Conway Twitty Four Albums On Two Discs (2-CD)
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- catalog number:CDBGO1525
- weight in Kg 0.15
Conway Twitty: Four Albums On Two Discs (2-CD)
(Good Time Records) 44 tracks, in slipcase, with new notes
Four more albums by Conway Twitty from 1972-73
All four were Top 10 albums in the US country charts, with You've Never Been This Far Before reaching No. 1, and all four albums also made it into the Top 200 of the Billboard Album Charts, proving Twitty's popularity
CD 1: I Can't See Me Without You / I Can't Stop Loving You
CD 2: She Needs Someone To Hold Her / You've Never Been This Far Before
Article properties:Conway Twitty: Four Albums On Two Discs (2-CD)
Interpret: Conway Twitty
Album titlle: Four Albums On Two Discs (2-CD)
Genre Country
Label BGO REOCRDS
Artikelart CD
EAN: 5017261215253
- weight in Kg 0.15
| Twitty, Conway - Four Albums On Two Discs (2-CD) CD 1 | ||||
|---|---|---|---|---|
| 01 | I Can’t See Me Without You | Conway Twitty | ||
| 02 | Looking Through My Glass | Conway Twitty | ||
| 03 | It’s Been One Heck Of A Day | Conway Twitty | ||
| 04 | Kiss An Angel Good Morning | Conway Twitty | ||
| 05 | I Didn’t Lose Her (I Threw Her Away) | Conway Twitty | ||
| 06 | I’ll Never Make It Home Tonight | Conway Twitty | ||
| 07 | This Road That I Walk | Conway Twitty | ||
| 08 | She Knows What She’s Crying About | Conway Twitty | ||
| 09 | She’s All I Got | Conway Twitty | ||
| 10 | One More Sunrise | Conway Twitty | ||
| 11 | It’s A Crying Shame | Conway Twitty | ||
| 12 | (Lost Her Love) On Our Last Date | Conway Twitty | ||
| 13 | Candy | Conway Twitty | ||
| 14 | Hold To My Unchanging Love | Conway Twitty | ||
| 15 | I Still See Him (Through The Hurt In Your Eyes) | Conway Twitty | ||
| 16 | I Just Wanted You To Know | Conway Twitty | ||
| 17 | I Can’t Stop Loving You | Conway Twitty | ||
| 18 | Imagination Running Wild | Conway Twitty | ||
| 19 | White Lightning | Conway Twitty | ||
| 20 | Back When Judy Loved Me | Conway Twitty | ||
| 21 | The Key’s in The Mailbox | Conway Twitty | ||
| 22 | Since She’s Not With The One She Loves (She’ll Love The One She’s With) | Conway Twitty | ||
| Twitty, Conway - Four Albums On Two Discs (2-CD) CD 2 | ||||
|---|---|---|---|---|
| 01 | Sweet Memories | Conway Twitty | ||
| 03 | I’ve Just Destroyed The World | Conway Twitty | ||
| 04 | Even The Bad Times Are Good | Conway Twitty | ||
| 05 | It’s Not Love (But It’s Not Bad) | Conway Twitty | ||
| 06 | Dim Lonely Places | Conway Twitty | ||
| 07 | Darlin’ | Conway Twitty | ||
| 08 | I Don’t Believe I’ll Fall In Love Today | Conway Twitty | ||
| 09 | Each Season Changes You | Conway Twitty | ||
| 10 | Why Not Tonight | Conway Twitty | ||
| 11 | Don’t Cry Daddy | Conway Twitty | ||
| 12 | You’ve Never Been This Far Before | Conway Twitty | ||
| 13 | Born To Lose | Conway Twitty | ||
| 14 | Bring It On Home (To Your Woman) | Conway Twitty | ||
| 15 | ’Til The Pain Outwears The Shame | Conway Twitty | ||
| 16 | The Weakness In Your Man | Conway Twitty | ||
| 17 | Seasons Of My Heart | Conway Twitty | ||
| 18 | Baby’s Gone | Conway Twitty | ||
| 19 | When The Final Change Is Made | Conway Twitty | ||
| 20 | Above And Beyond | Conway Twitty | ||
| 21 | (You Make It Hard) To Take The Easy Way Out | Conway Twitty | ||
| 22 | I Love You More In Memory | Conway Twitty | ||
Conway Twitty
During Conway Twitty’s last years, he had good reason to reflect that country music was starting to take on much of the character of rock ‘n’ roll as he remembered it. New faces, impossibly young and good-looking, coming and going so quickly. It was so like rock ‘n’ roll in the Fifties. Twitty probably knew that--in all likelihood--there would never be another career like his. His story spanned almost thirty years in the country charts, and another five years in the pop charts before that. All told, there were five decades in which a Conway Twitty record was somewhere in the charts. It was an epic career with all the ingredients of the movie that will probably be made.
Conway Twitty’s greatest gift was his intuitive understanding of his audience. When rock ‘n’ roll changed in the mid-1960s, he realized that neither he nor his fans were listening to it any more, so he switched to country music. Country spoke to him and his audience in a way that rock didn’t. As a country singer, he wrote songs and searched out songs that addressed everyday highs and lows. He followed a generation as it made its often awkward way into and through adulthood. Whether rockin’ on Bandstand or croonin’ in Branson, Conway Twitty always knew what his audience wanted. He didn’t need market surveys, media consultants, or spin doctors. He just knew.
BIG RIVER
Conway Twitty was born Harold Lloyd Jenkins in Friars Point, Mississippi, on September 1, 1933, the oldest son of Floyd and Velma Jenkins. Velma named Harold for the bespectacled slapstick comedy star of the silent movies. Friars Point is a small town on the Mississippi, 75 miles south of Memphis. Five hundred people lived there then. In later years, Twitty liked to draw a parallel between himself and Huckleberry Finn, but the fact remains that Twitty was a child of the Depression. Floyd worked when and where he could, and was often away from home at WPA camps. He was part of the crew that built the dam at Sardis, Mississippi, and when Velma went there to live with him, she left young Harold with her mother. Grandma McGinnis worked at Pa Fuller’s boarding house, and it was Pa Fuller who gave Twitty his first guitar. When Twitty was eight, Floyd and Velma came back to Friars Point, and Floyd got a job on one of the ferry boats that crossed the river. Two years later, in 1943, the family moved over to the Arkansas side and settled in Helena.
Music was everywhere in that part of the Delta; it came from the Grand Ole Opry, local radio, tent shows, socials, church, street musicians, and almost every front porch. It was part of the fabric of life. “The only music we ever heard was country music,” Twitty said later. “We’d all get together on Saturday night at my grandma’s house and listen to the Grand Ole Opry. I didn’t know there was another station.” When Twitty began to pick and sing, the Opry stars were his early idols. Roy Acuff, Ernest Tubb, Red Foley, Robert Lunn 'The Talking Blues Boy,' Eddy Arnold...they all left their mark. In 1976, he recorded a tribute to the Opry, The Grandest Lady Of Them All, although sentimentality never led him to seek membership because that would have meant giving up the most lucrative night of the week in exchange for the Opry’s pittance...

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