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Martin Böttcher Die große Karl May Soundtrack-Box (3-CD)

Die große Karl May Soundtrack-Box (3-CD)
 
 
 

catalog number: CDPOL5719405

weight in Kg 0,370

 

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Martin Böttcher: Die große Karl May Soundtrack-Box (3-CD)

(2016/Polydor) 123 tracks -
  • Winnetou I
  •  Der Schatz im Silbersee
  • Unter Geiern
  • Winnetou II
  •  Der Ölprinz
  • Winnetou III
  • Winnetou und das Halbblut Apanatschi
  • Old Surehand
  • Winnetou und Shatterhand im Tal der Toten

 

Songs

Martin Böttcher - Die große Karl May Soundtrack-Box (3-CD) Medium 1
1: Old-Shatterhand-Melodie (Winnetou I Version 1)
2: Santer-Thema (Winnetou I)
3: Roter Mohn Von Missouri (Winnetou I)
4: Angriff Der Kiowa-Indianer Auf Die Planwagen (Winnetou I)
5: Klekhi-Petra, Der Lehrer Der Apachen, Wird Bestattet (Winnetou I)
6: Aufmarsch Und Angriff Der Bahnarbeiter Auf Roswell (Winnetou I)
7: Bergung Der Toten (Winnetou I)
8: Angriff Der Apachen (Winnetou I)
9: Heimkehr Der Apachen (Winnetou I)
10: Liebesthema (Winnetou I)
11: Amulett (Winnetou I)
12: Hill-Billy-Tilly (Winnetou I)
13: Liebesthema Winnetou-Thema/Santer-Thema/Trennung/Kampf (Winnetou I)
14: Old-Shatterhand-Melodie (Winnetou I Version 2)
15: Old-Shatterhand-Melodie (Der Schatz Im Silbersee Version 1)
16: Tramp-Melodie (Der Schatz Im Silbersee)
17: Ritt Zu Buttlers Farm Und Kampf (Der Schatz Im Silbersee)
18: Hill-Billy-Tilly (Der Schatz Im Silbersee)
19: Old-Shatterhand-Melodie (Der Schatz Im SilberseeVersion 2)
20: Winnetou-Thema (Der Schatz Im Silbersee)
21: Abstieg Durch Die Höhlen Zum Silbersee (Der Schatz Im Silbersee)
22: Ritt Zum Indianerdorf (Der Schatz Im Silbersee)
23: Old-Shatterhand-Melodie (Der Schatz Im Silbersee Version 3)
Martin Böttcher - Die große Karl May Soundtrack-Box (3-CD) Medium 2
1: Old-Surehand-Melodie (Unter Geiern Version 1)  
2: Brennende Farm Nach Dem Überfall Der Geier (Unter Geiern)  
3: Okey Doke (Unter Geiern)  
4: Die Schoschonen An Der Bahre Des Alten Häuptlings (Unter Geiern)  
5: Unter Geiern (Unter Geiern Version 1)  
6: Old-Surehand-Melodie (Unter Geiern Version 2)  
7: Die Schoschonen Mit Winnetou Im Tal Des Todes (Unter Geiern)  
8: Der Treck In Erwartung Des Überfalls Der Geier (Unter Geiern)  
9: Unter Geiern (Unter Geiern Version 2)  
10: Winnetou Und Die Schoschonen Greifen Ein Und Befreien Den Treck (Unter Geiern)  
11: Old-Surehand-Melodie (Unter Geiern Version 3)  
12: Winnetou-Melodie (Winnetou Ii Version 1)  
13: Angriff Der Forrester-Bande Auf Indianerdorf (Winnetou Ii)  
14: Leutnant Merill Und Seine Kameraden Reiten Zum Fort, Verfolgt Von Der Forrester-Bande (Winnetou Ii)  
15: Winnetou-Melodie (Winnetou Ii Version 2)  
16: Aufruhr Und Brand Im Forrester-Lager (Winnetou Ii)  
17: Ritt Der Häuptlinge Zur Friedensverhandlung Im Fort (Winnetou Ii)  
18: Black Molly (Winnetou Ii)  
19: Treck Vor Dem Überfall (Winnetou Ii)  
20: Winnetou Und Old Shatterhand Reiten Zum Treck Um Zu Warnen (Winnetou Ii)  
21: Luke Flieht Zum See, An Dem Winnetou Der Forrester-Bande Auflauert (Winnetou Ii)  
22: In Der Zauberhöhle (Winnetou Ii)  
23: Indianer Schwimmen Durch Die Höhle Und Beginn Des Kampfes Mit Der Forrester-Bande (Winnetou Ii)  
24: Letzter Kampf (Winnetou Ii)  
25: Winnetou-Melodie (Winnetou Ii Version 3)  
26: Ölprinz-Melodie (Der Ölprinz)  
27: Chinla River Song (Der Ölprinz Version 1)  
28: Angriff Auf Den Treck Und Abwehr (Der Ölprinz)  
29: Winnetou, Old Surehand Und Die Siedler Stehen Fassungslos Vor Dem Toten Häuptlingssohn (Der Ölprinz)  
30: Dramatische Floßfahrt (Der Ölprinz)  
31: Nachts Vor Dem Angriff Der Indianer (Der Ölprinz)  
32: Kantor Hampel Spielt Vor Dem Indianer-Überfall Harmonium (Der Ölprinz)  
33: Chinla River Song (Der Ölprinz Version 2)  
34: Winnetou-Melodie (Titelmusik) (Winnetou Iii)  
35: Banditen-Thema (Winnetou Iii)  
