Who was/is Carl Perkins ? - CDs, Vinyl LPs, DVD and more

Carl Perkins

When Carl Perkins walked into 706 Union Avenue in the Fall of 1954, he was as country as a haystack. Carl had been hearing Elvis Presley's music on the radio for the past month or so and he knew that Sam Phillips' fledgling Sun label was the source of those sounds.

Carl figured that he and his brothers had been making the same kind of hillbilly bop music in the bars back in Jackson, Tennessee for close to a year now. If Presley could record and become famous, why couldn't he? Carl was right about one thing. The roots of the rockabilly revolution that had only recently begun were smouldering beneath the surface in Carl's guitar playing and songwriting. But he was very wrong if he thought his lanky and angular country boy appearance could bring teenage girls all over America to a swoon. Presley was beautiful and sexy and vaguely dangerous looking. Carl was a married man with a balding pate and the start of a serious drinking problem. The latter was fixable, but the first two weren't.

 

Sun records owner Sam Phillips remembers exactly what he thought the first time he met Carl Perkins. "I looked at him and said to myself, 'There's one of the greatest plowhands in the world.'" Phillips meant it, at least partly, as a compliment. What he saw was a mile-wide expanse of country soul. He hoped that someday he could coax that soul out of Carl in the studio. It took a while, but he was not to be disappointed.

For his part, Carl was proud of the fact that he was independently moving in the same direction as Presley. In fact, Blue Moon Of Kentucky had been part of Carl's repertoire in the Jackson honkytonks well before Sun 209 was released. If nothing else, it meant that Sam would not have to invent rock 'n' roll a second time with Carl Perkins. The man was well on his way to a private musical revolution.

Somewhat against his better judgement, Sam invited Carl and his brothers Clayton and Jay, along with drummer W. S. Holland, into his tiny studio for an audition. He later recalled thinking that he feared breaking the heart of that big old country boy by rejecting him without a hearing. Carl paced nervously as Holland unpacked his drum kit. Phillips did what he could to keep the singer calm, although experience had proven that some tension could be an asset in the studio.

Carl began by running through the band's repertoire which, not surprisingly, consisted of just about everything on the country charts. Bands in the local honkytonks were expected to be human jukeboxes. The audiences knew the tunes and it provided some novelty to hear them live rather than blaring through the smoke and noise on a jukebox. Mostly it was Carl who handled the vocal chores, although his older brother Jay occasionally took over the microphone. It was the band's job to play what local hard working drinkers wanted to hear in 1953 and early '54 – which was just about anything by Lefty Frizzell, Hank Williams, Ernest Tubb and Webb Pierce.

As Carl eagerly ran through his song list, Sam Phillips, one of the world's earliest and most canny record producers, encouraged him to keep going. He knew what he wanted to hear and it wasn't a cover version of a Nashville hit. He couldn't tell Carl exactly what he had in mind, but he knew this wasn't it. Given the budget at the Memphis Recording Service, Phillips sure wasn't going to waste valuable tape on Lovesick Blues or Always Late. The only thing Sam Phillips heard that intrigued him that first day was a song called Turn Around. Phillips liked two things about it. It provided a showcase for Carl's soulful voice, and – more importantly – it was an original. Because Carl had written it, Phillips could publish it. That meant retaining a few all-important extra pennies on the sale of every record. Original compositions were not only a way to avoid paying money out, they were also an investment in the future. If any of these songs actually became a hit, Phillips (and Carl) would make some money on airplays. And, better yet, maybe somebody else would have to pay Sam for the right to make his own record of Carl's song.

The audition went well enough for Sam Phillips to invite the band back,

a gesture that meant the world to Carl, and fired his enthusiasm. "Keep writing," he told Carl. "There's no sense recording other folks' music. Let's hear what you can do. Bring me some more songs you've written." It didn't take much prodding to engage the songwriter in Carl. The honkytonks gave him no real incentive to create his own music. Dancers and revellers simply wanted to hear what they knew. They tolerated rather than encouraged Carl's originality. Now, Carl was faced with a famous record producer – the man who had discovered Elvis Presley – asking him to write his own music so that just maybe it might appear on one of those yellow Sun records.

