods (England) | Mayfair Band | ||
| 18 | Shimian Maifu, Pt 1 (China) | Wei Zhongyue | ||
| 19 | Taksim Hijazi (Zanzibar, Tanzania) | Subeit Bin Ambar* | ||
| 20 | Dabatako (Mali) | Koni Coumaré* | ||
| 21 | Yahya Al-Zaman Illi Jama’na (Lebanon) | Yusuf Taj* | ||
| 22 | Tse-Chu Cho-Pa (The Offering On The Tenth) (Tibet, China) | Monks of the Maru Monastery at Lhasa | ||
| 23 | Dans la Ville Mahebourg (Mauritius) | Francis Salomon | ||
| 24 | The Gower Reel (Wales, United Kingdom) | Philip Tanner* | ||
| 25 | Sérénade (Sing, Smile, Slumber) (Columbia) | Hernandez Brothers (2) | ||
| Various - Excavated Shellac - An Alternate History Of The World's Music (4-CD) CD 4 | ||||
|---|---|---|---|---|
| 01 | Bjølleslåtten (Norway) | Sigbjørn B Osa* | ||
| 02 | Maheshe (South Africa) | Durban Lions | ||
| 03 | Arthur Prest (Nigeria) | Tunde King | ||
| 04 | Mallaly, Pt 1 (Morocco) | El Haja Rouïda* | ||
| 05 | Mama?! Tata Când Mai Vine (Romania) | Margareta Radulescu | ||
| 06 | The Keel Row (Northumberland, United Kingdom) | Tom Clough | ||
| 07 | A Partenza Da Parigi (Genoa, Italy) | Superba Molassana | ||
| 08 | Piritipit (Philippines) | Valentin Eugenio | ||
| 09 | Narciso Ku Matadi (Congo) | San Salvador | ||
| 10 | Rakoto O! (Madagascar) | Rakotondrasoa and Manjakaray | ||
| 11 | Lebedeg (New York, United States) | Elenkrig’s Orchestra* | ||
| 12 | Haci Yârim (Turkey) | Ahmet Hulûsi Bey | ||
| 13 | Hay Aghchig (Armenia) | Setrak Sourabian and George Shah-Baronian | ||
| 14 | Lakhon Rong Rueang Phali Yat Lohit, Pt 12 (Thailand) | Miss Phuaphan and Miss Pleng with the Bang Khun Phrom Palace Orchestra | ||
| 15 | Mr Murray, The £10 Fiddle, The Baker (Cape Breton, Canada) | Angus Chisholm | ||
| 16 | Borozó Csárdás Egyveleg (Hungary) | Kolompár Peti Cigánybandája* | ||
| 17 | Dondang Sayang Singapora, Pt 4 (Singapore/Malaysia) | Atan (6) And Sak Ena | ||
| 18 | Al Sama’i Al-Thaqil (Egypt) | Al Hadj Taha Abu Mandour | ||
| 19 | More Musa (North Macedonia) | Gonxhe Manakovska | ||
| 20 | Moengo Boto Blon (Suriname) | Saramacca Band | ||
| 21 | Bîlmez, Pt 1 (Iraq) | Kawîs Axa | ||
| 22 | Asylzhan (Kazakhstan) | Garifulla Kurmangaliyev* | ||
| 23 | Hyr (Bashkortostan, Russia) | Ishmulla Dilmukhametov* | ||
| 24 | Valsa Continental (Cape Verde) | Abrew's Portuguese Instrumental Trio | ||
| 25 | Son las dos…China (Cuba) | Sexteto Habanero | ||
Various Artists Different artists/interpreters on a CD, Vinyl LP, 7ich Singe... Either as a... more
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