Waylon Jennings Waylon + Just To Satisfy Your Country - Folk With The Kimberlys (2-CD)

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Waylon Jennings: Waylon + Just To Satisfy Your Country - Folk With The Kimberlys (2-CD)
Following the release of Waylon Jennings' first four RCA Victor albums on a 2-CD set this year, Cherry Red's Morello imprint returns to the outlaw country legend's early milieu with a trilogy of albums from 1969-1970 on another 2-CD collection: Waylon (1970), Just to Satisfy You (1969) and the country-folk collaboration with The Kimberlys (1969).
This triple release picks up where one of the prolific singer Morello's earlier collections - including Love of the Common People (1967), Hangin' On (1968), Only the Greatest (1968) and Jewels (1968) - left off. Like Jennings' previous RCA long-playing records, 1969's Just to Satisfy You was produced by Nashville boss and guitar hero Chet Atkins along with Felton Jarvis. The title song dated from 1963, when Waylon and Don Bowman co-wrote and recorded it for the Hollywood label A&M Records. Although it became regionally famous, it failed to capture the national market. But it did catch the attention of singer-songwriter Bobby Bare, whose support in part convinced Atkins to sign Jennings. Just to Satisfy You was covered by Glen Campbell, Barbara Mandrell, Jerry Reed and others, and when Waylon re-recorded it with friend Willie Nelson in 1982, it became their third duet chart-topper. The LP, which entered the Billboard country charts at #7, also featured material by Ben Peters (I've Been Needing Someone Like You), Charlie Rich (Lonely Weekends), Curly Putman (Change My Mind) and Shel Silverstein (For the Kids). Anita Carter accompanied Waylon on two songs. Despite this top-notch lineup, Jennings was uncomfortable under Atkins' direction, and the elder statesman was all too ready to return to his work as a musician. Waylon's next album was to be his first with big band and music industry veteran Danny Davis of The Nashville Brass.
Jennings' relationship with Davis was famously strained, but the music they created together still endures. Country-Folk with The Kimberlys remains one of Jennings' most atypical albums. Waylon encouraged Chet Atkins to sign the group, consisting of two sisters and their husbands - both of whom were brothers. (One of the wives, Verna Gay Kimberly, entered into a relationship with Waylon around this time). Under Davis' direction, the album embodies the lush pop side of the Nashville sound.
Though unusual in the Jennings discography, country-folk spawned a hit with Jimmy Webb's epic "MacArthur Park," which became a No. 2 hit for actor Richard Harris in 1968. "Danny and I argued a few times about the arrangement," Jennings wrote in his memoir. "I knew exactly what I wanted the strings to do; I had to hum the parts. He probably had his own ideas. But the single made the Top 25 that fall.... At that point, everyone was more than happy to say it was his idea." The track also made the Hot 100 and earned Waylon and The Kimberlys a Grammy Award for Best Country Performance by a Duo or Group. Country-folk also included three original songs by group member Harold Gay, as well as cover versions penned by Jackie DeShannon ("Come Stay with Me"), Joe South ("Games People Play"), Gordon Lightfoot ("Long Way Back Home") and Tom Springfield of The Springfields ("World of Our Own"). With its strong songs and smooth pop feel, the album made it to #13 on the country charts.
The third and final album in this series, 1970's Waylon, was compiled from various sessions produced by both Chet Atkins and Danny Davis. In a number of songs his band The Waylors participated, while Merle Haggard's "All of Me Belongs to You" was recorded with Anita Carter. Waylon scored his third Top 5 solo hit with his cover of Chuck Berry's "Brown-Eyed Handsome Man," the only single from the LP. Waylon is a transitional album, with the Nashville sound largely intact, but Waylon pushing its boundaries with material like "33rd of August" by fellow future Outlaw Mickey Newbury. The album also included "Yellow Haired Woman," Waylon's tribute to his third wife Barbara Rood, and a re-recording of Liz Anderson's "Yes, Virginia."