36: Winnetous Verfolgung An Den Wasserfällen (Winnetou Iii)  
37: Winnetous Todesahnung (Winnetou Iii)  
38: Old Shatterhands Ritt Zum Pueblo Sammeln Und Angriffsvorbereitungen Der Banditen Und Jicarillas Gegen Die Apachen)  
39: Die Banditen Und Jicarillas Greifen An (Winnetou Iii)  
40: Schwere Niederlage Der Banditen Beim Floß-Angriff (Winnetou Iii)  
41: Die Apachen Ziehen Mit Ihren Familien Zum Nugget-Tsil (Winnetou Iii)  
Martin Böttcher - Die große Karl May Soundtrack-Box (3-CD) Medium 3
1: Apanatschi (Hauptthema) (Winnetou und das Halbblut Apanatschi)  
2: Der Kampf mit dem Adler (Winnetou und das Halbblut Apanatschi)  
3: Haller, Apanatschi und Winnetou reiten zum Goldberg (Winnetou und das Halbblut Apanatschi)  
4: Jeff zaubert für Apanatschi (Winnetou und das Halbblut Apanatschi)  
5: Haller wird aufgelauert und erschossen (Winnetou und das Halbblut Apanatschi)  
6: Jeff bringt die Todesnachricht (Winnetou und das Halbblut Apanatschi)  
7: Angriff der Banditen (Winnetou und das Halbblut Apanatschi)  
8: Apanatschi und Happy sind im Keller eingesperrt (Winnetou und das Halbblut Apanatschi)  
9: Angriff der Arbeiter (Winnetou und das Halbblut Apanatschi)  
10: Happy wird gefangen (Winnetou und das Halbblut Apanatschi)  
11: Old Shatterhand und Apanatschi treffen Jeff in den Bergen (Winnetou und das Halbblut Apanatschi)  
12: Winnetou und Happy mit den Banditen am Goldberg (Winnetou und das Halbblut Apanatschi)  
13: Winnetou und Happy verstecken sich vor den Banditen (Winnetou und das Halbblut Apanatschi)  
14: Der große Kampf (Winnetou und das Halbblut Apanatschi)  
15: Judge flüchtet und wird von der Lokomotive überfahren (Winnetou und das Halbblut Apanatschi)  
16: Die Freunde treffen sich auf der Farm (Winnetou und das Halbblut Apanatschi)  
17: Old Surehand-Melody (Old Surehand)  
18: Comanchen verfolgen die Büffeljäger bis zur Farm (Old Surehand)  
19: Farmersohn Bob wird erschossen (Old Surehand)  
20: Jahrmarkt in Mason City Can Can (Old Surehand)  
21: Spanischer Tanz (Old Surehand)  
22: Old Surehand trägt toten Häuptlingssohn zur Kirche (Old Surehand)  
23: Orchestrion Mason-City-Melody (Old Surehand)  
24: Onkel Ben wird erstochen (Old Surehand)  
25: Old Surehand schleicht sich an den Häuptling heran (Old Surehand)  
26: Nachts vor der Poststation Old Surehand, Judith und Old Wabble brechen die Tür auf (Old Surehand)  
27: Winnetou rennt in die Tropfsteinhöhle, in der Tobby an den Pfahl gefesselt ist (Old Surehand)  
28: Tobby reitet und stürzt, Old Surehand findet ihn (Old Surehand)  
29: Aufbruch der Soldaten, Old Surehands und Old Wabbles (Old Surehand)  
30: Hauptthema (Grand Canyon Melodie) (Winnetou und Shatterhand im Tal der Toten)  
31: Verfolgung und Tod Major Kinsley (Winnetou und Shatterhand im Tal der Toten)  
32: Mable Kinsley's Kutsche wird überfallen (Mable's Melody) (Winnetou und Shatterhand im Tal der Toten)  
33: Murdock reitet in Stellung und wirft Sprengsatz (Murdock-Thema) (Winnetou und Shatterhand im Tal der Toten)  
34: Kutsche rast los Old Shatterhand stoppt sie (Winnetou und Shatterhand im Tal der Toten)  
35: Im Hotel Murdock mit dem Ankläger (Mable's Melody) (Winnetou und Shatterhand im Tal der Toten)  
36: Old Shatterhand's und Murdock's Kampf (Im Tal der Toten) (Winnetou und Shatterhand im Tal der Toten)  
37: Lord Castlepool kommt in den Saloon (Lord Castlepool) (Winnetou und Shatterhand im Tal der Toten)  
38: Old Shatterhand und Mable auf dem Hochplateau (Grand Canyon Melody) (Winnetou und Shatterhand im Tal der Toten)  
39: Old Shatterhand lockt die Murdock-Bande in die Bienenfalle (Holidays For Bees) (Winnetou und Shatterhand im Tal)  
40: Murdock-Bande will Winnetou und seine Freunde in eine Falle locken (Murdock-Thema) (Winnetou und Shatterhand im)  
41: Winnetou und Shatterhand schleichen sich zum schwerverletzten Farmer (Winnetou und Shatterhand im Tal der Toten)  

