Gerhard Wendland Ich sende dir Rosen (#7 1959-65)

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catalog number: BCD16735
weight in Kg 0.115

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1-CD with 24-page booklet, 28 tracks, playing time 79:28 minutes. more

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Gerhard Wendland: Ich sende dir Rosen (#7 1959-65)

1-CD with 24-page booklet, 28 tracks, playing time 79:28 minutes.

Article properties: Gerhard Wendland: Ich sende dir Rosen (#7 1959-65)

Interpret: Gerhard Wendland
Album titlle: Ich sende dir Rosen (#7 1959-65)
Genre Schlager und Volksmusik
Label Bear Family Records
Price code AH
Artikelart CD
EAN: 4000127167354
weight in Kg 0.115

Wendland, Gerhard - Ich sende dir Rosen (#7 1959-65) CD 1
01	Sie	Gerhard Wendland
02	Deine Hände	Gerhard Wendland
03	Schönes Mädchen Du	Gerhard Wendland
04	Mister Blue	Gerhard Wendland
05	Sie war wie ein Traum	Gerhard Wendland
06	Wie das Meer	Gerhard Wendland
07	Ein Anderer kam	Gerhard Wendland
08	Ich bin bei dir	Gerhard Wendland
09	Du fehlst mir so sehr	Gerhard Wendland
10	Schläfst du schon	Gerhard Wendland
11	Mary-Rose	Gerhard Wendland
12	Heut bleiben wir zu Haus	Gerhard Wendland
13	Ein Sonntagskind	Gerhard Wendland
14	Ich hab so oft an dich gedacht	Gerhard Wendland
15	Komm zu mir	Gerhard Wendland
16	Liebst du mich	Gerhard Wendland
17	Das schönste Kompliment	Gerhard Wendland
18	Ein Herz allein	Gerhard Wendland
19	Küß mich zum Abschied noch einmal	Gerhard Wendland
20	Ich sende dir Rosen	Gerhard Wendland
21	Bist du einsam heut' Nacht	Gerhard Wendland
22	Honey	Gerhard Wendland
23	Du hast ja Tränen in den Augen	Gerhard Wendland
24	Es war einmal	Gerhard Wendland
25	Quando m'innamoro	Gerhard Wendland
26	Kein Tag tut mir leid	Gerhard Wendland
27	Die Frau meiner Träume	Gerhard Wendland
28	Danke schön	Gerhard Wendland

The circle of Schlagerfreunde, which will feel addressed by this record, is large: The... more

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"Gerhard Wendland"

The circle of Schlagerfreunde, which will feel addressed by this record, is large: The charming Musette-Walzer an der Seine in Paris fulfills the desire for tender, in love, French atmosphere, and as praise song on the eternal city the Tango-Serenade Arrivederci Roma sounds lately so popular. In addition the names Gerhard Wendland and Werner Müller. "In its April 1956 issue, the Polydor-Musikrevue, which presents the latest records to the Schlagerfreunde every month in the mid-50's, advertises this "Schlagerfahrt Rom - Paris ist das Reisegeld wert," the cover page shows a radiant Gerhard Wendland, whose portrait - graphically alienated - looks like an oil painting to the viewer. In the spring of 1956, the owners of shops for artists' requisites were surprised at the rapid sales of picture frames in A4 format, and very few knew who caused them: Gerhard Wendland. His many admirers frame the colourful cover picture and hang it in a place of honour above the record player or the music chest.

On February 18, 1956, the Wendland version of the hit from Rome appeared for the first time in the German charts. Many Schlagerfreunde believe that it is the original German version of the meanwhile international catchy tune, which was sung in neighbouring France in a French version by Tino Rossi in the'Parade du disque'. But the big German record companies are arguing about this predicate: Cologne's Electrola sends Fred Bertelmann, who has just signed his first record deal with a major company in Cologne, into the pop race; Decca from Hamburg relies on the charming Swiss Lys Assia, who, with Arrivederci Roma, makes the leap into the German hit parade one week after Gerhard Wendland. Her version remains in the charts for 20 weeks, 15 weeks of which are in the top 10 and climbs to number 4, just overtaking Gerhard Wendland, whose Polydor single remains in the charts for 15 weeks, rising to number 9 and holding its own in the top ten for three weeks.

Even if Wendland is not in front of the film camera as often as at the beginning of his career in the middle of the 50's - he still has great success with film melodies. Kurt Feltz, responsible for the production West der Polydor in Cologne, brings Gerhard Wendland to the Rhine for the German versions of the theme songs of the successful films'Rifififi' and'Der Mann aus Laramie'. On October 28, 1955, he stands in front of the microphone in the congress hall of the exhibition grounds and sings in true Wendland style. Both songs immediately hit the radio charts, and the cowboy song also made it into the charts on the last day of 1955. He stays there for 26 weeks, 21 of them in the top ten and reaches 3rd place.

Tours with other hit stars, prominent orchestras and quick-witted conferenciers were also on Gerhard Wendland's agenda in 1956. "It was often at that time when we came together on a tour, like at a reunion: When the right people got together, pranks were played all the time and there was a lot to laugh about," recalls the singer in an interview in the early 1980s. He remembers a prank in particular, which he likes to play at an advanced hour among his colleagues, and which Lonny Kellner also tells in the'Great Peter Frankenfeld Book' from 1984: "It was in 1956 when Peter toured Germany with Friedel Hensch and her Cyprys, the devil's violinist Helmut Zacharias, Gitta Lind, Bully Buhlan and Gerhard Wendland. The atmosphere was great, the tour was sold out. One day Gerhard Wendland had the glorious idea of playing a prank on Helmut Zacharias: In a junk shop he bought an old violin for ten marks. During the rehearsal before the performance in the small town of Weilheim in Upper Bavaria Helmut lost sight of his own precious instrument for a moment, Gerhard quickly put the'jumble violin' into Helmut's violin case. Then Gerhard Wendland and Peter started an argument, during which Peter took the violin out of its case and hit it in seemingly blind rage on the piano stool so that it cracked. Helmut got a screaming fit, the two fighting cocks could hardly argue with laughter and had afterwards trouble to convince Helmut Zacharias that his precious violin lay undamaged in a safe place".

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