 Sam Phillips decided to place Carl with his two resident country producers: Quinton Claunch and Bill Cantrell. This freed Phillips up to get on with other business in his hectic life and assured that someone would be responsible for shepherding this raw young singer into a level of competence that might be worth recording. It also indicated that, at this point, Phillips saw Carl Perkins primarily as a country artist. Presley notwithstanding, Sun was still a country label. Phillips was weaning himself away from the blues artists he had begun with in favor of the hillbillies. Nobody could be sure that this Presley thing would last, or that there were more Presleys out there. And so Carl Perkins went to work on his first single record.

 taken out of  Carl Perkins BCD16752

The group practiced throughout the Fall and on into the early winter of 1954, Carl eagerly making the drive west from Jackson to Memphis, hoping each time that they'd finally nail a usable take. On January 22, 1955 they hit paydirt. The 'hillbilly weeper' Turn Around was committed to tape along with a usable version of another song Carl had written called Movie Magg. The pairing of a dirge with an uptempo rhythm number was a good way for Phillips to hedge his bets. Movie Magg was a clever song. Its title was a pun on a very popular form of mass market entertainment – a movie magazine – that housewives and teenage girls gobbled up each month to read about their favorite stars and heartthrobs. The 'Magg' in Perkins' song was short for Maggie – a girl he could only see on Saturday night when he took her to the movies or, in Carl's very rural lyric, a 'picture show.' The song talked about "Breaking new ground the whole week long" and "polishing up his old horse Beck." They were wonderful images, but they made it clear that Carl was singing to a very different audience than Chuck Berry was setting his sights on. The entire proceedings were certifiably country, although on Movie Magg there are rudimentary indications that Carl was capable of taking the whole thing up to another level. Sam Phillips heard it too but, for now, he was willing to watch and wait.

 

More information about Carl Perkins on Wikipedia.org

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Put Your Cat Clothes On (LP, 10inch, Ltd.) Carl Perkins: Put Your Cat Clothes On (LP, 10inch, Ltd.) Art-Nr.: LPSUNSC1289

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(Charly) 10 tracks - limited edition (1.000) - scarlet vinyl. 'Blue Suede Shoes' released on Sam Phillips' Sun label in 1955 became a milestone in Rock & Roll history, being the first rockabilly record to make the national Top 10 as well...
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Whole Lotta Shakin' (LP, 180g Vinyl) Carl Perkins: Whole Lotta Shakin' (LP, 180g Vinyl) Art-Nr.: LPDOL1007HG

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(DOL) 11 tracks - Gatefold Cover - 180g HQ Vinyl
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Because You're Mine - Where The Rio De Rosa Flows (7inch, 45rpm,PS, BC) Carl Perkins: Because You're Mine - Where The Rio De Rosa... Art-Nr.: 45CP001

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(CP) 2 Tracks - Picture Sleeve - Big Centerhole - Limited Edition
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Live In Paris (2-LP+Flexi Disc, Limited Edition) Carl Perkins: Live In Paris (2-LP+Flexi Disc, Limited Edition) Art-Nr.: LP783180

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(Culture Factory) 20 Tracks, Double Blue Vinyl plus Flexi with Unreleased Track, Limited Edition (1.000) Carl Perkins' last European concert in one of Paris' legendary venues, the Elysée Montmartre. The concert was recorded on 30.03.1996...
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Sure To Fall - Tennessee (7inch, 45rpm) Carl Perkins: Sure To Fall - Tennessee (7inch, 45rpm) Art-Nr.: 45REPSUN235

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(Sun Records) 2-Track Vinyl Single - 45 rpm, reproduction in brown paper sleeve!
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Boppin' Blue Suede Shoes (CD) Carl Perkins: Boppin' Blue Suede Shoes (CD) Art-Nr.: CD263123

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Discovering Carl Perkins - Eastview, Tennessee 1952 - 53 (LP, 10inch & CD, Ltd.) Carl Perkins: Discovering Carl Perkins - Eastview, Tennessee... Art-Nr.: BAF14007

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1-LP 10“ vinyl with extensive 16-page booklet (21x21 cms). 9 tracks. Historic, early recordings by rockabilly pioneer discovered after 70 years! Free CD enclosed! Carl Perkins, one of the founding fathers of rock & roll, began his...
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Tennessee (CD) Carl Perkins: Tennessee (CD) Art-Nr.: CD212728

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(Dynamic) 16 tracks
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King Of Rockabilly - Greatest Hits (CD) Carl Perkins: King Of Rockabilly - Greatest Hits (CD) Art-Nr.: CD160427