 

Artikeleigenschaften von Martin Böttcher: Die große Karl May Soundtrack-Box (3-CD)

  • Interpret: Martin Böttcher

  • Albumtitel: Die große Karl May Soundtrack-Box (3-CD)

  • Format CD
  • Genre Pop

  • Title Die große Karl May Soundtrack-Box (3-CD)
  • Release date 2016
  • Label Polydor Records

  • SubGenre Pop - Vocal Pop

  • EAN: 0602557194050

  • weight in Kg 0.370
 
 

Artist description "Böttcher, Martin"

MARTIN BÖTTCHER 

With his music he has undoubtedly written a chapter of German film history. Since the fifties he has been composing music that sometimes calms, sometimes creates tension, sometimes makes a beautiful landscape even more beautiful (as with Karl May). It is only thanks to a lucky coincidence that Martin Böttcher, who actually wanted to become a test pilot, came to the music.

Martin Böttcher, born on 17 June 1927 in Berlin, acquired his first musical knowledge at an early age through piano lessons. Even though he was born with musical talent - one of his great-grandfathers was Hofkapellmeister in Weimar - his first passion is flying, his goal is to become a pilot. At the age of 14 he obtained his first gliding licence A-, B-, C- and Luftfahrerscheine Class 1 and 2. Not quite 17 years old, he is trained in military service by the German Air Force for the'comet hunter'. However, there is no longer an operation: "Since flying had to be stopped prematurely due to a lack of fuel, I never flew an operation."

During his captivity as a prisoner of war Martin Böttcher succeeds in organizing a guitar, which in itself is an achievement under the given circumstances. He teaches himself to play the guitar using the do-it-yourself method. "But I came to music because I couldn't fly after the war and then had to indulge in my hobby - that was the music. "I was actually a pilot and I wanted to be a test pilot after the war."

