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Waylon Jennings Original Outlaw (LP, Colored Vinyl, Ltd.)

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  • LPCLO2089
  • 0.33
Cleopatra Records) 12 tracks Limited Edition Tri-Colored Red, White & Blue Vinyl LP! Gatefold... more

Waylon Jennings: Original Outlaw (LP, Colored Vinyl, Ltd.)

Cleopatra Records) 12 tracks

Limited Edition Tri-Colored Red, White & Blue Vinyl LP! Gatefold jacket

Special reissue of this excellent compilation of 12 early recordings from the infamous outlaw of country music, Waylon Jennings!

Includes "Don't Think Twice, It's Alright", "White Lightnin'", "Crying", "It's So Easy" and more! Features production and guest appearances by the late great icon of early rock music, Buddy Holly!"

Side A tracks 1 & 2 recorded September 1958, produced by Buddy Holly. All other tracks recorded in the studios of Audio Recorders, Phoenix, Arizona, December 1964. Equipment used: AMPEX Master Recorder, Telefunken and Altec Condenser microphones.



Video von Waylon Jennings - Original Outlaw (LP, Colored Vinyl, Ltd.)

Article properties: Waylon Jennings: Original Outlaw (LP, Colored Vinyl, Ltd.)

  • Interpret: Waylon Jennings

  • Album titlle: Original Outlaw (LP, Colored Vinyl, Ltd.)

  • Genre Country

  • Label CLEOPATRA RECORDS

  • Geschwindigkeit 33 U/min
  • Vinyl record size LP (12 Inch)
  • Mint (M)
  • Sleeve Grading Mint (M)
  • Limited Edition
  • Artikelart CD

  • EAN: 0889466208911

  • weight in Kg 0.33
Jennings, Waylon - Original Outlaw (LP, Colored Vinyl, Ltd.) CD 1
01 When Sin Stops Waylon Jennings
02 Jole Blon Waylon Jennings
03 Crying Waylon Jennings
04 Don'T Thing Twice, It's Alright Waylon Jennings
05 White Lightin' Waylon Jennings
06 Sally Was A Good Old Girl Waylon Jennings
07 Love's Gonna Live Here Waylon Jennings
08 Dream Baby (How Long Must I Dream) Waylon Jennings
09 Big Mamou Waylon Jennings
10 Abilene Waylon Jennings
11 Money (That's What I Want) Waylon Jennings
12 Lorena Waylon Jennings
Waylon Jennings The Jennings family was like many in West Texas, subsistence farmers and... more
"Waylon Jennings"

Waylon Jennings

The Jennings family was like many in West Texas, subsistence farmers and odd jobbers. His folks, William Albert Jennings and Lorene Beatrice Shipley, had married in 1935, and he was the oldest child, born June l5, 1937. Littlefield was a town built around the cotton fields, carved up from a three million acre ranch that had been under the aegis of Major George Washington Littlefield at the turn of the twentieth century. The seat of Lamb County, it was bisected by the Panhandle and Santa Fe Railroad, and it was as typical a small town Texas life as could be, working in his Daddy's produce store, chasing girls through the town square, watching the cowboy pictures at the Palace Theatre.

There was music in the family - his Daddy loved to sing like Bill Monroe and pluck his guitar thumb-and-finger style, while his Momma showed him how to form his first chords - and more crackling over the radio: the Grand Ole Opry and the Louisiana Hayride and Stan's Record Rack and, one morning in the fall of 1954, the echoings of a countryish singer who sounded like no other country singer before: Elvis Presley, reprising Arthur Crudup's That's Alright, Mama and Bill Monroe's Blue Moon Of Kentucky.

Waylon himself leaned toward Hank Williams and Ernest Tubb, and soon enough was trying to emulate his idols by appearing at the weekly Palace Theatre talent shows. Finding he wasn't much good at most of the available menial labors in town, he found a job at the Voice of Lamb County, KVOW, as a disc jockey, playing a variety of music from Mantovani to country to the classics. Slowly his circle of performing expanded, and he was able to watch the rise of rock and roll first-hand when a local boy from Lubbock, Buddy Holly, had a hit record called
The Jennings family was like many in West Texas, subsistence farmers and odd jobbers. His folks, William Albert Jennings and Lorene Beatrice Shipley, had married in 1935, and he was the oldest child, born June l5, 1937. Littlefield was a town built around the cotton fields, carved up from a three million acre ranch that had been under the aegis of Major George Washington Littlefield at the turn of the twentieth century. The seat of Lamb County, it was bisected by the Panhandle and Santa Fe Railroad, and it was as typical a small town Texas life as could be, working in his Daddy's produce store, chasing girls through the town square, watching the cowboy pictures at the Palace Theatre.

There was music in the family - his Daddy loved to sing like Bill Monroe and pluck his guitar thumb-and-finger style, while his Momma showed him how to form his first chords - and more crackling over the radio: the Grand Ole Opry and the Louisiana Hayride and Stan's Record Rack and, one morning in the fall of 1954, the echoings of a countryish singer who sounded like no other country singer before: Elvis Presley, reprising Arthur Crudup's That's Alright, Mama and Bill Monroe's Blue Moon Of Kentucky.

Waylon himself leaned toward Hank Williams and Ernest Tubb, and soon enough was trying to emulate his idols by appearing at the weekly Palace Theatre talent shows. Finding he wasn't much good at most of the available menial labors in town, he found a job at the Voice of Lamb County, KVOW, as a disc jockey, playing a variety of music from Mantovani to country to the classics. Slowly his circle of performing expanded, and he was able to watch the rise of rock and roll first-hand when a local boy from Lubbock, Buddy Holly, had a hit record called That'll Be The Day.
Excerpt from the book BCD 16320 - Waylon Jennings - The Journey: Destiny's Child - Read more at: https://www.bear-family.com/jennings-waylon-the-journey-destiny-s-child-6-cd.html
https://www.bear-family.com/jennings-waylon/
Copyright © Bear Family Records

Auszug aus dem Buch BCD 16320 - Waylon Jennings - The Journey: Destiny's Child - Lesen Sie mehr unter: https://www.bear-family.com/jennings-waylon-the-journey-destiny-s-child-6-cd.html
https://www.bear-family.com/jennings-waylon/
Copyright © Bear Family Records

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