T-Bone Walker Stormy Monday Blues (LP)

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catalog number: LPWS1002
weight in Kg 0.3

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1967 'Wet Soul', 12 tracks - Reissue more

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T-Bone Walker: Stormy Monday Blues (LP)

1967 'Wet Soul', 12 tracks - Reissue

Article properties: T-Bone Walker: Stormy Monday Blues (LP)

Interpret: T-Bone Walker
Album titlle: Stormy Monday Blues (LP)
Genre Blues
Geschwindigkeit 33 U/min
Vinyl record size LP (12 Inch)
Record Grading Mint (M)
Sleeve Grading Mint (M)
Label WET SOUL
Artikelart LP
EAN: 4000127778901
weight in Kg 0.3

Walker, T-Bone - Stormy Monday Blues (LP) LP 1
01	Stormy Monday Blues	T-Bone Walker
02	All Night Lng	T-Bone Walker
03	My Patience Keeps Running Out	T-Bone Walker
04	Glamour Girl	T-Bone Walker
05	T-Bone's Way	T-Bone Walker
06	That Evening train	T-Bone Walker
07	Louisiana Bayou Drive	T-Bone Walker
08	When We Were Schoolmates	T-Bone Walker
09	Don't Go Back To New Orleans	T-Bone Walker
10	Got To Cross The deep Blue Sea	T-Bone Walker
11	(You'll Never Find Anyne) To Be A Slave Like Me	T-Bone Walker
12	Left Home When I Was A Kid	T-Bone Walker

T-Bone Walker Who's the father of the electric blues? Very simple: T-Bone Walker. Of... more

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"T-Bone Walker"

T-Bone Walker

Who's the father of the electric blues? Very simple: T-Bone Walker. Of course, a handful of blues-based guitarists had already experimented with amplifying their instruments before T-Bone's appearance, but he wrote the vocabulary that everyone who followed him eagerly adopted. In short, T-Bone was the source. The elegant Mean Old World, recorded in Hollywood on July 20, 1942 with pianist Freddie Slack, bassist Jud DeNaut and drummer Dave Coleman as accompanists, was the real starting point for Walker, even though he had made his first record years earlier.

Born on 28 May 1910 in Linden, Texas, Aaron Thibeaux (T-Bone was a corruption of his middle name) Walker learned the blues from his mother, who played the guitar, and a stepfather who plucked the bass in the Dallas String Band. The famous blind Lemon Jefferson was another major influence - as a teenager Walker led him through Dallas, where Jefferson performed as a street musician. Before concentrating on his guitar playing, Walker acquired extraordinary agility as a professional dancer.

Walker made his first recordings at the end of 1929, a 78 for Columbia under the name Oak Cliff T-Bone (Oak Cliff was the district of Dallas where he grew up). At that time, of course, Walker only played acoustic guitar, even when he performed as a duo with another future pioneer of the electric guitar, Charlie Christian. T-Bone moved out to Los Angeles in the mid-1930s, where he continued to dance and concentrate on his full baritone singing - he was only a singer on his next record appearance with bandleader Les Hite in 1940.

Initially inspired by Les Paul, T-Bone began to try out the newly launched electric guitar models at that time. He decided on a Gibson ES-250 and soon developed the unusual technique of holding his guitar flat in front of him like a plate while he pecked grandiose melody single-tone lines and wonderful, voluminous niche chords. Walker's brilliant innovations prepared the field for most of the following, influential guitarists of post-war blues, from Gatemouth Brown and B.B. King to Albert Collins and Johnny Copeland. His acrobatic shows also impressed his fans.

"Man, he did the splits while he was playing the guitar behind his head," Collins raved. "It was incredible!"

Bill Dahl
Chicago, Illinois

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