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Waylon Jennings The Waylon Jennings Files, Vol.7 (LP)

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  • BFX15157
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(Bear Family Records) 16 tracks RCA Victor 1967-1968 more

Waylon Jennings: The Waylon Jennings Files, Vol.7 (LP)

(Bear Family Records) 16 tracks RCA Victor 1967-1968

Article properties: Waylon Jennings: The Waylon Jennings Files, Vol.7 (LP)

  • Interpret: Waylon Jennings

  • Album titlle: The Waylon Jennings Files, Vol.7 (LP)

  • Genre Country

  • Label Bear Family Records

  • Geschwindigkeit 33 U/min
  • Vinyl record size LP (12 Inch)
  • Record Grading Mint (M)
  • Sleeve Grading Mint (M)
  • Artikelart LP

  • EAN: 4000127151575

  • weight in Kg 0.21
Jennings, Waylon - The Waylon Jennings Files, Vol.7 (LP) LP 1
01 Christina Waylon Jennings
02 You Love The Ground I Walk On Waylon Jennings
03 All Of Me Belongs To You (& ANITA CARTER) Waylon Jennings
04 No One's Gonna Miss Me (& ANITA CARTER) Waylon Jennings
05 How Much Rain Can One Man Stand Waylon Jennings
06 Rings Of Gold (& ANITA CARTER) Waylon Jennings
07 My Ramona Waylon Jennings
08 New York City, R.F.D. Waylon Jennings
09 You'll Think Of Me Waylon Jennings
10 I Got You (& ANITA CARTER) Waylon Jennings
11 Such A Waste Of Love Waylon Jennings
12 Only Daddy That'll Walk The Line Waylon Jennings
13 Yours Love Waylon Jennings
14 Kentucky Woman Waylon Jennings
15 See You Around (On Your Way Down) Waylon Jennings
16 Too Far Gone Waylon Jennings
Waylon Jennings The Jennings family was like many in West Texas, subsistence farmers and... more
"Waylon Jennings"

Waylon Jennings

The Jennings family was like many in West Texas, subsistence farmers and odd jobbers. His folks, William Albert Jennings and Lorene Beatrice Shipley, had married in 1935, and he was the oldest child, born June l5, 1937. Littlefield was a town built around the cotton fields, carved up from a three million acre ranch that had been under the aegis of Major George Washington Littlefield at the turn of the twentieth century. The seat of Lamb County, it was bisected by the Panhandle and Santa Fe Railroad, and it was as typical a small town Texas life as could be, working in his Daddy's produce store, chasing girls through the town square, watching the cowboy pictures at the Palace Theatre.

There was music in the family - his Daddy loved to sing like Bill Monroe and pluck his guitar thumb-and-finger style, while his Momma showed him how to form his first chords - and more crackling over the radio: the Grand Ole Opry and the Louisiana Hayride and Stan's Record Rack and, one morning in the fall of 1954, the echoings of a countryish singer who sounded like no other country singer before: Elvis Presley, reprising Arthur Crudup's That's Alright, Mama and Bill Monroe's Blue Moon Of Kentucky.

Waylon himself leaned toward Hank Williams and Ernest Tubb, and soon enough was trying to emulate his idols by appearing at the weekly Palace Theatre talent shows. Finding he wasn't much good at most of the available menial labors in town, he found a job at the Voice of Lamb County, KVOW, as a disc jockey, playing a variety of music from Mantovani to country to the classics. Slowly his circle of performing expanded, and he was able to watch the rise of rock and roll first-hand when a local boy from Lubbock, Buddy Holly, had a hit record called
The Jennings family was like many in West Texas, subsistence farmers and odd jobbers. His folks, William Albert Jennings and Lorene Beatrice Shipley, had married in 1935, and he was the oldest child, born June l5, 1937. Littlefield was a town built around the cotton fields, carved up from a three million acre ranch that had been under the aegis of Major George Washington Littlefield at the turn of the twentieth century. The seat of Lamb County, it was bisected by the Panhandle and Santa Fe Railroad, and it was as typical a small town Texas life as could be, working in his Daddy's produce store, chasing girls through the town square, watching the cowboy pictures at the Palace Theatre.

There was music in the family - his Daddy loved to sing like Bill Monroe and pluck his guitar thumb-and-finger style, while his Momma showed him how to form his first chords - and more crackling over the radio: the Grand Ole Opry and the Louisiana Hayride and Stan's Record Rack and, one morning in the fall of 1954, the echoings of a countryish singer who sounded like no other country singer before: Elvis Presley, reprising Arthur Crudup's That's Alright, Mama and Bill Monroe's Blue Moon Of Kentucky.

Waylon himself leaned toward Hank Williams and Ernest Tubb, and soon enough was trying to emulate his idols by appearing at the weekly Palace Theatre talent shows. Finding he wasn't much good at most of the available menial labors in town, he found a job at the Voice of Lamb County, KVOW, as a disc jockey, playing a variety of music from Mantovani to country to the classics. Slowly his circle of performing expanded, and he was able to watch the rise of rock and roll first-hand when a local boy from Lubbock, Buddy Holly, had a hit record called That'll Be The Day.
Excerpt from the book BCD 16320 - Waylon Jennings - The Journey: Destiny's Child - Read more at: https://www.bear-family.com/jennings-waylon-the-journey-destiny-s-child-6-cd.html
https://www.bear-family.com/jennings-waylon/
Copyright © Bear Family Records

Auszug aus dem Buch BCD 16320 - Waylon Jennings - The Journey: Destiny's Child - Lesen Sie mehr unter: https://www.bear-family.com/jennings-waylon-the-journey-destiny-s-child-6-cd.html
https://www.bear-family.com/jennings-waylon/
Copyright © Bear Family Records

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