Freddie King Freddie King Gives You A Bonanza Of...180g

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catalog number: SLP5365
weight in Kg 0.2

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All-instrumental LP from the guitarist idolized by Eric Clapton, Peter Green, Stevie Ray Vaughan... more

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Freddie King: Freddie King Gives You A Bonanza Of...180g

All-instrumental LP from the guitarist idolized by Eric Clapton, Peter Green, Stevie Ray Vaughan and many others.

Vinyl Pressed at R.T.I.

Freddie King's second all-instrumental album, Freddy King Gives You a Bonanza of Instrumentals, originally released in 1965 on King Records' Federal subsidiary, continued the artist's winning streak, with such memorable King originals as "Manhole," "Freeway 75," "Low Tide" and "Funnybone." The 12-song LP demonstrates once again why King was one of his generation's most revered electric guitarists. Although his career was tragically cut short by his death at the age of 42, Freddie King was one of America's most distinctive and influential electric blues guitarists, leaving an indelible mark on more than one generation of guitar superstars, including Eric Clapton, Stevie Ray Vaughan and the Rolling Stones' Mick Taylor.

The Texas-born axeman began playing guitar at the age of six, and in his teens moved with his family to the South Side of Chicago, where he was inspired by witnessing club gigs by such seminal electric bluesmen as Muddy Waters, Jimmy Rogers and Elmore James. Originally billed as Freddy King, he began recording in 1957, revealing a massively influential style that merged his Texas and Chicago influences, and soon achieved commercial success with a series of infectious instrumental hits. Sundazed Music's new vinyl edition of this electric blues landmark has been sourced from the original mono master, and pressed on 180-gram vinyl. It features an exact reproduction of the original LP cover art.

Article properties: Freddie King: Freddie King Gives You A Bonanza Of...180g

Interpret: Freddie King
Album titlle: Freddie King Gives You A Bonanza Of...180g
Genre R&B, Soul
Label SUNDAZED
Preiscode VLP2
Geschwindigkeit 33 U/min
Vinyl record size LP (12 Inch)
Record Grading Mint (M)
Sleeve Grading Mint (M)
Vinyl weight 180g Vinyl
Artikelart LP
EAN: 0090771536518
weight in Kg 0.2

King, Freddie - Freddie King Gives You A Bonanza Of...180g LP 1
01	Manhole	Freddie King
02	Freeway 75	Freddie King
03	Low Tide	Freddie King
04	The Sad Nite Owl	Freddie King
05	Funnybone	Freddie King
06	Nickleplated	Freddie King
07	King-A-Ling	Freddie King
08	Surf Monkey	Freddie King
09	Freddy's Midnite Dream	Freddie King
10	Fish Fare	Freddie King
11	Cloud Sailin'	Freddie King
12	Remington Ride	Freddie King

Freddie King Although he was born near Gilmer, Texas, on September 3, 1934, Freddy King... more

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"Freddie King"

Freddie King

Although he was born near Gilmer, Texas, on September 3, 1934, Freddy King spent his musically formative years in Chicago. From 1950 to 1963, the handsome guitarist contributed to changing the blues of Windy City from ensemble tradition to the new, more aggressive sound of the West Side - with his sensational guitar skills and roaring vocals.

Freddie Christian (King was his mother's last name; Federal Records later changed the spelling of his first name to Freddy) learned guitar early on under the guidance of his uncle Leon King. The 78's of Lightnin' Hopkins, John Lee Hooker, T-Bone Walker and Louis Jordan made a big impression on the boy. He moved to Chicago in December 1950; great for his age, he was let into the local blues bars and could see his heroes up close. The brilliant guitarists Jimmy Rogers, Robert Jr. Lockwood and Eddie Taylor gave him important musical tips.

"He tried to learn to play," said Rogers, who died in 1997. "He'd come in and sit down and watch us play, me and Muddy." Freddy did a good job of what he saw, "He then went back home and practiced until those licks sounded quite good to him." King developed a hot two-finger guitar technique with a plastic thumb pick and a metal pick on the index finger. "That's how I played, and he watched me," Rogers said. Freddy played in various local formations and joined the Blues Cats of the young bluesharp player Earlee Payton in 1956. "Payton left us," recalled their bassist Robert 'Big Mojo' Elem, who died in 1997. "After that, Freddy King was the bandleader."

King made his record debut in 1956 with the groovy That's What You Think for John Burton's tiny El-Bee label, but then had to wait four years for his next recording opportunity. Meanwhile he worked his way to the top of the new West Side movement, together with Magic Sam. "Everybody said,'Man, you gotta see Freddy King," says his West Side guitar mate Eddy Clearwater.

Another young Chicago guitarist, Syl Johnson, played a mediating role when Freddy finally found accommodation at Syd Nathans' Federal sub-label in Cincinnati's King Records. "He heard I was signing with Federal, so he wanted to try to get on the label," says Syl. "He gave me a demo and I sent it to Sonny Thompson." Sonny, a Mississippi-born pianist who reached the top of the R&B charts in 1948 with his two-part instrumental Long Gone for the Miracle record company before switching to Nathan's King label, headed the Chicago office of Federal and King. Thompson signed Freddy for Federal and produced his debut session in Cincinnati on August 26, 1960.

As usual Thompson also took over the piano, Bill Willis played bass and Philip Paul drums. No less than three hits were recorded on this day, the biggest was the only instrumental number. Hide Away was named after one of Freddy's favorite pubs on the West Side, Mel's Hideaway Lounge. "It's been a real hotspot for a long time," Rogers said. The piece consisted of a series of borrowed riffs, which were joined together to form a seamless whole.

The basic theme was taken over by King from slide guitar wizard Hound Dog Taylor, who called his creation Taylor's Boogie. "He was the first one to start playing it," says Clearwater. "Then Magic Sam played it." He recorded his own version for Mel London's Chief logo in 1961 and named it Do The Camel Walk. But Sam didn't use the two choruses Freddy played on his bass strings that came straight from Jimmy McCracklin's 58 hit The Walk, and the 12 bars from Henry Mancini's Peter Gunn. The wide open break chord came either from Lockwood or Freddy Robinson.

"We played it about three, four, maybe five or six times and we thought,'Okay, we're getting ready to record it,'" Willis, who died in 2010, recalled. "The old man (Nathan) said,'I got it!'" Crazy old Syd had captured a #5 R&B-/#29 pop smash hit - and the definitive electric blues guitar instrumental piece.

Bill Dahl
Chicago, Illinois

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Electric Blues 1939-2005 - The Definitive Collection!
Volume 3: 1960-1969

Freddie King on Wikipedi

PLUG IT IN! TURN IT UP!
Electric Blues 1939–2005 – The Definitive Collection!
Volume 3: 1960–1969

Freddie King on Wikipedia

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