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(Boomerang Records) 10 tracks
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Hound Dog (CD) Carl Perkins: Hound Dog (CD) Art-Nr.: CD506224

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(Start) 24 tracks
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Caldonia (CD) Carl Perkins: Caldonia (CD) Art-Nr.: CD009524

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King Of Rockabilly (CD) Carl Perkins: King Of Rockabilly (CD) Art-Nr.: CD425622

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(Essential Gold) 22 tracks
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The Essential Sun Collection (2-CD) Carl Perkins: The Essential Sun Collection (2-CD) Art-Nr.: CD417624

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Honky Tonk Gal - Rare And Unissued Sun Masters (CD) Carl Perkins: Honky Tonk Gal - Rare And Unissued Sun Masters... Art-Nr.: CDROUSS27-C

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(Rounder Records) 13 tracks - Original Sun material. New - Cut-Out CD with small hole in the barcode.
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The Country Store Collection (CD) Carl Perkins: The Country Store Collection (CD) Art-Nr.: CD305325

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(Country Store Music) 14 tracks
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Key Ring - Schlüsselanhänger - Blue Suede Shoes - Honey Don't SUN RECORDS/Carl Perkins: Key Ring - Schlüsselanhänger - Blue Suede Shoes... Art-Nr.: KEYRING60964

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Official licensed product of SUN Entertainment Corporation A perfect key chain accessory for any Sun fan. Features the label art for two of Carl Perkins' Sun releases, "Blue Suede Shoes" and "Honey Don't".
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Let The Jukebox Keep On Playing - Gone, Gone, Gone (7inch, 45rpm) Carl Perkins: Let The Jukebox Keep On Playing - Gone, Gone,... Art-Nr.: 45REPSUN224

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Reproduction of Carl's 1955 monster
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Carl Perkins (2-CD) Carl Perkins: Carl Perkins (2-CD) Art-Nr.: CD213924

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(Galaxy Music) 35 tracks
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Blue Suede Shoes - The Best Of Carl Perkins (CD) Carl Perkins: Blue Suede Shoes - The Best Of Carl Perkins (CD) Art-Nr.: CD491451

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(Sony) 23 tracks Original Columbia masters !
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Collection Rock Originals Vol.5 (CD) Carl Perkins: Collection Rock Originals Vol.5 (CD) Art-Nr.: CD662057

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(Fnac Music) 16 tracks Author, composer, guitarist and singer, did not live in Liptonville in 1937, Carl Perkins will forever go down in the annals of popular music as the creator of the famous rock and roll classification "Blue Suede...
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Collection Rock Originals Vol.14 - Carl Perkins Vol.2 (CD) Carl Perkins: Collection Rock Originals Vol.14 - Carl Perkins... Art-Nr.: CD662058

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(Fnac Music) 18 tracks Carl Perkins is the first, be the Sun stable, to sell over a million copies of the same record: "Blue Suede Shoes". Sam Phillips, who has In sees de la tormule, has promised to tine Cadillac lute venue (The symbol...
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Best Of The Sun Records Sessions (LP) Carl Perkins: Best Of The Sun Records Sessions (LP) Art-Nr.: LPORGM48118

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(2018/ORG Music) 14 tracks Best of the Sun Records Sessions is a compilation featuring prime selections of Carl Perkins' recordings during his time at the legendary Sun Record Company, which have been remastered for vinyl. The album...
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Honky Tonk Gal - Rare & Unissued Sun Masters (LP, Cut-Out) Carl Perkins: Honky Tonk Gal - Rare & Unissued Sun Masters... Art-Nr.: LPROUSS27-C

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(Rounder) 13 tracks with superb Sound quality. Cut Out. Liner notes by Colin Escott.
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Blue Suede Shoes - Born To Boogie (7inch, 45rpm, PS, BC) Carl Perkins: Blue Suede Shoes - Born To Boogie (7inch,... Art-Nr.: 45BR066

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(BR Music) Both recordings are from 1984
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Up Through The Years 1954-1957 (CD) Carl Perkins: Up Through The Years 1954-1957 (CD) Art-Nr.: BCD15246

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1-CD Album with 8-page booklet, 24 tracks. Playing time approx. 61 mns. Carl Perkins, later called 'The King of Rockabilly', made his initial recordings for Sam Phillips' Memphis-based Sun Records in late 1954. His original version of...
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