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Waylon Jennings Just To Satisfy You - 180g Vinyl

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catalog number: BAF18022

weight in Kg 0,300

 

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Waylon Jennings: Just To Satisfy You - 180g Vinyl

Vinyl-LP, 180gram, 16 tracks.

  • ​Waylon Jennings (almost) begins here!
  • Recorded before Waylon went to Nashville, when he was a top dee-jay and nightclub singer in Phoenix, Arizona.
  • Waylon takes country music in a new direction, introducing folk music, pop music, and rock 'n' roll.
  • Includes the original version of a Waylon classic, Just To Satisfy You.
  • Features a fabulous backing band, including James Burton.
  • Plus five bonus tracks!

DMM Disc Cutting: H.-J. Maucksch at Pauler Acoustics, Northeim, Germany + Pressed by Pallas, Diepholz, Germany + Direct metal master cut + 180 gram virgin vinyl

Although A&M became a quasi-major label after signing the Carpenters, Sheryl Crow, the Police, Sting, and others, it was a struggling indie when the partners, Herb Alpert and Jerry Moss, signed Waylon in 1963. Neither Alpert nor Moss knew anything about country music, but they knew Waylon was a true talent who deserved to be on record. Together, Waylon and Herb Alpert forged some singles and abandoned sessions that showed Waylon's eclecticism: old rock 'n' roll songs (some of them associated with his mentor and friend, Buddy Holly), new folk songs by Ian & Sylvia and Bob Dylan, some pop standards, and covers of a recent hits by Little Jimmy Dickens and George Jones. And there was one Waylon original, the first-ever version of the classic Just To Satisfy You - later a #1 country hit for Waylon and Willie. After Waylon scored his first hits on RCA, A&M issued some of those early recordings on an album, reissued here with bonus songs.

This fabulously remastered edition of Waylon's first LP includes five songs not on the original album: Love Denied, Buddy Holly's Rave On, Johnny Horton's I'm Coming Home, Link Davis's Cajun hit Big Mamou, and a rare Harlan Howard song, Sing The Girls A Song, Bill.

Side 1
Don't Think Twice, It's Alright - River Boy - The Twelfth Of Never - The Race Is On - Stepping Stone - The Real House Of The Rising Sun - Love Denied - Rave On
Side 2
Just To Satisfy You - Kisses Sweeter Than Wine - Unchained Melody - I Don't Believe You - Four Strong Winds - Big Mamou - I'm Coming Home (take 6) - Sing The Girls A Song, Bill (take 11)


Vinyl-LP, 180gram, 16 tracks


 

Songs

Waylon Jennings - Just To Satisfy You - 180g Vinyl Medium 1
1: Don't Think Twice, It's Alright
2: River Boy
3: The Twelfth Of Never
4: The Race Is On
5: Stepping Stone
6: The Real House Of The Rising Sun
7: Love Denied
8: Rave On
9: Just To Satisfy You  
10: Kisses Sweeter Than Wine  
11: Unchained Melody  
12: I Don't Believe You  
13: Four Strong Winds  
14: Big Mamou  
15: I'm Coming Home (take 6)  
16: Sing The Girls A Song, Bill (take 11)  

 

Artikeleigenschaften von Waylon Jennings: Just To Satisfy You - 180g Vinyl

  • Interpret: Waylon Jennings

  • Albumtitel: Just To Satisfy You - 180g Vinyl

  • Format LP
  • Genre Country

  • Music Genre Country Music
  • Music Style Vinyl - Country
  • Music Sub-Genre 551 Vinyl - Country
  • Edition 2 BEAR Family Records
  • Title Just To Satisfy You - 180g Vinyl
  • Vinyl size LP (12 Inch)
  • Vinyl weight 180g Vinyl
  • Speed / RPM 33 U/min
  • Record Grading Mint (M)
  • Sleeve Grading Mint (M)
  • Label Bear Family Productions

