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Suzi Quatro The Most Of

catalog number: CDEMI4380392

weight in Kg 0,100

 

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Suzi Quatro: The Most Of

(1992/EMI) 20 tracks

(1992/EMI) 20 tracks


 

Songs

Suzi Quatro - The Most Of Medium 1
1: Can The Can  
2: 48 Crash  
3: Daytona Demon  
4: Devil Gate Drive  
5: Too Big  
6: The Wild One  
7: Your Mama Won't Like Me  
8: I Bit Off More Than I Could Chew  
9: I May Be Too Young  
10: Tear Me Apart  
11: Roxy Roller  
12: If You Can't Give Me Love  
13: The Race Is On  
14: She's In Love With You  
15: Mama's Boy  
16: I've Never Been In Love  
17: Rolling Stone  
18: All Shook Up  
19: Keep A Knockin'  
20: Wake Up Little Susie  

 

Artikeleigenschaften von Suzi Quatro: The Most Of

  • Interpret: Suzi Quatro

  • Albumtitel: The Most Of

  • Format CD
  • Genre Beat

  • Music Genre Rock 'n' Roll
  • Music Style Beat - 60s / 70s
  • Music Sub-Genre 259 Beat - 60s - 70s
  • Title The Most Of
  • Release date 1992
  • Label EMI

  • SubGenre Beat 60s-70s

  • EAN: 5099943803927

  • weight in Kg 0.100
 
 

Artist description "Quatro, Suzi"

Suzi Quatro

Suzi Quatro was born on June 3, 1950 in Detroit of a musical family and made her debut, at eight, playing bongos with her father's jazz band, the Art Quatro Band and, at fourteen, she was TV go-go dancer Suzi Soul. At fifteen, she formed an all-girl group, Suzi Soul and the Pleasure Seekers, with her sisters Patti and Nancy; they played in mini skirts from Las Vegas to Vietnam.

In late 1970 Mickie Most, in Detroit recording Jeff Beck at Motown, heard her and brought her to Britain, where she toured, third on the bill, and released singles that got nowhere. In early 1973, she was teamed with songwriters /producers Chinn and Chapman who wrote and produced 'Can The Can', a British chart topper on RAK.

With a new image encasing her five-foot figure in a leather jump suit, the idea of her playing bass guitar in a band of large bruisers — Len Tuckey (guitar), Alistair Mackenzie (keyboards), Dave Neal (drums) — made her an instant suc-cess. '48 Crash' and 'Daytona Demon' (1973) and 'Devil Gate Drive' (1974) consolidated that success which went unchallenged until late 1974, when she had two flops in a row.

She spent the first six months of 1975 in America, gaining wide recognition via an Alice Cooper tour.

 
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