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Peter Kraus Big Box (4-CD)

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(Electrola) 111 Tracksmore

Peter Kraus: Big Box (4-CD)

(Electrola) 111 Tracks

Article properties:Peter Kraus: Big Box (4-CD)

  • Interpret: Peter Kraus

  • Album titlle: Big Box (4-CD)

  • Genre Schlager und Volksmusik

  • Label ELECTROLA

  • Artikelart CD

  • EAN: 0602435805993

  • weight in Kg 0.21
Kraus, Peter - Big Box (4-CD) CD 1
01Musik, Musik, Musik (Ich Brauche Keine Millionen)Peter Kraus
02So Stell' Ich Mir Die Liebe VorPeter Kraus
03Ich Nenne Alle Frauen BabyPeter Kraus
04Unter Einem Regenschirm Am AbendPeter Kraus
05In Einem Kleinen Café In HernalsPeter Kraus
06Du Sollst Mein Glückstern SeinPeter Kraus
07Unter Der Roten Laterne Von St PauliPeter Kraus
08Man Müsste Klavier Spielen KönnenPeter Kraus
09Capri-FischerPeter Kraus
10Wenn Die ElisabethPeter Kraus
11Ein Schiff Fährt Nach SchanghaiPeter Kraus
12Mexikanische SerenadePeter Kraus
13Ciao Ciao BambinaPeter Kraus
14Rosen Aus NapoliPeter Kraus
15O Sole MioPeter Kraus
16Florentinische NächtePeter Kraus
17Rumba AnnaPeter Kraus
18O Mia Bella NapoliPeter Kraus
19Come PrimaPeter Kraus
20Casetta In CanadaPeter Kraus
21Drei Münzen Im BrunnenPeter Kraus
22Die Süßesten FrüchtePeter Kraus
23Il Nostro ConcertoPeter Kraus
24Funiculi-FuniculaPeter Kraus
Kraus, Peter - Big Box (4-CD) CD 2
01Eso BesoPeter Kraus
02BrazilPeter Kraus
03Desafinado (Leicht Verstimmt)Peter Kraus
04Tu SabesPeter Kraus
05Schau Mich Bitte Nicht So AnPeter Kraus
06Orfeo NegroPeter Kraus
07AmapolaPeter Kraus
08Va BenePeter Kraus
09CordobaPeter Kraus
10Oh-La-La (Erst Kommt Der Rechte Fuß)Peter Kraus
11Bossa PamperaPeter Kraus
12Am ZuckerhutPeter Kraus
13CuicaPeter Kraus
14Hab'n Sie Nicht 'ne Braut Für MichPeter Kraus
15Rock Around The Clock (Live Version)Peter Kraus
16Tutti Frutti (Live Version)Peter Kraus
17Diana (Live Version)Peter Kraus
18I Love You Baby (Live Version)Peter Kraus
19Lonely Blue Boy (Live Version)Peter Kraus
20Charly Brown (Live Version)Peter Kraus
21Red River Rock (Live Version)Peter Kraus
22Brauner Bär Und Weiße Taube (Live Version)Peter Kraus
23Wenn Teenager Träumen (Live Version)Peter Kraus
24My Happiness (Live Version)Peter Kraus
25Souvenirs (Live Version)Peter Kraus
26See You Later Alligator (Live Version)Peter Kraus
27Shake Rattle And Roll (Live Version)Peter Kraus
28Susi Rock (Live Version)Peter Kraus
29Mit Siebzehn (Live Version)Peter Kraus
30Sugar Baby (Live Version)Peter Kraus
31Va Bene (Live Version)Peter Kraus
32Apache (Live Version)Peter Kraus
33Heartbreak Hotel (Live Version)Peter Kraus
34Jailhouse Rock (Live Version)Peter Kraus
35Love Me Tender (Live Version)Peter Kraus
36Itsy Bitsy Teenie Weenie Honolulu-Strand-Bikini (Live Version)Peter Kraus
37Buona Sera (Live Version)Peter Kraus
38Volare (Live Version)Peter Kraus
39Marina (Live Version)Peter Kraus
40Ciao Ciao Bambina (Live Version)Peter Kraus
Kraus, Peter - Big Box (4-CD) CD 3
01Ein Kerl Wie IchPeter Kraus
02Meine Drei Heimlichen WünschePeter Kraus
03BarbaraPeter Kraus
04In Einer Spanischen NachtPeter Kraus
05Die Frau'n Von ChinatownPeter Kraus
06Bei Mir Da Biste TopPeter Kraus
07Träume In MollPeter Kraus
08Im Bistro Zur Großen EinsamkeitPeter Kraus
09DonnerstagPeter Kraus
10Rote Nelken Und Weißer FliederPeter Kraus
11An Einem RegentagPeter Kraus
12Darum Wird Die Welt Nicht UntergehnPeter Kraus
13Wer Wird Denn WeinenPeter Kraus
14Sing Den SongPeter Kraus
15Hero Und LeanderPeter Kraus
16Wenn Ein Mädchen Weint, Braucht Es Einen FreundPeter Kraus
17Viva MariaPeter Kraus
18Der Schatz Auf Der BankPeter Kraus
19TelefonPeter Kraus
20Hokuspokus FidibusPeter Kraus
21Wo Ist Denn Das Mädchen HerPeter Kraus
22Hello SallyPeter Kraus
23Warum Hast Du So Traurige AugenPeter Kraus
24Schlafen, Essen Und Dich KüssenPeter Kraus
25In Ein Land Voll SonnenscheinPeter Kraus
26Es Kommt Nicht Auf Das Alter AnPeter Kraus
27Vor Dir Liegt Die Ganze WeltPeter Kraus
Kraus, Peter - Big Box (4-CD) CD 4
01Da Fahr' Ich Lieber Einen LkwPeter Kraus
02Der Twen Von DamalsPeter Kraus
03I Never Leave YouPeter Kraus
04Lass Uns Neu BeginnenPeter Kraus
05Da Ist Der SpotPeter Kraus
06Die TänzerinPeter Kraus
07Prominente, ProminentePeter Kraus
08Schlager-MedleyPeter Kraus
09Wie Sieht Ein Schmetterling AusPeter Kraus
10Schlaf Noch Eine Nacht DarüberPeter Kraus
11Das Münchner Image (Medley)Peter Kraus
12MusicPeter Kraus
13Fred AstairePeter Kraus
14Rock'n'roll-MedleyPeter Kraus
15Cadillac NightPeter Kraus
16Guitar ManPeter Kraus
17Rock'n'roll-MedizinPeter Kraus
18Du Weißt SchonPeter Kraus
19Let's Rock, Let's RollPeter Kraus
20Rock 'n' Roll Party MedleyPeter Kraus
Peter Kraus Peter Kraus Peter Kraus - Die SinglesIf Peter Kraus has earned the... more
"Peter Kraus"

