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Lowell Fulson Baby Won't You (2-LP)(1946-51)

Baby Won't You (2-LP)(1946-51)
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-Baby Won't You Jump With (1946-51) (2-LP) Crownprince more

Lowell Fulson: Baby Won't You (2-LP)(1946-51)

-Baby Won't You Jump With (1946-51) (2-LP) Crownprince

Article properties: Lowell Fulson: Baby Won't You (2-LP)(1946-51)

  • Interpret: Lowell Fulson

  • Album titlle: Baby Won't You (2-LP)(1946-51)

  • Genre R&B, Soul

  • Geschwindigkeit 33 U/min
  • Vinyl record size LP (12 Inch)
  • Mint (M)
  • Sleeve Grading Mint (M)
  • Label CROWN PRIN

  • Artikelart LP

  • Price code YYY
  • EAN: 4000127718303

  • weight in Kg 0.4
Fulson, Lowell - Baby Won't You (2-LP)(1946-51) LP 1
01 Trouble Blues Lowell Fulson
02 Bad Luck And Trouble Lowell Fulson
03 I Want To See My Baby Lowell Fulson
04 Crying Won't Make Me Stay Lowell Fulson
05 You're Going To Miss Me Lowell Fulson
06 Black Widow Spider Blues Lowell Fulson
07 Jelly, Jelly Lowell Fulson
08 The Train Is Leaving Lowell Fulson
09 Scotty's Blues Lowell Fulson
10 Television Blues Lowell Fulson
11 Don't Be So Evil Lowell Fulson
12 Night And Day Lowell Fulson
13 Don't You Hear Me Calling You Lowell Fulson
14 Highway '99' Lowell Fulson
15 Wee Hours In The Morning Lowell Fulson
16 Blues And Misery Lowell Fulson
17 Cold Hearted Woman Lowell Fulson
18 Just A Poor Boy Lowell Fulson
19 Demon Woman Lowell Fulson
20 Double Trouble Blues Lowell Fulson
21 Back Home Blues Lowell Fulson
22 Tears At Sunrise Lowell Fulson
23 Goodbye, Goodbye Lowell Fulson
24 Jam That Boogie Lowell Fulson
25 Baby Won't You Jump With Me Lowell Fulson
26 Rainy Day Lowell Fulson
27 Ain't Nobody's Business Lowell Fulson
28 Juke Box Shuffle Lowell Fulson
29 Mama Bring Your Clothes Back Home Lowell Fulson
30 Mean Old Lonesome Song Lowell Fulson
31 My Daily Prayer Lowell Fulson
32 I've Been Mistreated Lowell Fulson
33 Best Wishes Lowell Fulson
Lowell Fulson Lowell Fulson Every Day I Have The Blues (Lonely Heart Blues) (Peter... more
"Lowell Fulson"

Lowell Fulson

Lowell Fulson

Every Day I Have The Blues (Lonely Heart Blues)

(Peter Chatman)

Swing Time 196 / Hollywood 1029 / Hollywood 1103

 

It took some time, but Lowell Fulson eventually emerged as one of his generation's leading electric blues guitarists. That didn't mean he couldn't go the acoustic route as well, at least early in his recording career, but it was his concise amplified lead work and hearty vocals that proved so influential to the likes of B.B. King.

Fulson was born into a musical family on March 31, 1921 near Tulsa, Oklahoma; his father and younger brother Martin also played guitar. "I was just looking at my uncles play. Two or three of 'em around there had guitars and played. It was about the only instrument there was, that and violin. So I just picked it up," said the late Fulson. "As far as the blues, that's about the only thing you'd hear, unless it was country and western."  Fluent on guitar in his teens, Lowell moved to Ada, Oklahoma, in his late teens. "I played in Dan Wright's big all-string band for about a year, down there in Ada. Texas Alexander came through there about a year later, and I stuck with him 'cause I liked goin' different places," he said. "I stayed out there with Texas about, I don't know, six or eight months, and then I went home."

While serving in the Navy during the war, Fulson was stationed in Oakland. When he got out, he returned and ran into fledgling producer Bob Geddins in 1946. "Just happened to be walkin' down 8th Street. I heard some music and stuff, a record player, and I stopped in there and looked," said Lowell. "He had a one-man press, pressin' records, up and down, pressing one record at a time. So he had an old beat-up guitar, and I picked it up and went to banging on it. So he looked at me and quit pressing. He said, 'Have you ever recorded?' I told him no. He said, 'You want to make a record?' I said, 'I don't care.' He said, 'I'll give you $100.' 'Let's go!'

"Bob Geddins had Big Town, and then we did some stuff on Trilon. 'Course, I wasn't under contract," he said. "But somebody pay you to cut a record, you cut a record!" A lot of his early Big Town and Trilon 78s made little impact, but Fulson scored his first national hit in '48 on Geddins' Down Town logo with the downbeat Three O'Clock Blues, which would also be B.B.'s first hit, a chart-topper at that, in 1951.

Leaving Geddins' operation in favor of Jack Lauderdale's L.A.-based Swing Time diskery, Lowell had a huge year in 1950, starting with Everyday I Have The Blues. "That was Memphis Slim's 'Nobody Loves Me,'"  he admitted. "I liked the tune, and I'd taken it, rearranged (it as) 'Everyday I Have The Blues.' I wouldn't call myself taking it. I just pitched it where I could sing it like I wanted to. But he gets the credit for writing the thing." Even Slim had borrowed the number; the Sparks Brothers originated it on Bluebird in 1935—as Every Day I Have The Blues. Pianist Lloyd Glenn rated a prominent mention on the label of Lowell's version (supported by alto saxist Earl Brown, bassist Billy Hadnott, and drummer Bob Harvey).

"We went through a couple of pianists to try to get somebody that could work with me like I wanted to," said Fulson. "We tried Jay McShann and two or three more guys, but none of 'em didn't fit like Lloyd. Me and him kind of hit it off together, made it alright." Cut in Los Angeles in 1949, Everyday was a #3 R&B hit the next spring, and Lowell's special year was just ramping up. His Blue Shadows vaulted to number one that fall, and his holiday offering Lonesome Christmas and the snazzy instrumental Low Society Blues charted too.

- Bill Dahl -
Chicago, Illinois

PLUG IT IN! TURN IT UP!

Electric Blues 1939-2005. - The Definitive Collection!

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