Article properties:Waylon Jennings: Waylon + Just To Satisfy Your Country - Folk With The Kimberlys (2-CD)
Interpret: Waylon Jennings
Album titlle: Waylon + Just To Satisfy Your Country - Folk With The Kimberlys (2-CD)
Genre Country
Label Morello Records
Artikelart CD
EAN: 5013929800441
- weight in Kg 0.12
| Jennings, Waylon - Waylon + Just To Satisfy Your Country - Folk With The Kimberlys (2-CD) CD 1 | ||||
|---|---|---|---|---|
| 01 | Lonely Weekends | Waylon Jennings | ||
| 02 | Sing The Blues To Daddy | Waylon Jennings | ||
| 03 | Change My Mind | Waylon Jennings | ||
| 04 | Farewell Party | Waylon Jennings | ||
| 05 | Rings Of Gold | Waylon Jennings | ||
| 06 | Alone | Waylon Jennings | ||
| 07 | Just To Satisfy You | Waylon Jennings | ||
| 08 | I Lost Me | Waylon Jennings | ||
| 09 | I've Been Needing Someone Like You | Waylon Jennings | ||
| 10 | For The Kids | Waylon Jennings | ||
| 11 | I Got You | Waylon Jennings | ||
| 12 | Straighten My Mind | Waylon Jennings | ||
| 13 | Country Folk With The Kimberlys | Waylon Jennings | ||
| 14 | MacArthur Park | Waylon Jennings | ||
| 15 | These New Changing Times | Waylon Jennings | ||
| 16 | Come Stay With Me | Waylon Jennings | ||
| 17 | Cindy, Oh Cindy | Waylon Jennings | ||
| 18 | Games People Play | Waylon Jennings | ||
| 19 | Mary Ann Regrets | Waylon Jennings | ||
| 20 | Let Me Tell You My Mind | Waylon Jennings | ||
| 21 | Drivin' Nails In The Wall | Waylon Jennings | ||
| 22 | Long Way Back Home | Waylon Jennings | ||
| 23 | But You Know I Love You | Waylon Jennings | ||
| 24 | A World Of Our Own | Waylon Jennings | ||
| Jennings, Waylon - Waylon + Just To Satisfy Your Country - Folk With The Kimberlys (2-CD) CD 2 | ||||
|---|---|---|---|---|
| 01 | Brown Eyed Handsome Man | Waylon Jennings | ||
| 02 | Just Across The Way | Waylon Jennings | ||
| 03 | Don't Play The Game | Waylon Jennings | ||
| 04 | Shutting Out The Light | Waylon Jennings | ||
| 05 | I May Never Pass This Way Again | Waylon Jennings | ||
| 06 | The Thirty Third Of August | Waylon Jennings | ||
| 07 | Yellow Haired Woman | Waylon Jennings | ||
| 08 | Where Love Has Died | Waylon Jennings | ||
| 09 | All Of Me Belongs To You | Waylon Jennings | ||
| 10 | Yes, Virginia | Waylon Jennings | ||
| 11 | This Time Tomorrow (I'll Be Gone) | Waylon Jennings | ||
Waylon Jennings
Die Jennings Familie war wie viele in West Texas, Subsistenzbauern und Gelegenheitsarbeiter. Seine Eltern, William Albert Jennings und Lorene Beatrice Shipley, hatten 1935 geheiratet, und er war das älteste Kind, geboren Juni l5, 1937. Littlefield war eine Stadt, die um die Baumwollfelder herum erbaut wurde und aus einer 3 Millionen Hektar großen Ranch entstand, die um die Jahrhundertwende unter der Ägide von Major George Washington Littlefield stand. Der Sitz von Lamb County, wurde von der Panhandle und Santa Fe Railroad halbiert, und es war so typisch wie möglich ein kleines texanisches Stadtleben, in dem er in dem Geschäft seines Vaters arbeitete, Mädchen durch den Stadtplatz jagte und sich die Cowboy-Bilder im Palace Theatre ansah.
