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The Counts What's Up Front That-Counts (LP, colored Vinyl, Ltd.)

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(Westbound Records) 9 tracks, lavender marbled vinyl, imitated edition, includes 3 previously...more

The Counts: What's Up Front That-Counts (LP, colored Vinyl, Ltd.)

(Westbound Records) 9 tracks, lavender marbled vinyl, imitated edition, includes 3 previously unreleased Bounus tracks

Out of print on vinyl for nearly two decades, Ace is proud to reissue this beauty.
Formed in Michigan in 1964 as the Fabulous Counts, the Counts released two singles, "Jan Jan" and "Get Down People," on the Moira label in 1968 and 1969 that became R&B hits. This led to the album "Jan Jan", which was released by Cotillion in 1969.
The lineup picked up by Westbound to record "What's Up Front That Counts" consisted of Mose Davis (organ), Leroy Emmanuel (guitar), Demetrius Cates (saxophone) and Andrew Gibson (drums). Although tenor player Jim White can be seen on the cover picture, he left the band shortly before the album was recorded. Extended, mostly instrumental tracks such as 'Why Not Start All Over Again' and the title track are now regarded as some of the juiciest funk ever recorded in the studio. Shorter tracks like 'Rhythm Changes', 'Thinking Single' and 'Bills' are just as sweet. What gives the album such a strong musical chemistry is the fact that the Counts were jazz musicians who grew up listening to Miles Davis and were also partial to the funk of James Brown and Sly & The Family Stone, so every track is characterized by groovy interplay. You could say that this is the sound Miles Davis was trying to find on his early 70s albums.
The Counts went on tour with Funkadelic and recorded more singles and albums, but this 1971 album remains an absolute classic. The track "What's Up Front That Counts" has been sampled by artists such as Queen Latifah and Eric B & Rakim and keeps the Counts' music firmly in the memory of a young, contemporary audience.

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Article properties:The Counts: What's Up Front That-Counts (LP, colored Vinyl, Ltd.)

  • Interpret: The Counts

  • Album titlle: What's Up Front That-Counts (LP, colored Vinyl, Ltd.)

  • Genre R&B, Soul

  • Label WESTBOUND

  • Geschwindigkeit 33 U/min
  • Vinyl record size LP (12 Inch)
  • Record Grading Mint (M)
  • Sleeve Grading Mint (M)
  • Artikelart LP

  • Vinyl weight 150g Vinyl
  • EAN: 0711574942312

  • weight in Kg 0.25
Counts, The - What's Up Front That-Counts (LP, colored Vinyl, Ltd.) LP 1
01What's Up Front That-CountsThe Counts
02Rhythm ChangesThe Counts
03Thinking SingleThe Counts
04Why Not All Over AgainThe Counts
05Pack Of LiesThe Counts
06BillsThe Counts
07Rhythm Changes Reprise*The Counts
08Shortsville*The Counts
09I Know Why*The Counts
Beide Seiten der 1958er Mercury-Single von The Counts wurden vom Duo Eddie Mascari und Erwin... more
"The Counts"

Beide Seiten der 1958er Mercury-Single von The Counts wurden vom Duo Eddie Mascari und Erwin 'Dutch' Wenzlaff geschrieben, einem produktiven Paar aus Chicago. Sie schrieben I Got A Wife, einen 59er Mercury-Hit für The Mark IV, und arbeiteten dann in den 60er Jahren als A&R für Mercury und andere Windy City-Unternehmen. Eine Mercury-Werbung für die Single von The Counts, die ein gepflegtes junges weißes Duo zeigt, lässt die Frage aufkommen, ob Eddie und Dutch The Counts waren. Ihr Shake The Town, aufgenommen in Jack Wieners Sheldon Recording Studios (auch bekannt als Chess' Ter-Mar Studios in 2120 S, Michigan), war ein flottes Duett, das von einem Klavier im Stil von At The Hop angetrieben wurde (Teen-Age Guy And Gal belegte die B-Seite). Eddie & Dutch stürmten schließlich 1970 die Pop-Hitparade mit ihrer komischen Neuheit My Wife, The Dancer auf dem Ivanhoe-Label.

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