Junior Wells: Hoodoo Man Blues
This was the first LP studio recording session by a Chicago Blues Band. There had been LPs before, but those had been compiled from previously released 45s. In the studio, Junior and his band with guitar ace Buddy Guy produced one of the best urban blues albums of all times. The recording quality is awesome, as is the performance. - Digipak. JUNIOR WELLS - hca/voc, BUDDY GUY - gtr, JACK MYERS - bass, BILLY WARREN - drums. = previously unissued.
HOODOO MAN BLUES
JUNIOR WELLS' CHICAGO BLUES BAND
Includes 16-page booklet, eight never-before-issued photos from the historic Hoodoo Man Blues recording session, the original liner notes, the early '70s addendum to the liner notes, Bob Koester's new comments, original LP cover design, original personnel listing with Buddy Guy identified as "Friendly Chap" and more...
Hoodoo Man Blues was recorded at Sound Studios on September 22 and 23, 1965. I was a regular client at Theresa's, usually every Saturday night and always every Monday night for the Blue Monday session when Little Walter and other singers would drop by. The band on the album was the group Junior used in the club. I saw no reason to mess with a good band working under the leader-ship of a guy who was not only a wonderful vocalist (my main criteria when it comes to blues) but an excellent harp-blower and, like Muddy Waters and Nowlin' Wolf, an especially good bandleader.
(I always left the "producing" to the leader on our sessions, jazz or blues.) New note by Bob Koester inside.
Junior Wells, Harmonica/Vocals Buddy Guy, Guitar Jack Myers, Bass Billy Warren, Drums
Article properties: Junior Wells: Hoodoo Man Blues
|Wells, Junior - Hoodoo Man Blues CD 1|
|01||Snatch It Back And Hold It|
|02||Ships On The Ocean|
|03||Good Morning Schoolgirl|
|05||In The Wee Wee Hours|
|06||Hey Lawdy Mama|
|07||Hoodoo Man Blues|
|08||Early In The Morning|
|10||You Don't Love Me, Baby|
|11||Chitlins Con Carne|
|13||Studio Chatter 1 *|
|14||I Ain't Stranded *|
|15||Studio Chatter 2 *|
|16||In the Wee Wee Hours, alt.|
|17||Studio Chatter 3 *|
|18||Hoodoo Man Blues, alt.|
|19||Studio Chatter 4 *|
|20||Chitlins Con Carne, alt.|
|21||Studio Chatter 5 *|
|22||Yonder Wall, alt. take 7 *|
|23||Studio Chatter 6 *|
|24||Yonder Wall, alt. take 11 *|
|25||Studio Chatter 7 *|
|26||Yonder Wall, alt. take 13 *|
Strutting across the stage, cocksure like the blues' answer to James Brown, Junior Wells owned one of the most dynamic voices in Chicago blues. He was as confident belting brassy soul as he was doing lowdown blues, his wide-toned amplified harmonica excursions always compelling. Before joining forces with Buddy Guy, Junior teamed up with light-fingered guitar master Earl Hooker at Mel London's Chief and Profile Records. It was a match made in blues heaven
Amos Wells Blakemore was born December 9, 1934 in West Memphis, Arkansas. He found a kindred spirit while growing up on his family's farm. "His name was Junior Parker," said the late Wells. "We was raised up together, and he was playing the harmonica. I said to myself, if he could do it, I could too." But the bright lights up north beckoned. "I came to Chicago in 1941," he said. "My mother, she was already in Chicago.
"When I got to Chicago, I met all the older musicians--blues singers, I should say--and they took up so much time with me. Like Muddy Waters, Big Maceo, Tampa Red, Johnny Jones, Sunnyland Slim, Big Bill Broonzy, the original Sonny Boy (John Lee Williamson), and the late Rice Miller. But the late Rice Miller was the thing that set my soul on fire with the harmonica." The fun-loving teen hooked up with guitar-wielding brothers Louis and David Myers in 1950; along with drummer Fred Below, they formed a band called the Aces.
"Me and the Aces, we go way back as kids," Wells said. "I was living at 22nd and Prairie, and they came over to some friends of theirs across the street at a house party. The people that had the house party came over and asked me to come over,” he said. “So I went over, and they asked me, do I want to sit in and jam with 'em? So we started to jamming, and it came out pretty good. Then after that, we decided maybe we would try to do some things together. We started doing house parties and stuff like that. The first little gig at a club we had, we went in there and did a thing there for three nights. We was making like $12. That's for the whole group."
Wells briefly joined Muddy Waters' combo in 1952, replacing Little Walter, before making his solo recording debut the next year with a romping Cut That Out for Leonard Allen's States label (he encored with his first version of Hoodoo Man). After four States singles in all and then a lengthy hiatus, Junior joined London's fledgling label setup in 1957, waxing Two-Headed Woman and I Could Cry for Chief. A '59 date for Profile resulted in the national hit Little By Little (I'm Losing You).
"Mel London and Willie Dixon was the ones that was doing the singing on it. They're backing me up. I thought it was a tremendous thing, because I didn't think it was hittin' on too much when we first started off to doin' it," said Junior. "But after I listened to it when they played it back to me, it was great."
A talented composer, savvy producer, and commercially astute label boss, the Mississippi-born London wrote Wells' sassy signature song Messin' With The Kid, cut October 17, 1960 at Chicago's Universal Recording. Its killer instrumental hook, inserted at the end of most choruses, was played by impeccable lead guitarist Earl Hooker. He was joined in the band by saxists Jarrett Gibson and Donald Hankins, pianist Johnny 'Big Moose' Walker, bassist Jack Myers, and drummer Fred Below (Wells left his harp in his pocket). Hooker did a sublime instrumental version, Rockin' With The Kid, the following year for London's Age imprint.
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