Böttcher starts his musical career in the dance and entertainment orchestra of the former Nordwestdeutscher Rundfunk, which is even mentioned with respect in big-band England. In the orchestra newly formed by conductor Willi Steiner, one of his colleagues also becomes bassist Hans'James' Last. "I joined NWDR very early on - at the age of 18 as the youngest musician - and started there as a guitarist. I also studied with General Music Director Richard Richter and Kurt Wege. That was my teacher in the field of entertainment or jazz." The preferred genre of music is jazz. "I was all on that track, I made it to number two in the German Jazz Poll as a guitarist."

 

In 1950 the'soundbastler' Martin Böttcher recorded the first guitar trick recordings in Germany, whereby the guitar replaced an entire orchestra. He also writes arrangements, for example for the whistling Ilse Werner the Leroy Anderson piece Sleigh Ride. "I arranged the recording under insane circumstances back then. There were two titles, and I didn't get to bed for 56 hours. There was only one old shellac record by Leroy Anderson, on which you could hardly hear anything except the melody and some secondary voices. It was a hard learning object."

Two years later, he switched from music stand to sketch paper, before making his first contacts with the film industry. "I had a friend who was a dramaturg at the UFA; one day he recommended me to a producer who actually worked for the newsreel but was about to make a documentary for the Federal Ministry of Finance."

The first film music for the military satire'Der Hauptmann und sein Held' was written in 1955: "I was very impressed by the film because we had a good book and good actors. The critics were full of praise, and the film helped me a lot."

Böttcher's second film music then became a milestone in German film. Georg Tressler's'Die Halbstarken' (1956) become a huge success. Martin Böttcher's formation'Mister Martin's Band' includes top German jazz musicians such as Horst Fischer (tp), Fatty George (cl), Werner Baumgart (as), Werner Twardy (p), Cornelis op den Zieken (p), Rolf Ahrens (dr), Bill Grah (vib) or Ernst Mosch (tb) and Hans Last (b). "That was very appealing in that the producer actually wanted to buy titles in America, which he then wanted to use in the film. I said,'This costs a lot of money - give us the money, I'll get the right guys, and then we'll make music that's the same.'" The music was recorded in September 1956 in Hamburg. "We were a fun team and had a lot of fun - and we played good music." The music palette with its jazzy jewels need not shy away from comparison with American models.

The East German film factory DEFA produces the film'Spielbankaffäre' with a Swedish co-producer and Martin Böttcher provides the necessary background for the crime play on loan to the Scandinavians. In Berlin and Leipzig the music is recorded with East and West German soloists. On this occasion, he meets Wolfgang Rademann, who then paves the way for Böttcher to enter the German film industry.

The topic of youth issues is also discussed in'Endstation Liebe' (1958), whereby the music once again reflects the spirit of the times, such as the Bounce Groggy. Hildegard Knef later takes over the main theme and sings Nur ein kurzes Jahr. During these years, further recordings beyond film music were made. One example is the vocal title Merci, Monpti, sung by Romy Schneider. "The Ariola production manager, Horst Fuchs, had the idea for this project. The whole thing was made after the film. (Note: The music for the film'Monpti' is by Bernhard Eichhorn.) The recordings took place on a terribly grey day in Vienna. Romy Schneider was pretty depressed - because of all the'Sissi' hustle. Later I saw her again on Sylt."

Martin Böttcher writes three songs for the great Hans Albers: Mein Junge, halten die Füße still, Es egal und Ich komm' mir wie Winnetou (a first encounter with Karl May) for the film'13 kleine Esel und der Sonnenhof' (1958, director: Hans Deppe). "A special experience for me was that Hans Albers was an unheard-of personality that fascinated me enormously, and he was incredibly kind to me. It was like a warm bath to work with him, although he was generally a rather strict person. He was really great." The music is recorded with studio musicians in Hamburg, the vocal recordings with Hans Albers are also made in the Studio Hamburg.

Marina' (1960) is the name of one of the hit films of that time from Artur Brauner's successful forge. The title is already program enough, Martin Böttcher contributes `only' arrangements of well-known hit melodies for this production. From today's perspective, however, the crowd of'singing' actors, ranging from boxer legend Gustav'Bubi' Scholz, Rocco Granata, Hannelore Elsner or Renate Holm to Rex Gildo, is already impressive.

Martin Böttcher Grosse deutsche Filmkomponisten Vol.1

Read more at: https://www.bear-family.de/boettcher-martin-grosse-deutsche-filmkomponisten-vol.1.html
Copyright © Bear Family Records

 
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