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Waylon Jennings The Essential (US) 2-CD

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catalog number: CDRCA707615

weight in Kg 0,120

 

Item is temporarily out of stock.
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$29.13 *
 
 

Waylon Jennings: The Essential (US) 2-CD

(2004/SONY/BMG) 42 tracks 1964-2001
 

Songs

Waylon Jennings - The Essential (US) 2-CD Medium 1
1: Big Mamon  
2: That's The Chance I'll Have To Take  
3: Stop The World (And Let Me Off)  
4: Anita, You're Dreaming  
5: (That's What You Get) For Lovin' Me  
6: The Chokin' Kind  
7: Only Daddy That'll Walk The Line  
8: Just To Satisfy You  
9: Cedartown, Georgia  
10: The Taker  
11: Lovin' Her Was Easier (Than Anything I'll Eve  
12: Sweet Dream Woman  
13: Ladies Love Outlaws  
14: Lonesome, On'ry And Mean  
15: Freedom To Stay  
16: Pretend I Never Happened  
17: You Can Have Her  
18: We Had It All  
19: Honky Tonk Heroes  
20: You Ask Me To  
21: CD-2  
22: This Time  
23: It's Not Supposed To Be That Way  
24: I'm A Ramblin' Man  
25: Rainy Day Woman  
26: Amanda  
27: Bob Wills Is Still The King  
28: Are You Sure Hank Done It This Way  
29: Waymore's Blues  
30: Dreaming My Dreams With You  
31: Good Hearted Woman JENNINGS, Waylon & Willie Ne  
32: Are You Ready For The Country  
33: Luckenbach, Texas (Back To The Basics Of Love  
34: The Wurlitzer Prize (I Don't Want To Get Over  
35: Mammas Don't Let Your Babies Grow Up To Be C JENNINGS, Waylon & Willie Ne  
36: I've Always Been Crazy  
37: A Long Time Ago  
38: Don't You Think This Outlaw Bit's Down Got Ou  
39: I Ain't Living Long Like This  
40: Theme From The Dukes Of Hazzard (Good Ol' Boy  
41: Storms Never Last COLTER, Jessi & Waylon Jenni  
42: Drinkin' And Dreamin'  
43: Rose In Paradise  

 

Artikeleigenschaften von Waylon Jennings: The Essential (US) 2-CD

  • Interpret: Waylon Jennings

  • Albumtitel: The Essential (US) 2-CD

  • Format CD
  • Genre Country

  • Title The Essential (US) 2-CD
  • Release date 2004
  • Label RCA

  • SubGenre Country - General

  • EAN: 0886970761529

  • weight in Kg 0.120
 
 

Artist description "Jennings, Waylon"

Waylon Jennings

The Jennings family was like many in West Texas, subsistence farmers and odd jobbers. His folks, William Albert Jennings and Lorene Beatrice Shipley, had married in 1935, and he was the oldest child, born June l5, 1937. Littlefield was a town built around the cotton fields, carved up from a three million acre ranch that had been under the aegis of Major George Washington Littlefield at the turn of the twentieth century. The seat of Lamb County, it was bisected by the Panhandle and Santa Fe Railroad, and it was as typical a small town Texas life as could be, working in his Daddy's produce store, chasing girls through the town square, watching the cowboy pictures at the Palace Theatre.

There was music in the family - his Daddy loved to sing like Bill Monroe and pluck his guitar thumb-and-finger style, while his Momma showed him how to form his first chords - and more crackling over the radio: the Grand Ole Opry and the Louisiana Hayride and Stan's Record Rack and, one morning in the fall of 1954, the echoings of a countryish singer who sounded like no other country singer before: Elvis Presley, reprising Arthur Crudup's That's Alright, Mama and Bill Monroe's Blue Moon Of Kentucky.

Waylon himself leaned toward Hank Williams and Ernest Tubb, and soon enough was trying to emulate his idols by appearing at the weekly Palace Theatre talent shows. Finding he wasn't much good at most of the available menial labors in town, he found a job at the Voice of Lamb County, KVOW, as a disc jockey, playing a variety of music from Mantovani to country to the classics. Slowly his circle of performing expanded, and he was able to watch the rise of rock and roll first-hand when a local boy from Lubbock, Buddy Holly, had a hit record called
The Jennings family was like many in West Texas, subsistence farmers and odd jobbers. His folks, William Albert Jennings and Lorene Beatrice Shipley, had married in 1935, and he was the oldest child, born June l5, 1937. Littlefield was a town built around the cotton fields, carved up from a three million acre ranch that had been under the aegis of Major George Washington Littlefield at the turn of the twentieth century. The seat of Lamb County, it was bisected by the Panhandle and Santa Fe Railroad, and it was as typical a small town Texas life as could be, working in his Daddy's produce store, chasing girls through the town square, watching the cowboy pictures at the Palace Theatre.

There was music in the family - his Daddy loved to sing like Bill Monroe and pluck his guitar thumb-and-finger style, while his Momma showed him how to form his first chords - and more crackling over the radio: the Grand Ole Opry and the Louisiana Hayride and Stan's Record Rack and, one morning in the fall of 1954, the echoings of a countryish singer who sounded like no other country singer before: Elvis Presley, reprising Arthur Crudup's That's Alright, Mama and Bill Monroe's Blue Moon Of Kentucky.

Waylon himself leaned toward Hank Williams and Ernest Tubb, and soon enough was trying to emulate his idols by appearing at the weekly Palace Theatre talent shows. Finding he wasn't much good at most of the available menial labors in town, he found a job at the Voice of Lamb County, KVOW, as a disc jockey, playing a variety of music from Mantovani to country to the classics. Slowly his circle of performing expanded, and he was able to watch the rise of rock and roll first-hand when a local boy from Lubbock, Buddy Holly, had a hit record called That'll Be The Day.
Excerpt from the book BCD 16320 - Waylon Jennings - The Journey: Destiny's Child - Read more at: https://www.bear-family.com/jennings-waylon-the-journey-destiny-s-child-6-cd.html
https://www.bear-family.com/jennings-waylon/
Copyright © Bear Family Records

Auszug aus dem Buch BCD 16320 - Waylon Jennings - The Journey: Destiny's Child - Lesen Sie mehr unter: https://www.bear-family.com/jennings-waylon-the-journey-destiny-s-child-6-cd.html
https://www.bear-family.com/jennings-waylon/
Copyright © Bear Family Records

 
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