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Jimmie Skinner: One Dead Man Ago - Gonna Shake This Shack Tonight
'The first single-disc anthology showcasing this great down-home stylist from country music's golden age! 'Packed with uptempo '50s honky-tonk classics from Capitol, Decca and Mercury master tapes, plus vintage rarities from Radio Artists. Includes Jimmie Skinner's biggest chart hitI Found My Girl In The U.S.A. plus such enduring originals like Don't Give Your Heart To A Rambler and You Don't Know My Mind. 'Award-winning music historian Dave Samuelson profiles Jimmie Skinner's fascinating career. This collection features many of Skinner's classic 1949-1960.
Article properties:Jimmie Skinner: One Dead Man Ago - Gonna Shake This Shack Tonight
|Skinner, Jimmie - One Dead Man Ago - Gonna Shake This Shack Tonight CD 1|
|01||The Rambler's Call||Jimmie Skinner|
|02||Jimmie Speaks (Hamilton, Ohio 1926)||Jimmie Skinner|
|03||Ramblin' Boy Blues||Jimmie Skinner|
|04||Lula Lee||Jimmie Skinner|
|05||Muddy Water Blues||Jimmie Skinner|
|06||There's Nothin' About You Special||Jimmie Skinner|
|07||Running Out Of Time||Jimmie Skinner|
|08||It's All The Same To Me||Jimmie Skinner|
|09||Kentucky And You||Jimmie Skinner|
|10||Women Beware (Of The Ramblin' Kind)||Jimmie Skinner|
|11||I Ain't Got Time||Jimmie Skinner|
|12||By Degrees||Jimmie Skinner|
|13||Don't Give My Heart To A Rambler||Jimmie Skinner|
|14||My Broken Heart's Startin' To Show||Jimmie Skinner|
|15||Baby I Could Change My Way||Jimmie Skinner|
|16||Too Hot To Handle||Jimmie Skinner|
|17||(My Heart's) On A Budget||Jimmie Skinner|
|18||Dime A Dozen (That's What You Are)||Jimmie Skinner|
|19||How Low Can You Feel||Jimmie Skinner|
|20||I Need A Little Lovin'||Jimmie Skinner|
|21||Another Saturday Night||Jimmie Skinner|
|22||Just Ramblin' On||Jimmie Skinner|
|23||Where My Sweet Baby Goes||Jimmie Skinner|
|24||I Found My Girl In The U.S.A.||Jimmie Skinner|
|25||Hafta Do Somethin' 'Bout That||Jimmie Skinner|
|26||You Don't Know My Mind||Jimmie Skinner|
|27||John Wesley Hardin||Jimmie Skinner|
|28||Riverboat Gambler||Jimmie Skinner|
|29||I'm A Lot More Lonesome Now||Jimmie Skinner|
|30||100 Proof Heartaches||Jimmie Skinner|
|31||I Know You're Married (But I Love You Still)||Jimmie Skinner|
|32||One Dead Man Ago||Jimmie Skinner|
|33||Rambler's Call||Jimmie Skinner|
Had the category of 'alt-country' existed fifty years ago, Jimmie Skinner would fit right in. A brilliant singer-songwriter, Skinner was an intriguing personality who literally marched to the beat of his own drummer. His music seems more suited to juke-joint Wurlitzers than genteel living room Crosleys, yet Skinner's appeal crossed gender lines, attracting as many women as men. Some cite Skinner as a primal influence on the first generation of rockabillies. Others notice parallels between Johnny Cash's early Sun sound and the stark minimalism of Skinner's classic recordings.
As a songwriter, his talent was nonpareil. His admirers included Ernest Tubb, Hank Williams, Bill Monroe, Lester Flatt, Fred Rose, Jimmy Martin, and Johnny Cash. His lyrics were usually melancholy and occasionally angry; his melodies were usually catchy and occasionally hypnotic. As a performer, Skinner followed a peculiar internal clock that vexed the most patient, attentive musicians. He thrashed his guitar with as much emphasis on his upstroke as his downstroke, creating a double-time effect. More often than not, Skinner started singing on the backbeat – sometimes early, sometimes late. By his own admission, his singing voice was rough. If his blues-tinged delivery often reflected his heroes Jimmie Rodgers and Ernest Tubb, Skinner's voice was unmistakably his own – a deep, resonant baritone that seemed to growl.
At one time Skinner was one of country music's best-known, best-loved personalities. Through the fifties and sixties, virtually every country music magazine featured a full-page monthly ad promoting The Jimmie Skinner Music Center in downtown Cincinnati. Each type-heavy ad sported a halftone of the store's genial proprietor wearing his trademark Kentucky Colonel hat, narrow necktie and inviting smile. If your local record store didn't stock that new Columbia record by Wilma Lee & Stoney Cooper or that Starday single by Jimmie Williams & Red Ellis that you just heard on WCKY, Jimmie Skinner could send it to you. And when visiting Cincinnati, stop by 222 E. Fifth Street any weekday morning to watch Jimmie broadcast live in person from the Music Center's display window. At one point grocers even stocked Jimmie Skinner coffee, freshly ground and vacuum-packed.
That was then. Mention Skinner's name to any country music fan or knowledgeable radio personality today, chances are you'll get a puzzled stare. Even though he placed ten records in 'Billboard's country charts between 1949 and 1960 – four in the Top 10 – Skinner has largely been forgotten. Relatively few of his singles were reissued on LP, much less on compact disc. Once in awhile you'll stumble across a budget-priced Skinner cassette or compact disc in a Midwestern or Southern truck stop. They're usually disappointing recordings he made late in life, backed by inattentive bluegrass musicians who lacked the finesse that Skinner's singing demands.
Nor do traces of this country music giant linger near Ohio's Queen City. The Jimmie Skinner Music Center's downtown location – a Mecca to people who loved edgy, uncompromising country and gospel music – was demolished decades ago. The electric sign that proudly hung over its façade deserves a display in the Cincinnati History Museum. Instead, it sits two thousand miles away, a rusty relic treasured by a San Diego record collector.
Jimmie Skinner Doin' My Time
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