  • Price code BAF
  • SubGenre Country - General

  • EAN: 5397102180224

  • weight in Kg 0.300
 
 

Artist description "Jennings, Waylon"

Waylon Jennings

The Jennings family was like many in West Texas, subsistence farmers and odd jobbers. His folks, William Albert Jennings and Lorene Beatrice Shipley, had married in 1935, and he was the oldest child, born June l5, 1937. Littlefield was a town built around the cotton fields, carved up from a three million acre ranch that had been under the aegis of Major George Washington Littlefield at the turn of the twentieth century. The seat of Lamb County, it was bisected by the Panhandle and Santa Fe Railroad, and it was as typical a small town Texas life as could be, working in his Daddy's produce store, chasing girls through the town square, watching the cowboy pictures at the Palace Theatre.

There was music in the family - his Daddy loved to sing like Bill Monroe and pluck his guitar thumb-and-finger style, while his Momma showed him how to form his first chords - and more crackling over the radio: the Grand Ole Opry and the Louisiana Hayride and Stan's Record Rack and, one morning in the fall of 1954, the echoings of a countryish singer who sounded like no other country singer before: Elvis Presley, reprising Arthur Crudup's That's Alright, Mama and Bill Monroe's Blue Moon Of Kentucky.

Waylon himself leaned toward Hank Williams and Ernest Tubb, and soon enough was trying to emulate his idols by appearing at the weekly Palace Theatre talent shows. Finding he wasn't much good at most of the available menial labors in town, he found a job at the Voice of Lamb County, KVOW, as a disc jockey, playing a variety of music from Mantovani to country to the classics. Slowly his circle of performing expanded, and he was able to watch the rise of rock and roll first-hand when a local boy from Lubbock, Buddy Holly, had a hit record called
The Jennings family was like many in West Texas, subsistence farmers and odd jobbers. His folks, William Albert Jennings and Lorene Beatrice Shipley, had married in 1935, and he was the oldest child, born June l5, 1937. Littlefield was a town built around the cotton fields, carved up from a three million acre ranch that had been under the aegis of Major George Washington Littlefield at the turn of the twentieth century. The seat of Lamb County, it was bisected by the Panhandle and Santa Fe Railroad, and it was as typical a small town Texas life as could be, working in his Daddy's produce store, chasing girls through the town square, watching the cowboy pictures at the Palace Theatre.

There was music in the family - his Daddy loved to sing like Bill Monroe and pluck his guitar thumb-and-finger style, while his Momma showed him how to form his first chords - and more crackling over the radio: the Grand Ole Opry and the Louisiana Hayride and Stan's Record Rack and, one morning in the fall of 1954, the echoings of a countryish singer who sounded like no other country singer before: Elvis Presley, reprising Arthur Crudup's That's Alright, Mama and Bill Monroe's Blue Moon Of Kentucky.

Waylon himself leaned toward Hank Williams and Ernest Tubb, and soon enough was trying to emulate his idols by appearing at the weekly Palace Theatre talent shows. Finding he wasn't much good at most of the available menial labors in town, he found a job at the Voice of Lamb County, KVOW, as a disc jockey, playing a variety of music from Mantovani to country to the classics. Slowly his circle of performing expanded, and he was able to watch the rise of rock and roll first-hand when a local boy from Lubbock, Buddy Holly, had a hit record called That'll Be The Day.
Excerpt from the book BCD 16320 - Waylon Jennings - The Journey: Destiny's Child - Read more at: https://www.bear-family.com/jennings-waylon-the-journey-destiny-s-child-6-cd.html
https://www.bear-family.com/jennings-waylon/
Copyright © Bear Family Records

Auszug aus dem Buch BCD 16320 - Waylon Jennings - The Journey: Destiny's Child - Lesen Sie mehr unter: https://www.bear-family.com/jennings-waylon-the-journey-destiny-s-child-6-cd.html
https://www.bear-family.com/jennings-waylon/
Copyright © Bear Family Records

 
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