Jackie Wilson Reet Petite (12inch, EP, Maxi, 45rpm)
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- catalog number: LPBR1245095
- weight in Kg 0.3
Jackie Wilson: Reet Petite (12inch, EP, Maxi, 45rpm)
Article properties: Jackie Wilson: Reet Petite (12inch, EP, Maxi, 45rpm)
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Interpret: Jackie Wilson
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Album titlle: Reet Petite (12inch, EP, Maxi, 45rpm)
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Genre Rock'n'Roll
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Label BR MUSIC
- Record Grading Mint (M)
- Sleeve Grading Mint (M)
- Geschwindigkeit 45 U/min
- Vinyl record size EP, Maxi (10, 12 Inch)
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Artikelart LP
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EAN: 4000127824516
- weight in Kg 0.3
| Wilson, Jackie - Reet Petite (12inch, EP, Maxi, 45rpm) LP 1 | ||||
|---|---|---|---|---|
| 01 | Reet Petite (The Sweetest Girl In Town) (Extended Shock Horror Mix) | Jackie Wilson | ||
| 02 | Reet Petite (Original Enhanced Mix) | Jackie Wilson | ||
| 03 | You Brought About A Change In Me | Jackie Wilson | ||
| 04 | I'm The One To Do It | Jackie Wilson | ||
Jackie Wilson
Lonely Teardrops
Jackie Wilson
Lonely Teardrops
Although he’d done respectably well with To Be Loved and Reet Petite, Jackie Wilson’s big breakthrough came with Lonely Teardrops. The writers/producers were Berry Gordy, who would, of course, go on to launch Motown Records, and Roquel Billy Davis aka Tyran Carlo who would later produce for Chess and co-write I’d Like To Teach The World To Sing. “We didn't even know we were supposed to be paid," Davis told 'The Detroit News' in 2003, of his deal with Wilson’s manager, Nat Tarnopol. Davis grew up in Detroit's north end, and was a cousin of Wilson's (their fathers were uncle and nephew).
He was also a cousin of the late Lawrence Payton of the Four Tops. At the Lonely Teardrops session, Davis told Bob Pruter that “the song began as a slow blues, but we changed it in the studio to make it more upbeat. During that period the cha-cha was very popular in Detroit, and we tried to give ‘Lonely Teardrops’ more of a cha-cha flavor.” Wilson sang with vein-popping exuberance, and Davis and Gordy coaxed a remarkably full sound from a small ensemble. Aside from a baritone sax mixed way back, there were only guitars, bass, percussion, and chorus. Guitar arpeggios replaced the pizzicato strings that Gordy and Davis probably wanted.
The tambourine would later be a feature of countless Motown productions. When the Isley Brothers performed the song on stage, they traded back and forth on the line, “say you will,” and by some accounts improvised an entirely new song, Shout, from Wilson’s outro. Other accounts, though, have the Isleys improvising Shout from Come Back To Me, the flip of To Be Loved. Wilson and those around him had no reason to be disappointed with the showing of Lonely Teardrops. It reached the top of the R&B charts and #7 on the pop charts.
Various - Blowing The Fuse 1958 - Classics That Rocked The Jukebox
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Ready to ship today, delivery time** appr. 1-3 workdays
Ready to ship today, delivery time** appr. 1-3 workdays