Peter Kraus

Peter Kraus - Die Singles

Peter Kraus

Peter Kraus - Die SinglesIf Peter Kraus has earned the reputation of a rock'n' roll singer, it goes back especially to the years 1957 and 1958. When Elvis Presley just left show business to drive tanks in Germany, Polydor producer Gerhard Mendelson plundered the Presley catalogue to establish his pupil Kraus - and later Ted Herold - in the hit market. Gerhard 'Mosche' Mendelson (1913 - 14 March 1976) from Berlin, Austria, had now set himself the task of launching young stars in his Vienna studio in addition to looking after Austrian pop singers. The current US charts offered an excellent area for local producers who wanted to poach in foreign territories. In addition to Presley, Gene Vincent, Jackie Wilson, Buddy Knox, Paul Anka and others had provided plenty of templates. There was a market for these records with copies of American titles. Example Peter Kraus: Liebelei (Butterfly), Teddy Bear (Teddy Bear), Make yourself beautiful (Treat Me Nice), Hafen-Rock (Jailhouse Rock), Just like back then (Since I Met You Baby), Rosmarie (Reet Petite), Hula Baby (Hula Love). The closest to Peter Kraus was actually the Canadian child star Paul Anka, whose Diana he also sang after.

Peter Kraus - Die Singles

Anka was no more a rock'n' roll singer than Kraus, in whose interpretation everything always became a hit. After all, pop culture reached the previously immune strata of German society through him, albeit with a restrained dynamic. "Rock'n' Roll in homoeopathic dilution", the WDR amused itself in a retrospective television program about this music, which however led to the fact that rock'n' roll was gradually no longer used as a swearword in the Federal Republic. The term was even used in German: "Peter Kraus playing rock scooter". And they showed understanding for the youth represented by Peter Kraus. The'New Leaf': "He is as modern as his whole generation, who grew up in breeches instead of the uniforms of the air force helpers". Fashion played an important role in pop culture from the outset. Leather jackets and jeans were not only clothes, but symbols with which one could already show oneself externally as inappropriate. But to dismiss rock'n' roll now only as fashion, as happened in the media of the Federal Republic, corresponded to the desire to get the misunderstood phenomenon under control.

Peter Kraus - Die SinglesThen it belonged to depict dance steps to rock'n' roll in magazines. And that included a fast-moving teen fashion. Film actors such as Marlon Brando and James Dean set an example by making the T-shirt socially acceptable. Brando had already shown it in'Endstation Sehnsucht'. In'The Savage' he made it the symbol of the rebel. And in'for they know not what they do' James Dean did it like him by casually wearing a leather jacket over the white shirt. There were consequences: In'Bravo' a James Dean jacket was advertised ("He preferred to wear the combined leather cardigan in Hollywood cut. He sometimes dipped them in cognac"), and a sweater called'Peter-Kraus-Coll' was added for pop fans. The rock'n' roll seemed to be a step in the right direction for Peter Kraus because he had made a name for himself in this field two years earlier. With his Elvis and Bill Haley songs rehearsed at home, he had performed in 1956 in front of a full hall in a competition of the Munich'Abendzeitung'. 

Peter Kraus - Die Singles

He had already pra

cticed for the performance with Hugo Strasser, whose orchestra accompanied him that evening. This is how the result was programmed. Peter Kraus gave the rock'n' roll star on stage. And the crowd raged. Three times he had to repeat the Rock-A-Beatin boogie. The whole thing had been announced as a jazz concert in the Deutsches Museum - and so he was initially sold in the media as a jazz musician. The'Neue Blatt' soon wrote: "His career as a German jazz singer is unparalleled." Part of his image was that he was described in the same article as a "likeable boy". This arrived. But Peter Kraus certainly didn't mind that the'Frankfurter Abendpost' called him the'Rock'n' Roll singer no.' and pronounced him the'German Presley'. So it made sense to record the successful Presley title Treat Me Nice (from the film'Jailhouse Rock') in the original arrangement with Peter Kraus-O-tone.

What was lost was not only the dynamics of RCA recording. Lyricist Peter Mösser also left nothing of the meaning of the song. Instead of asking his mistress to treat him nicely and to remain loyal to him, it's now, as so often in the Schlager der Zeit, all about going dancing together again. And about teenage fashion - Make yourself beautiful: "Take the blue dress, because it suits you so well, and with it the cute little cheeky yellow hat." The ladies' hat really belonged to the - elderly

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