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Louis Jordan Let the Good Times Roll (2-LP)

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(Vinyl Passion) 36 tracks - The singles 1942-1951, feat. Ella Fitzgerald and Louis Armstrong!more

Louis Jordan: Let the Good Times Roll (2-LP)

(Vinyl Passion) 36 tracks - The singles 1942-1951, feat. Ella Fitzgerald and Louis Armstrong!

Article properties:Louis Jordan: Let the Good Times Roll (2-LP)

  • Interpret: Louis Jordan

  • Album titlle: Let the Good Times Roll (2-LP)

  • Genre R&B, Soul

  • Geschwindigkeit 33 U/min
  • Vinyl record size LP (12 Inch)
  • Record Grading Mint (M)
  • Sleeve Grading Mint (M)
  • Edition 2 Deluxe Edition
  • Artikelart LP

  • EAN: 8719039005376

  • weight in Kg 0.45
Jordan, Louis - Let the Good Times Roll (2-LP) LP 1
01I'M GONNA MOVE TO THE OUTSKIRTS OF TOWNLouis Jordan
02WHAT'S THE USE OF GETTING SOBERLouis Jordan
03FIVE GUYS NAMED MOELouis Jordan
04THAT'LL JUST ABOUT KNOCK ME OUTLouis Jordan
05RATION BLUESLouis Jordan
06GI JIVELouis Jordan
07IS YOU IS OR IS YOU AIN'T (MY BABY)Louis Jordan
08MOP MOPLouis Jordan
09YOU CAN'T GET THAT NO MORELouis Jordan
10CALDONIALouis Jordan
11SOMEBODY DONE CHANGED THE LOCK ON MY DOORLouis Jordan
12BUZZ MELouis Jordan
13DON'T WORRY BOUT THAT MULELouis Jordan
14SALT PORK WEST VIRGINIALouis Jordan
15DON'T LET THE SUN CATCH YOU CRYINLouis Jordan
16BEWARE (BROTHER BEWARE)Louis Jordan
17STONE COLD DEAD IN THE MARKETLouis Jordan
18THAT CHICK'S TOO YOUNG TO FRYLouis Jordan
19CHOO CHOO CH'BOOGIELouis Jordan
Jordan, Louis - Let the Good Times Roll (2-LP) LP 2
01AIN'T THAT JUST LIKE A WOMANLouis Jordan
02AIN'T NOBODY HERE BUT US CHICKENSLouis Jordan
03LET THE GOOD TIMES ROLLLouis Jordan
04TEXAS AND PACIFICLouis Jordan
05OPEN THE DOOR RICHARDLouis Jordan
06JACK YOU'RE DEADLouis Jordan
07BOOGIE WOOGIE BLUE PLATELouis Jordan
08EARLY IN THE MORNINGLouis Jordan
09BARNYARD BOOGIELouis Jordan
10REET PETITE AND GONELouis Jordan
11RUN JOELouis Jordan
12BABY IT'S COLD OUTSIDELouis Jordan
13BEANS AND CORN BREADLouis Jordan
14SATURDAY NIGHT FISH FRYLouis Jordan
15SCHOOL DAYSLouis Jordan
16BLUE LIGHT BOOGIELouis Jordan
17TEARDROPS FROM MY EYESLouis Jordan
Louis Jordan and his Tympany Five No artist was more seminal to the development of R&B... more
"Louis Jordan"

Louis Jordan and his Tympany Five

No artist was more seminal to the development of R&B and ultimately rock and roll than jumpin', jivin' alto saxist Louis Jordan and his relentlessly swinging Tympany Five. The most popular R&B act of their era with an unbroken string of hits for Decca spanning 1942-1951, Jordan and his compact crew managed to cross over to the pop hit parade in unprecedented fashion. A naturally gifted comic, he starred in several low budget musical films for black audiences and proved a major influence on Bill Haley & His Comets, who were produced by Jordan's former Decca A&R man, Milt Gabler.

Born in Brinkley, Arkansas, on July 8, 1908, Louis came by his musical talents naturally: his father was a bandleader. The younger Jordan was skilled enough on his horn to find work in New York during the early '30s, recording behind Louis Armstrong and Clarence Williams before joining drummer Chick Webb's orchestra in 1936 (he was showcased on Webb's Rusty Hinge). Louis left Chick's employ in 1938, ready to lead the first incarnation of his Tympany Five (he was playing clarinet as well as alto sax in those days).

The hits began to come in late '42 with I'm Gonna Leave You On The Outskirts Of Town and didn't let up for a full decade. Jordan rallied the troops with his Ration Blues and G.I. Jive and kept jitterbugs hopping back home with Caldonia and Choo Choo Ch'Boogie. Like nine of his Decca 78s before it, Ain't That Just Like A Woman paced the race music charts. Written by Claude De Metruis (alleged co-author Fleecie Moore was Jordan's wife; he'd soon divorce her after she attacked him with a knife, losing a lot of compositional royalties he'd assigned to her in the process) and cut January 23, 1946 in New York, the humorous romp saw Louis' band expand to six with the addition of guitarist Carl Hogan.

Pianist Wild Bill Davis keeps the track driving, but it's Hogan's fluid boogie underpinning that gets the witty number rocking. Chuck Berry has long cited Hogan as a main influence and cut his own version of the song nearly two decades later; Fats Domino and Lloyd Price made convincing renditions as well. Sadly, like many of his peers, Jordan got left behind during the rock and roll revolution he helped spark. He was still performing until shortly before his February 4, 1975 death.

 

Bill Dahl
Chicago, Illinois

PLUG IT IN! TURN IT UP!

Electric Blues 1939-2005. - The Definitive Collection!

 

 

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