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Freddie King Blues Journey (3-CD)

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(Sunset Blvd) 32 tracks   Over 3 hours of prime Freddie King in concert from the '70s.... more

Freddie King: Blues Journey (3-CD)

(Sunset Blvd) 32 tracks
 
Over 3 hours of prime Freddie King in concert from the '70s.

I was interested in the white rock 'n' rollers until I heard Freddie King - and then I was over the moon. I knew that was where I belonged - finally. That was serious, proper guitar playing and I haven't changed my mind ever since. I still listen to him and I get the same boost now that I did then.' Eric Clapton. In a 1985 interview, Eric Clapton cited Freddy King's 1961 B side I Love the Woman as the first time I heard that electric lead-guitar style, with the bent notes' [it] started me on my path. Clapton shared his love of King with fellow British guitar heroes Peter Green, Jeff Beck and Mick Taylor, all of whom were profoundly influenced by King's sharpened-treble tone and curt melodic hooks on iconic singles such as The Stumble, I'm Tore Down and Someday, After Awhile. Nicknamed The Texas Cannonball for his imposing build and incendiary live shows, King had a unique guitar attack. Steel on steel is an unforgettable sound, says Derek Trucks, referring to King's use of metal banjo picks. But it's gotta be in the right hands. The way he used it ' man, you were going to hear that guitar. Trucks can still hear King's huge impact on Clapton. When I played with Eric, Trucks said recently, there were times when he would take solos and I would get that Freddy vibe.' King's blues style was fluid, but with biting power that was arguably more forceful than that of many other bluesmen of his day. King used thumb and finger picks and would just dig into his Gibson 355 ' hung precariously over just his right shoulder ' creating what are now classic, deeply influential and riveting solos.

Article properties: Freddie King: Blues Journey (3-CD)

King, Freddie - Blues Journey (3-CD) CD 1
01 Let The Good Times Roll Freddie King
02 San-Ho-Zay Freddie King
03 Boogie Funk Freddie King
04 Aint't No Sunshine Freddie King
05 Ain't Nobody's Business Freddie King
06 Woman Across The River Freddie King
07 Hide Away Freddie King
08 Goin' Down Freddie King
09 Boogie Funk (Version 2) Freddie King
10 Wee Baby Blues Freddie King
11 Something You Got Freddie King
12 Key To The Highway Freddie King
King, Freddie - Blues Journey (3-CD) CD 2
01 Have You Ever Loved A Woman Freddie King
02 Kings Thing Freddie King
03 Let The Good Times Roll (Version 2) Freddie King
04 Look Over Yonder Wall Freddie King
05 Messin' With The Kid Freddie King
06 Mojo Boogie Freddie King
07 Pack It Up Freddie King
08 Play It Cool Freddie King
09 Big Legged Woman Freddie King
10 Signals Of Love Freddie King
11 TV Mama Freddie King
King, Freddie - Blues Journey (3-CD) CD 3
01 Sen-Say-Shun Freddie King
02 Sweet Little Angel Freddie King
03 Rock Me Baby Freddie King
04 Woke Up This Morning Freddie King
05 Boogie Funk (Version 3) Freddie King
06 Wee Baby Blues Freddie King
07 That's All Right Freddie King
08 Little Bluebird Freddie King
09 Stormy Monday / Hide Away Freddie King
Freddie King Although he was born near Gilmer, Texas, on September 3, 1934, Freddy King... more
"Freddie King"

Freddie King

Although he was born near Gilmer, Texas, on September 3, 1934, Freddy King spent his musically formative years in Chicago. From 1950 to 1963, the handsome guitarist contributed to changing the blues of Windy City from ensemble tradition to the new, more aggressive sound of the West Side - with his sensational guitar skills and roaring vocals.

Freddie Christian (King was his mother's last name; Federal Records later changed the spelling of his first name to Freddy) learned guitar early on under the guidance of his uncle Leon King. The 78's of Lightnin' Hopkins, John Lee Hooker, T-Bone Walker and Louis Jordan made a big impression on the boy. He moved to Chicago in December 1950; great for his age, he was let into the local blues bars and could see his heroes up close. The brilliant guitarists Jimmy Rogers, Robert Jr. Lockwood and Eddie Taylor gave him important musical tips.