Es gab Musik in der Familie - sein Papa sang gerne wie Bill Monroe und zupfte seine Gitarre mit Daumen und Finger, während seine Mama ihm zeigte, wie man seine ersten Akkorde formt - und mehr Knistern im Radio: die Grand Ole Opry und das Louisiana Hayride and Stan's Record Rack und eines Morgens im Herbst 1954 das Echo eines Country-Sängers, der wie kein anderer Country-Sänger zuvor klang: Elvis Presley, der Arthur Crudup's That's Alright, Mama und Bill Monroe's Blue Moon Of Kentucky wiederbelebt.
Waylon selbst lehnte sich an Hank Williams und Ernest Tubb an, und schon bald versuchte er, seinen Idolen nachzueifern, indem er bei den wöchentlichen Palace Theatre Talentshows auftrat. Als er herausfand, dass er bei den meisten der verfügbaren niederen Arbeiten in der Stadt nicht gut war, fand er einen Job bei Voice of Lamb County, KVOW, als Discjockey und spielte eine Vielzahl von Musik von Mantovani über Country bis hin zu den Klassikern. Langsam erweiterte sich sein Auftrittskreis, und er konnte den Aufstieg des Rock and Roll aus erster Hand beobachten, als ein einheimischer Junge aus Lubbock, Buddy Holly, einen Hit namens
Die Jennings Familie war wie viele in West Texas, Subsistenzbauern und Gelegenheitsarbeiter. Seine Eltern, William Albert Jennings und Lorene Beatrice Shipley, hatten 1935 geheiratet, und er war das älteste Kind, geboren Juni l5, 1937. Littlefield war eine Stadt, die um die Baumwollfelder herum erbaut wurde und aus einer 3 Millionen Hektar großen Ranch entstand, die um die Jahrhundertwende unter der Ägide von Major George Washington Littlefield stand. Der Sitz von Lamb County, wurde von der Panhandle und Santa Fe Railroad halbiert, und es war so typisch wie möglich ein kleines texanisches Stadtleben, in dem er in dem Geschäft seines Vaters arbeitete, Mädchen durch den Stadtplatz jagte und sich die Cowboy-Bilder im Palace Theatre ansah.
Es gab Musik in der Familie - sein Papa sang gerne wie Bill Monroe und zupfte seine Gitarre mit Daumen und Finger, während seine Mama ihm zeigte, wie man seine ersten Akkorde formt - und mehr Knistern im Radio: die Grand Ole Opry und das Louisiana Hayride and Stan's Record Rack und eines Morgens im Herbst 1954 das Echo eines Country-Sängers, der wie kein anderer Country-Sänger zuvor klang: Elvis Presley, der Arthur Crudup's That's Alright, Mama und Bill Monroe's Blue Moon Of Kentucky wiederbelebt.
Waylon selbst lehnte sich an Hank Williams und Ernest Tubb an, und schon bald versuchte er, seinen Idolen nachzueifern, indem er bei den wöchentlichen Palace Theatre Talentshows auftrat. Als er herausfand, dass er bei den meisten der verfügbaren niederen Arbeiten in der Stadt nicht gut war, fand er einen Job bei Voice of Lamb County, KVOW, als Discjockey und spielte eine Vielzahl von Musik von Mantovani über Country bis hin zu den Klassikern. Langsam erweiterte sich sein Auftrittskreis, und er konnte den Aufstieg des Rock and Roll aus erster Hand verfolgen, als ein einheimischer Junge aus Lubbock, Buddy Holly, einen Hit namens That'll Be The Day hatte.
Auszug aus dem Buch BCD 16320 - Waylon Jennings - The Journey: Destiny's Child - Lesen Sie mehr unter: https://www.bear-family.com/jennings-waylon-the-journey-destiny-s-child-6-cd.html
https://www.bear-family.com/jennings-waylon/
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