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Lowell Fulson Baby Won't You (2-LP)(1946-51)

Baby Won't You (2-LP)(1946-51)
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-Baby Won't You Jump With (1946-51) (2-LP) Crownprince more

Lowell Fulson: Baby Won't You (2-LP)(1946-51)

-Baby Won't You Jump With (1946-51) (2-LP) Crownprince

Article properties: Lowell Fulson: Baby Won't You (2-LP)(1946-51)

  • Interpret: Lowell Fulson

  • Album titlle: Baby Won't You (2-LP)(1946-51)

  • Genre R&B, Soul

  • Geschwindigkeit 33 U/min
  • Vinyl Size LP (12 Inch)
  • Record Grading Mint (M)
  • Sleeve Grading Mint (M)
  • Label CROWN PRIN

  • Artikelart LP

  • EAN: 4000127718303

  • weight in Kg 0.4
Fulson, Lowell - Baby Won't You (2-LP)(1946-51) LP 1
01 Trouble Blues
02 Bad Luck And Trouble
03 I Want To See My Baby
04 Crying Won't Make Me Stay
05 You're Going To Miss Me
06 Black Widow Spider Blues
07 Jelly, Jelly
08 The Train Is Leaving
09 Scotty's Blues
10 Television Blues
11 Don't Be So Evil
12 Night And Day
13 Don't You Hear Me Calling You
14 Highway '99'
15 Wee Hours In The Morning
16 Blues And Misery
17 Cold Hearted Woman
18 Just A Poor Boy
19 Demon Woman
20 Double Trouble Blues
21 Back Home Blues
22 Tears At Sunrise
23 Goodbye, Goodbye
24 Jam That Boogie
25 Baby Won't You Jump With Me
26 Rainy Day
27 Ain't Nobody's Business
28 Juke Box Shuffle
29 Mama Bring Your Clothes Back Home
30 Mean Old Lonesome Song
31 My Daily Prayer
32 I've Been Mistreated
33 Best Wishes
Lowell Fulson Lowell Fulson Every Day I Have The Blues (Lonely Heart Blues) (Peter... more
"Lowell Fulson"

Lowell Fulson

Lowell Fulson

Every Day I Have The Blues (Lonely Heart Blues)

(Peter Chatman)

Swing Time 196 / Hollywood 1029 / Hollywood 1103

 

It took some time, but Lowell Fulson eventually emerged as one of his generation's leading electric blues guitarists. That didn't mean he couldn't go the acoustic route as well, at least early in his recording career, but it was his concise amplified lead work and hearty vocals that proved so influential to the likes of B.B. King.

Fulson was born into a musical family on March 31, 1921 near Tulsa, Oklahoma; his father and younger brother Martin also played guitar. "I was just looking at my uncles play. Two or three of 'em around there had guitars and played. It was about the only instrument there was, that and violin. So I just picked it up," said the late Fulson. "As far as the blues, that's about the only thing you'd hear, unless it was country and western."  Fluent on guitar in his teens, Lowell moved to Ada, Oklahoma, in his late teens. "I played in Dan Wright's big all-string band for about a year, down there in Ada. Texas Alexander came through there about a year later, and I stuck with him 'cause I liked goin' different places," he said. "I stayed out there with Texas about, I don't know, six or eight months, and then I went home."

While serving in the Navy during the war, Fulson was stationed in Oakland. When he got out, he returned and ran into fledgling producer Bob Geddins in 1946. "Just happened to be walkin' down 8th Street. I heard some music and stuff, a record player, and I stopped in there and looked," said Lowell. "He had a one-man press, pressin' records, up and down, pressing one record at a time. So he had an old beat-up guitar, and I picked it up and went to banging on it. So he looked at me and quit pressing. He said, 'Have you ever recorded?' I told him no. He said, 'You want to make a record?' I said, 'I don't care.' He said, 'I'll give you $100.' 'Let's go!'

"Bob Geddins had Big Town, and then we did some stuff on Trilon. 'Course, I wasn't under contract," he said. "But somebody pay you to cut a record, you cut a record!" A lot of his early Big Town and Trilon 78s made little impact, but Fulson scored his first national hit in '48 on Geddins' Down Town logo with the downbeat Three O'Clock Blues, which would also be B.B.'s first hit, a chart-topper at that, in 1951.

Leaving Geddins' operation in favor of Jack Lauderdale's L.A.-based Swing Time diskery, Lowell had a huge year in 1950, starting with Everyday I Have The Blues. "That was Memphis Slim's 'Nobody Loves Me,'"  he admitted. "I liked the tune, and I'd taken it, rearranged (it as) 'Everyday I Have The Blues.' I wouldn't call myself taking it. I just pitched it where I could sing it like I wanted to. But he gets the credit for writing the thing." Even Slim had borrowed the number; the Sparks Brothers originated it on Bluebird in 1935—as Every Day I Have The Blues. Pianist Lloyd Glenn rated a prominent mention on the label of Lowell's version (supported by alto saxist Earl Brown, bassist Billy Hadnott, and drummer Bob Harvey).

"We went through a couple of pianists to try to get somebody that could work with me like I wanted to," said Fulson. "We tried Jay McShann and two or three more guys, but none of 'em didn't fit like Lloyd. Me and him kind of hit it off together, made it alright." Cut in Los Angeles in 1949, Everyday was a #3 R&B hit the next spring, and Lowell's special year was just ramping up. His Blue Shadows vaulted to number one that fall, and his holiday offering Lonesome Christmas and the snazzy instrumental Low Society Blues charted too.

- Bill Dahl -
Chicago, Illinois

PLUG IT IN! TURN IT UP!

Electric Blues 1939-2005. - The Definitive Collection!

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