"He tried to learn to play," said Rogers, who died in 1997. "He'd come in and sit down and watch us play, me and Muddy." Freddy did a good job of what he saw, "He then went back home and practiced until those licks sounded quite good to him." King developed a hot two-finger guitar technique with a plastic thumb pick and a metal pick on the index finger. "That's how I played, and he watched me," Rogers said. Freddy played in various local formations and joined the Blues Cats of the young bluesharp player Earlee Payton in 1956. "Payton left us," recalled their bassist Robert 'Big Mojo' Elem, who died in 1997. "After that, Freddy King was the bandleader."

King made his record debut in 1956 with the groovy That's What You Think for John Burton's tiny El-Bee label, but then had to wait four years for his next recording opportunity. Meanwhile he worked his way to the top of the new West Side movement, together with Magic Sam. "Everybody said,'Man, you gotta see Freddy King," says his West Side guitar mate Eddy Clearwater.

Another young Chicago guitarist, Syl Johnson, played a mediating role when Freddy finally found accommodation at Syd Nathans' Federal sub-label in Cincinnati's King Records. "He heard I was signing with Federal, so he wanted to try to get on the label," says Syl. "He gave me a demo and I sent it to Sonny Thompson." Sonny, a Mississippi-born pianist who reached the top of the R&B charts in 1948 with his two-part instrumental Long Gone for the Miracle record company before switching to Nathan's King label, headed the Chicago office of Federal and King. Thompson signed Freddy for Federal and produced his debut session in Cincinnati on August 26, 1960.

As usual Thompson also took over the piano, Bill Willis played bass and Philip Paul drums. No less than three hits were recorded on this day, the biggest was the only instrumental number. Hide Away was named after one of Freddy's favorite pubs on the West Side, Mel's Hideaway Lounge. "It's been a real hotspot for a long time," Rogers said. The piece consisted of a series of borrowed riffs, which were joined together to form a seamless whole.

The basic theme was taken over by King from slide guitar wizard Hound Dog Taylor, who called his creation Taylor's Boogie. "He was the first one to start playing it," says Clearwater. "Then Magic Sam played it." He recorded his own version for Mel London's Chief logo in 1961 and named it Do The Camel Walk. But Sam didn't use the two choruses Freddy played on his bass strings that came straight from Jimmy McCracklin's 58 hit The Walk, and the 12 bars from Henry Mancini's Peter Gunn. The wide open break chord came either from Lockwood or Freddy Robinson.

"We played it about three, four, maybe five or six times and we thought,'Okay, we're getting ready to record it,'" Willis, who died in 2010, recalled. "The old man (Nathan) said,'I got it!'" Crazy old Syd had captured a #5 R&B-/#29 pop smash hit - and the definitive electric blues guitar instrumental piece.

 

Bill Dahl
Chicago, Illinois

PLUG IT IN! TURN IT UP!
Electric Blues 1939-2005 - The Definitive Collection!
Volume 3: 1960-1969

Freddie King on Wikipedi

PLUG IT IN! TURN IT UP!
Electric Blues 1939–2005 – The Definitive Collection!
Volume 3: 1960–1969

Freddie King on Wikipedia

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Tracklist
King, Freddie - Blues Journey (3-CD) CD 1
01 Let The Good Times Roll
02 San-Ho-Zay
03 Boogie Funk
04 Aint't No Sunshine
05 Ain't Nobody's Business
06 Woman Across The River
07 Hide Away
08 Goin' Down
09 Boogie Funk (Version 2)
10 Wee Baby Blues
11 Something You Got
12 Key To The Highway
King, Freddie - Blues Journey (3-CD) CD 2
01 Have You Ever Loved A Woman
02 Kings Thing
03 Let The Good Times Roll (Version 2)
04 Look Over Yonder Wall
05 Messin' With The Kid
06 Mojo Boogie
07 Pack It Up
08 Play It Cool
09 Big Legged Woman
10 Signals Of Love
11 TV Mama
King, Freddie - Blues Journey (3-CD) CD 3
01 Sen-Say-Shun
02 Sweet Little Angel
03 Rock Me Baby
04 Woke Up This Morning
05 Boogie Funk (Version 3)
06 Wee Baby Blues
07 That's All Right
08 Little Bluebird
09 Stormy Monday / Hide Away