Jackie Wilson The New York Years Vol.1 (CD)

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catalog number: CDJW27602
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(1995/Charly) 20 tracks, total playing time 51:10 min. more

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Jackie Wilson: The New York Years Vol.1 (CD)

(1995/Charly) 20 tracks, total playing time 51:10 min.

Article properties: Jackie Wilson: The New York Years Vol.1 (CD)

Interpret: Jackie Wilson
Album titlle: The New York Years Vol.1 (CD)
Genre R&B, Soul
Label Charly Records
Artikelart CD
EAN: 0082333276024
weight in Kg 0.1

Wilson, Jackie - The New York Years Vol.1 (CD) CD 1
01	Etcetera	Jackie Wilson
02	You Better Know It	Jackie Wilson
03	Sazzle Dazzle	Jackie Wilson
04	Try A Little Tenderness	Jackie Wilson
05	(You Were Made For) All My Love	Jackie Wilson
06	I'm Wandrin'	Jackie Wilson
07	I'll Be Satisfied	Jackie Wilson
08	So Much	Jackie Wilson
09	Years From Now	Jackie Wilson
10	I Apologize	Jackie Wilson
11	Please Tell Me Why	Jackie Wilson
12	Crazy She Calls Me	Jackie Wilson
13	To Be Loved	Jackie Wilson
14	I'm Comin' On Back To You	Jackie Wilson
15	Lonely Teardrops	Jackie Wilson
16	It's Been A Long Time	Jackie Wilson
17	My Heart Belongs To Only You	Jackie Wilson
18	Love Is All	Jackie Wilson
19	Keep Smiling At Trouble (Trouble's A	Jackie Wilson
20	Night	Jackie Wilson

Jackie Wilson Lonely Teardrops Jackie Wilson Lonely Teardrops Although... more

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"Jackie Wilson"

Jackie Wilson

Lonely Teardrops

Jackie Wilson

Lonely Teardrops

Although he’d done respectably well with To Be Loved and Reet Petite, Jackie Wilson’s big breakthrough came with Lonely Teardrops. The writers/producers were Berry Gordy, who would, of course, go on to launch Motown Records, and Roquel Billy Davis aka Tyran Carlo who would later produce for Chess and co-write I’d Like To Teach The World To Sing. “We didn't even know we were supposed to be paid," Davis told 'The Detroit News' in 2003, of his deal with Wilson’s manager, Nat Tarnopol. Davis grew up in Detroit's north end, and was a cousin of Wilson's (their fathers were uncle and nephew).

He was also a cousin of the late Lawrence Payton of the Four Tops. At the Lonely Teardrops session, Davis told Bob Pruter that “the song began as a slow blues, but we changed it in the studio to make it more upbeat. During that period the cha-cha was very popular in Detroit, and we tried to give ‘Lonely Teardrops’ more of a cha-cha flavor.” Wilson sang with vein-popping exuberance, and Davis and Gordy coaxed a remarkably full sound from a small ensemble. Aside from a baritone sax mixed way back, there were only guitars, bass, percussion, and chorus. Guitar arpeggios replaced the pizzicato strings that Gordy and Davis probably wanted.

The tambourine would later be a feature of countless Motown productions. When the Isley Brothers performed the song on stage, they traded back and forth on the line, “say you will,” and by some accounts improvised an entirely new song, Shout, from Wilson’s outro. Other accounts, though, have the Isleys improvising Shout from Come Back To Me, the flip of To Be Loved. Wilson and those around him had no reason to be disappointed with the showing of Lonely Teardrops. It reached the top of the R&B charts and #7 on the pop charts.

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