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Solomon Burke I Wish I Knew (LP, 180g colored Vinyl, Ltd.)

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(Music On Vinyl) 10 tracks, farbiges Vinyl in Gold, einzelnd nummerierte limitierte Auflage von... more

Solomon Burke: I Wish I Knew (LP, 180g colored Vinyl, Ltd.)

(Music On Vinyl) 10 tracks, farbiges Vinyl in Gold, einzelnd nummerierte limitierte Auflage von 750 Exemplaren

„I Wish I Knew“ wurde 1968 veröffentlicht. Solomon Burke hatte mit dem Wandel der Zeit zu kämpfen, der wiederum zu einer Veränderung der Musikstile und Klänge führte, sodass man beim Anhören der LP zunächst einige der Produktionsentscheidungen in Frage stellen könnte. Tatsächlich ist das Album manchmal etwas psychedelischer, als es Burkes Material verdient, aber die Darbietungen innerhalb der Grooves sind immer noch so solide, wie man es von einem Künstler seines Renommees erwarten würde.
Der Song, den Sie wahrscheinlich bereits kennen, ist, wenig überraschend, der Titelsong „I Wish I Knew How It Would Feel to Be Free“, der es in die Hot 100 schaffte. Weitere Singles aus dem Album waren „Save It“ und „Get Out of My Life, Woman“.
Obwohl sie einen unverkennbaren 68er-Sound haben, kann man mit Solomon Burke nichts falsch machen.

Article properties: Solomon Burke: I Wish I Knew (LP, 180g colored Vinyl, Ltd.)

  • Interpret: Solomon Burke

  • Album titlle: I Wish I Knew (LP, 180g colored Vinyl, Ltd.)

  • Label MUSIC ON VINYL

  • Genre R&B, Soul

  • Geschwindigkeit 33 U/min
  • Vinyl record size LP (12 Inch)
  • Record Grading Mint (M)
  • Sleeve Grading Mint (M)
  • Artikelart LP

  • EAN: 8719262040649

  • weight in Kg 0.31
Burke, Solomon - I Wish I Knew (LP, 180g colored Vinyl, Ltd.) LP 1
01 I Wish I Knew (How It Would Feel To Be Free) Solomon Burke
02 Get Out Of My Life Woman Solomon Burke
03 Meet Me In Church Solomon Burke
04 By The Time I Get To Phoenix Solomon Burke
05 Then You Can Tell Me Goodbye Solomon Burke
06 What’d I Say Solomon Burke
07 Since I’ve Met You Baby Solomon Burke
08 Save It Solomon Burke
09 Shame On Me Solomon Burke
10 Why, Why, Why Solomon Burke
Solomon Burke The Price Solomon Burke The Price The regal bearing of Philly-born... more
"Solomon Burke"

Solomon Burke

The Price

Solomon Burke

The Price

The regal bearing of Philly-born soul singer Solomon Burke was so compelling that in 1964 he was coronated the 'King of Rock 'n' Soul' by Baltimore deejay Rockin' Robin. "He had a show at the Royal Theater and one at the Howard Theater. One week at the Royal, one week at the Howard," says Solomon. "He says, 'Listen, I want to crown you king!' I said, 'Okay,king of what?' He says, 'King of rock.' I said, 'Oh no, we gotta have soul in there, because I'm not a rocker.' He says, 'Okay, King of

Rock 'n' Soul! That'd be fine.'" Burke still wears a crown and sits on a throne onstage.

One of the gents responsible for Burke's early '60s hit streak on Atlantic was Bert Berns, whose writing imprimatur graced Twist And Shout, Hang On Sloopy, and Piece Of My Heart. "Bert Berns was a great friend of Jerry Wexler," says Burke. "Bert Berns was a young writer who came to New York, and nobody would do any of his songs. So Jerry Wexler like adopted him. He became like Jerry's adopted son. And he was just there in the studio. And Jerry says, 'Listen, you gotta do some of these songs!'" Berns authored Burke's 1962 hit Cry To Me, co-wrote his top '64 seller Goodbye Baby (Baby Goodbye), and shared credit with Wexler and Burke on the stomping Everybody Needs Somebody To Love, another of Solomon's 1964 highlights.

"I had to give them a piece of the writers' before they would accept it to even release the record," claims Burke. "They said, 'This song will never happen. It's too fast. It's redundant. It keeps saying the same thing. Nobody's going to buy this!'"

Not only did Solomon's fans buy that one, they went for his resplendent self-penned ballad The Price, a #57 pop seller. In full Wonder Boy Preacher mode during a sermon intro that finds him name-checking three recent hits, Burke passionately recounts how much his broken love affair has cost him in front of a knife-edged Ray Ellis arrangement (Berns himself was one of three guitarists on the date).

" It was written in the Apollo Theatre," says Solomon. "A lady almost fell out of the balcony there, just screamin' and hollerin' when I wrote that song on stage. I was going through some personal problems in my life with my wife at that time, and I just came on stage and had my band play certain chords. I played the guitar, and they followed me, and I wrote the song. It was very dynamic."

.

- Bill Dahl -

Various - Sweet Soul Music

31 Scorching Classics From 1964

Read more at: https://www.bear-family.de/various-sweet-soul-music-31-scorching-classics-from-1964.html
Copyright © Bear Family Records

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