Roy Buchanan Live At Rockpalast - Hamburg 1985 (2-LP)
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Roy Buchanan: Live At Rockpalast - Hamburg 1985 (2-LP)
As a teenager, he moved to Los Angeles and played with Spencer Dryden (later the drummer of Jefferson Airplane) in the band Heartbeats. He then toured with Dale Hawkins and played with Robbie Robertson (The Band), who later described Buchanan as one of his main influences. In the 60s Roy Buchanan married, moved to Washington DC and worked as a studio musician on more than 100 productions, mainly for Freddy Canon and Leiber / Stoller. It was not until 1971 that his first solo album was released, which led to him and his inimitable playing on the Fender Telecaster being treated as an insider tip by greats such as John Lennon, Eric Clapton and the Rolling Stones.
The albums "When A Guitar Plays The Blues" (1985), "Dancing On The Edge" (1986) and "Hot Wires" (1987), recorded from 1985 onwards, are among the highlights of his career. Just three years before his tragic suicide, this Rockpalast concert was recorded on February 24, 1985 at the Markthalle in Hamburg. A performance in which Roy Buchanan's genius as a guitarist is uniquely convincing - not least through his congenial cover versions of Jimi Hendrix and Don Gibson, among others. It is no secret that Roy Buchanan was able to live out his qualities above all in his performances, of which only a few were recorded. An impressive legacy!
Article properties: Roy Buchanan: Live At Rockpalast - Hamburg 1985 (2-LP)
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Interpret: Roy Buchanan
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Album titlle: Live At Rockpalast - Hamburg 1985 (2-LP)
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Genre Blues
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Label MADE IN GERMANY
- Geschwindigkeit 33 U/min
- Vinyl record size LP (12 Inch)
- Record Grading Mint (M)
- Sleeve Grading Mint (M)
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Artikelart LP
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EAN: 0885513903914
- weight in Kg 0.38
| Buchanan, Roy - Live At Rockpalast - Hamburg 1985 (2-LP) LP 1 | ||||
|---|---|---|---|---|
| 01 | Thing In G (Short Fuse) | Roy Buchanan | ||
| 02 | Green Onions | Roy Buchanan | ||
| 03 | Roy's Blues (Roy's Bluz) | Roy Buchanan | ||
| 04 | Walk Don't Run | Roy Buchanan | ||
| 05 | Sweet Dreams | Roy Buchanan | ||
| 06 | Peter Gunn | Roy Buchanan | ||
| 07 | Blues In D (Blues Shuffle instr) | Roy Buchanan | ||
| Buchanan, Roy - Live At Rockpalast - Hamburg 1985 (2-LP) LP 2 | ||||
|---|---|---|---|---|
| 01 | Hey Joe | Roy Buchanan | ||
| 02 | Foxy Lady | Roy Buchanan | ||
| 03 | Massiah (Massiah Will Come Again) | Roy Buchanan | ||
| 04 | Night Train | Roy Buchanan | ||
| 05 | Linda Lou | Roy Buchanan | ||
| 06 | Wayfaring Pilgram | Roy Buchanan | ||
Roy Buchanan
After Hours
Roy Buchanan
After Hours
In addition to his use of high harmonics and extreme stretching, Roy Buchanan's style of playing was also influenced by the choice of his electric guitar, a 1953 Fender Telecaster, which he called'Nancy'. "I tried the Tele first, then a Strat," Buchanan said. "And I tried a Gibson, but then I went back to the Telecaster."
Buchanan was born on September 23, 1939 in Ozark, Arkansas, and grew up temporarily in Pixley, California. Gospel, country and blues all played a role in his musical development. "I really started playing the guitar when I was about nine years old," Buchanan recalled. "I had my own group when I was, like, 10 or 11. "I had a little country band called The Dusty Valley Boys." Then a new sound came up. "I started to bend the strings in rock'n' roll when I was about 15. I was in L.A., and this group called The Johnny Otis Show had a guitarist named Jimmy Nolen. I thought they were playing rock'n' roll. He bent the strings in rock'n' roll, so I thought I'd do the same! "I formed a band called The Heartbeats, and we kind of started something else." Buchanan rarely stayed in the same place for long.
"We had a TV show in Oklahoma City where we played every Saturday. It was like a copy of American Bandstand. They always had all these guest stars there," Buchanan said, "and once it was Dale Hawkins. He said, "Do you want to come to Louisiana?" Roy impressed on Hawkins' Rockabilly cover version of Little Walter's My Babe for Checker as early as 1958 and quickly developed his high-sounding sound further. "Scotty Moore was engaged for the session," he said. "But he had to cancel, so I played. I loved Scotty Moore and tried to sound like him without sounding too Scotty Moore. I left Hawkins for a while and was in L.A. James Burton called me and said that Bob Luman was performing in Las Vegas and needed a guitarist. He asked me if I was interested, and I said, "Sure!" So I went over there and played for the job and got it. I stayed with him for about a year and a half. "We played in Vegas for about a year, then we went to Japan." Then Roy joined Dale's cousin Ronnie Hawkins' band. "We were in Toronto, performing at the Coq D'Or. Ronnie came in one night and asked me if I wanted to play in his band," he said. "He named his group The Hawks. So I went to them for a while."
Buchanan recorded the wild instrumental title Mule Train Stomp for Swan in Philadelphia under his own name in 1961 and was on the Cotton label the following year on the hit The Jam - Part 1 by drummer Bobby Gregg and his Friends. "I had made a few demos in Philadelphia and he heard them," Buchanan said. I agreed. We did it and it was a hit." But they didn't get that famous and Buchanan sank into the club scene of Washington, D.C. He remained a purely regional attraction until his career finally got underway in 1970.
"I was playing in a little club called The Crossroads. A guy from the Washington Post came in and wrote an article about me," he said. "Afterwards, people ran into us. And then it appeared in other papers, too, everything went totally crazy. Then people from the television station NET came along, they had orchestra people with them who were supposed to hear me. Suddenly they wanted to put my life story on TV. So I agreed. From then on, everything blossomed somehow. Then we got a record deal." Buchanan simplified the process a bit: Polydor had already taken it in 1969, but the LP'The Prophet', which he made with producer Charlie Daniels, was not released. When Polydor then released his next attempt as Roy Buchanan's first album of the same name, the whole world suddenly became aware of his Telecaster magic. For his 1973'Second Album' for Polydor, he recorded a creative version of Erskine Hawkins' influential worn 1946 instrumental hit After Hours, on which he presented the full range of his amazing fingerboard art; Roy had already recorded the title for Bomarc in 1961.
Buchanan released a series of successful LPs on Polydor and Atlantic in the 1970s, but sales declined in the first half of the next decade before making a comeback with three alligator LPs in the mid-1980s. Unfortunately, his story doesn't have a happy ending. When Buchanan was arrested for public drunkenness in Fairfax, Virginia, on August 14, 1988, he hanged himself in a drunk tank.
- Bill Dahl -
Various - Electric Blues
Plug It In! Turn It Up! Vol.4 Electric Blues 1970 - 2005 (Deutsch)
Read more at: https://www.bear-family.de/various-electric-blues-plug-it-in-turn-it-up-vol.4-electric-blues-1970-2005-deutsch.html
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Ready to ship today, delivery time** appr. 1-3 workdays
Ready to ship today, delivery time** appr. 1-3 workdays